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Deleted line(s) 46 (click to see context) :
** Similarly, [[spoiler:while the audience is purposely only given faint looks at this woman (especially thanks to Suzume's memory of her being hazy because she was so young at the time), what little we ''do'' see of her physical features is that she has long straight hair. When we see a flashback later of Suzume's mother making the chair for her, she's shown to have medium-length curly hair, which is also how she's drawn in her daughter's journal, hinting that the woman in the Ever After isn't actually her. And while Suzume spends much of the movie with her hair up in a ponytail, when it ''is'' hanging down, we see that it's also long and straight.]]
Changed line(s) 51 (click to see context) from:
* {{Glamour}}: Daijin at one point joins a group of customers drinking at a bar. While Suzume can clearly see he's a small cat, everyone else apparently sees a human.
to:
* {{Glamour}}: Daijin Daijin, in multiple in different ways:
** He at one point joins a group of customers drinking at a bar. While Suzume can clearly see he's a small cat, everyone else apparently sees ahuman.human.
** He also gets this in his cat form:
*** After Suzume unwittingly sets him free from being the keystone, when he first appears to her again at her bedroom window, he appears skinny and starving, but once she feeds him and he becomes fully attached to her, he instantly changes into looking like a healthy CuteKitten.
** [[spoiler:When she is later furious with him for turning Souta into the new keystone and leaving him apparently trapped in the Ever After for eternity, and tearfully yells at Daijin that she hates him for, he turns back to his emaciated appearance out of sadness and heartbreak that Suzume doesn't love him.]]
** And finally, once [[spoiler:she realizes that Daijin, despite his selfishness, was actually helping her and Souta all along by leading them to the doors (rather than releasing the Wyrm himself like they'd feared), Suzume warmly thanks Daijin in a way that indicates that she's well on the way to forgiving him, and he turns back into his healthy-looking form again]].
** He at one point joins a group of customers drinking at a bar. While Suzume can clearly see he's a small cat, everyone else apparently sees a
** He also gets this in his cat form:
*** After Suzume unwittingly sets him free from being the keystone, when he first appears to her again at her bedroom window, he appears skinny and starving, but once she feeds him and he becomes fully attached to her, he instantly changes into looking like a healthy CuteKitten.
** [[spoiler:When she is later furious with him for turning Souta into the new keystone and leaving him apparently trapped in the Ever After for eternity, and tearfully yells at Daijin that she hates him for, he turns back to his emaciated appearance out of sadness and heartbreak that Suzume doesn't love him.]]
** And finally, once [[spoiler:she realizes that Daijin, despite his selfishness, was actually helping her and Souta all along by leading them to the doors (rather than releasing the Wyrm himself like they'd feared), Suzume warmly thanks Daijin in a way that indicates that she's well on the way to forgiving him, and he turns back into his healthy-looking form again]].
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Changed line(s) 32 (click to see context) from:
* DisappearedDad: Suzume makes no mention of her father and Tamaki says her sister was a single mother. Based on this, he was likely not involved with the family even before the tsunami.
to:
* DisappearedDad: Suzume makes no mention of her father and Tamaki says her sister Tsubame was a single mother. Based on this, he was likely not involved with the family even before the tsunami.
Changed line(s) 93 (click to see context) from:
** The very first scene in the movie is a young Suzume becoming lost in the Ever After and seeing a woman in white there who approaches her. She doesn't remember much about the encounter in the present because she was only 4 at the time, but believes it was her mother because the woman gave her the chair that her mom made for her as a birthday present, and the exact details about what occurred there are the biggest mystery of the movie. [[spoiler:When present-day Suzume, after returning to the Ever After to rescue Souta and defeat the Wyrm, sees her childhood self there, she realizes that the woman she saw as a kid was her older self in a StableTimeLoop.]]
to:
** The very first scene in the movie is a young Suzume becoming lost in the Ever After and seeing a woman in white there who approaches her. She doesn't remember much about the encounter in the present because she was only 4 at the time, but believes it was her mother because the woman gave her the chair that her mom Tsubame made for her as a birthday present, and the exact details about what occurred there are the biggest mystery of the movie. [[spoiler:When present-day Suzume, after returning to the Ever After to rescue Souta and defeat the Wyrm, sees her childhood self there, she realizes that the woman she saw as a kid was her older self in a StableTimeLoop.]]
Changed line(s) 104 (click to see context) from:
* StrugglingSingleMother: A recurring trope in the film. Suzume's biological mother was apparently single, though her financial circumstances aren't mentioned; Tamaki has taken over raising Suzume, and money seems to be tight in their household, though not to the point of outright poverty; and another character who Suzume meets along the way turns out to be another single mother, who works what is clearly a moderately stressful job in a bar to make ends meet.
to:
* StrugglingSingleMother: A recurring trope in the film. Suzume's biological mother Tsubame was apparently single, though her financial circumstances aren't mentioned; Tamaki has taken over raising Suzume, and money seems to be tight in their household, though not to the point of outright poverty; and another character who Suzume meets along the way turns out to be another single mother, who works what is clearly a moderately stressful job in a bar to make ends meet.
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Changed line(s) 91 (click to see context) from:
** A little over halfway through the movie, Daijin reveals that the reason he can't [[spoiler:return to being the second keystone to stop the Wyrm]] is because [[spoiler:he's already passed the role of the keystone to Souta, which is why the latter has been having dreams where he's freezing to death and having trouble waking up]].
to:
** A little over halfway About two-thirds of the way through the movie, Daijin reveals that the reason he can't [[spoiler:return to being the second keystone to stop the Wyrm]] is because [[spoiler:he's already passed the role of the keystone to Souta, which is why the latter has been having dreams where he's freezing to death and having trouble waking up]].
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Alphabetizing
* RecycledSoundtrack: [[https://youtu.be/yxvSVPeBPfM Itomori High School]] from ''Anime/YourName'' and [[https://youtu.be/bWEXgLj_jLo First Visit to K&A]] from ''Anime/WeatheringWithYou'' are heard when Daijin is seen crossing the Akashi Kaikyo Bridge in a news broadcast.
* RemovedAchillesHeel: The [[spoiler:Great Wyrm]] is entirely reliant on doors to enter the living world, so all it takes is one or two humans with a key and a prayer to stop it. The [[spoiler:Tokyo]] door is buried deep underground which prevents the protagonists from finding its location before [[spoiler:the Wyrm fully emerges, forcing Souta to seal it as the new keystone]].
* RemovedAchillesHeel: The [[spoiler:Great Wyrm]] is entirely reliant on doors to enter the living world, so all it takes is one or two humans with a key and a prayer to stop it. The [[spoiler:Tokyo]] door is buried deep underground which prevents the protagonists from finding its location before [[spoiler:the Wyrm fully emerges, forcing Souta to seal it as the new keystone]].
Deleted line(s) 92,93 (click to see context) :
* RecycledSoundtrack: [[https://youtu.be/yxvSVPeBPfM Itomori High School]] from ''Anime/YourName'' and [[https://youtu.be/bWEXgLj_jLo First Visit to K&A]] from ''Anime/WeatheringWithYou'' are heard when Daijin is seen crossing the Akashi Kaikyo Bridge in a news broadcast.
* RemovedAchillesHeel: The [[spoiler:Great Wyrm]] is entirely reliant on doors to enter the living world, so all it takes is one or two humans with a key and a prayer to stop it. The [[spoiler:Tokyo]] door is buried deep underground which prevents the protagonists from finding its location before [[spoiler:the Wyrm fully emerges, forcing Souta to seal it as the new keystone]].
* RemovedAchillesHeel: The [[spoiler:Great Wyrm]] is entirely reliant on doors to enter the living world, so all it takes is one or two humans with a key and a prayer to stop it. The [[spoiler:Tokyo]] door is buried deep underground which prevents the protagonists from finding its location before [[spoiler:the Wyrm fully emerges, forcing Souta to seal it as the new keystone]].
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Changed line(s) 47 (click to see context) from:
** As Suzume speaks with Souta[[spoiler:'s grandfather in the hospital]], he describes the Ever After to her as, among other things, a place "beyond time". [[spoiler:When Suzume and Souta are in the Ever After once she's saved him and they've defeated the Wyrm, she sees her child self appear there, and realizes that, because this is a place where time has no meaning, her younger and older selves can coexist there simultaneously, and that [[TheReveal the "woman" she remembered seeing there as a child was actually herself in the future]]]].
to:
** As Suzume speaks with Souta[[spoiler:'s grandfather in the hospital]], he describes the Ever After to her as, among other things, a place "beyond time"."a PlaceBeyondTime". [[spoiler:When Suzume and Souta are in the Ever After once she's saved him and they've defeated the Wyrm, she sees her child self appear there, and realizes that, because this is a place where time has no meaning, her younger and older selves can coexist there simultaneously, and that [[TheReveal the "woman" she remembered seeing there as a child was actually herself in the future]]]].
* TheReveal: Three big ones:
** A little over halfway through the movie, Daijin reveals that the reason he can't [[spoiler:return to being the second keystone to stop the Wyrm]] is because [[spoiler:he's already passed the role of the keystone to Souta, which is why the latter has been having dreams where he's freezing to death and having trouble waking up]].
** Suzume visits [[spoiler:Mr. Munakata in the hospital so he can tell her how to save Souta, his grandson]], and he tells her that [[spoiler:the reason she's able to see the Ever After, and thus the Wyrm, when others can't is because she entered it once before (when she got lost there as a child), and that the only way she can go back there is through the same door where she accessed it the first time]].
** The very first scene in the movie is a young Suzume becoming lost in the Ever After and seeing a woman in white there who approaches her. She doesn't remember much about the encounter in the present because she was only 4 at the time, but believes it was her mother because the woman gave her the chair that her mom made for her as a birthday present, and the exact details about what occurred there are the biggest mystery of the movie. [[spoiler:When present-day Suzume, after returning to the Ever After to rescue Souta and defeat the Wyrm, sees her childhood self there, she realizes that the woman she saw as a kid was her older self in a StableTimeLoop.]]
** A little over halfway through the movie, Daijin reveals that the reason he can't [[spoiler:return to being the second keystone to stop the Wyrm]] is because [[spoiler:he's already passed the role of the keystone to Souta, which is why the latter has been having dreams where he's freezing to death and having trouble waking up]].
** Suzume visits [[spoiler:Mr. Munakata in the hospital so he can tell her how to save Souta, his grandson]], and he tells her that [[spoiler:the reason she's able to see the Ever After, and thus the Wyrm, when others can't is because she entered it once before (when she got lost there as a child), and that the only way she can go back there is through the same door where she accessed it the first time]].
** The very first scene in the movie is a young Suzume becoming lost in the Ever After and seeing a woman in white there who approaches her. She doesn't remember much about the encounter in the present because she was only 4 at the time, but believes it was her mother because the woman gave her the chair that her mom made for her as a birthday present, and the exact details about what occurred there are the biggest mystery of the movie. [[spoiler:When present-day Suzume, after returning to the Ever After to rescue Souta and defeat the Wyrm, sees her childhood self there, she realizes that the woman she saw as a kid was her older self in a StableTimeLoop.]]
Changed line(s) 99 (click to see context) from:
* StableTimeLoop: As the [[spoiler:Ever After, the world beyond the door, exists outside of time and space Suzume is able to meet her child self, who stumbled in by accident while looking for her mother following the earthquake. She comforts her and gives her the three-legged chair, thus ensuring the events of the story play out.]]
to:
* StableTimeLoop: As the [[spoiler:Ever After, the world beyond the door, exists outside of time and space space, Suzume is able to meet her child self, who stumbled in by accident while looking for her mother following the earthquake.earthquake and tsunami. She comforts her and gives her the three-legged chair, thus ensuring the events of the story play out.]]
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Added DiffLines:
** As Suzume speaks with Souta[[spoiler:'s grandfather in the hospital]], he describes the Ever After to her as, among other things, a place "beyond time". [[spoiler:When Suzume and Souta are in the Ever After once she's saved him and they've defeated the Wyrm, she sees her child self appear there, and realizes that, because this is a place where time has no meaning, her younger and older selves can coexist there simultaneously, and that [[TheReveal the "woman" she remembered seeing there as a child was actually herself in the future]]]].
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Changed line(s) 46 (click to see context) from:
** Similarly, [[spoiler:while the audience is purposely only given faint looks at this woman (especially thanks to Suzume's memory of her being hazy because she was so young at the time), what little we ''do'' see of her physical features is that she has long straight hair. When we see a flashback later of Suzume's mother making the chair for her, she's shown to have medium-length curly hair, which is also how she's drawn in picture, hinting that the woman in the Ever After isn't actually her. And while Suzume spends much of the movie with her hair up in a ponytail, when it ''is'' hanging down, we see that it's also long and straight.]]
to:
** Similarly, [[spoiler:while the audience is purposely only given faint looks at this woman (especially thanks to Suzume's memory of her being hazy because she was so young at the time), what little we ''do'' see of her physical features is that she has long straight hair. When we see a flashback later of Suzume's mother making the chair for her, she's shown to have medium-length curly hair, which is also how she's drawn in picture, her daughter's journal, hinting that the woman in the Ever After isn't actually her. And while Suzume spends much of the movie with her hair up in a ponytail, when it ''is'' hanging down, we see that it's also long and straight.]]
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Added DiffLines:
** Similarly, [[spoiler:while the audience is purposely only given faint looks at this woman (especially thanks to Suzume's memory of her being hazy because she was so young at the time), what little we ''do'' see of her physical features is that she has long straight hair. When we see a flashback later of Suzume's mother making the chair for her, she's shown to have medium-length curly hair, which is also how she's drawn in picture, hinting that the woman in the Ever After isn't actually her. And while Suzume spends much of the movie with her hair up in a ponytail, when it ''is'' hanging down, we see that it's also long and straight.]]
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Changed line(s) 24 (click to see context) from:
* CatsAreMean: Daijin takes the form of a very cute kitten, but comes across as mean to people who have to deal with his true nature, which is something between a JerkassGod and a SadistTeacher. He abandons his duty to run off around Japan, and turns Souta into a chair [[spoiler:while forcing him into the role of the keystone]]. The latter may be more in the nature of an accident, but Daijin’s refusal to explain what is going on feels much like a cat playing with its prey.
to:
* CatsAreMean: Daijin takes the form of a very cute kitten, CuteKitten, but comes across as mean to people who have to deal with his true nature, which is something between a JerkassGod and a SadistTeacher. He abandons his duty to run off around Japan, and turns Souta into a chair [[spoiler:while forcing him into the role of the keystone]]. The latter may be more in the nature of an accident, but Daijin’s refusal to explain what is going on feels much like a cat playing with its prey.
Changed line(s) 76 (click to see context) from:
* OldMaid: Both Tamaki and Suzume are concerned that Tamaki is getting too old to find romance (perhaps becoming a ChristmasCake in Japanese terms), despite the fact that she is depicted as quite attractive, with at least one admirer.
to:
* OldMaid: Both Tamaki and Suzume are concerned that Tamaki is getting too old to find romance (perhaps becoming a ChristmasCake "ChristmasCake" in Japanese terms), despite the fact that she is depicted as quite attractive, with at least one admirer.
Changed line(s) 81 (click to see context) from:
** Suzume returns to her childhood home and for a brief moment sees it as it once was, before we see in the present nothing remains but the foundation.
to:
** Suzume returns to her childhood home and for a brief moment sees it as it once was, before we see that in the present present, nothing remains but the foundation.
Changed line(s) 98 (click to see context) from:
* StrugglingSingleMother: A recurring trope in the film. Suzume's biological mother was apparently single, though her financial circumstances aren't mentioned; Tamaki has taken over raising Suzume, and money seems to be tight in their household, though not to the point of outright poverty; and another character who Suzume meets along the way turns out to ve another single mother, who works what is clearly a moderately stressful job in a bar to make ends meet.
to:
* StrugglingSingleMother: A recurring trope in the film. Suzume's biological mother was apparently single, though her financial circumstances aren't mentioned; Tamaki has taken over raising Suzume, and money seems to be tight in their household, though not to the point of outright poverty; and another character who Suzume meets along the way turns out to ve be another single mother, who works what is clearly a moderately stressful job in a bar to make ends meet.
* UrbanFantasy: The film is set in modern Japan, with a lot of carefully depicted realistic details (including plenty of urban scenes), while mixing in fantastical elements out of Myth/JapaneseMythology.
Changed line(s) 110 (click to see context) from:
* TheWorldIsJustAwesome: After all of her adventures, Suzume tells [[spoiler:her younger self]] that no matter how bad things may seem, eventually she will discover just how wonderful the world and its people are.
to:
* TheWorldIsJustAwesome: After all of her adventures, Suzume tells [[spoiler:her younger self]] that no matter how bad things may seem, eventually she will discover just how wonderful the world and its people are.are.
----
----
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Deleted line(s) 23 (click to see context) :
* CatsAreMean: Daijin has moments of this, as he abandons his duty to run off and turns Souta into a chair [[spoiler: forcing him into the role of the keystone]].
* CatsAreMean: Daijin takes the form of a very cute kitten, but comes across as mean to people who have to deal with his true nature, which is something between a JerkassGod and a SadistTeacher. He abandons his duty to run off around Japan, and turns Souta into a chair [[spoiler:while forcing him into the role of the keystone]]. The latter may be more in the nature of an accident, but Daijin’s refusal to explain what is going on feels much like a cat playing with its prey.
Changed line(s) 37 (click to see context) from:
* EldritchAbomination: [[spoiler:The Great Wyrm]], a walking disaster that threatens Japan every time it escapes through a gate.
to:
* EldritchAbomination: [[spoiler:The Great Wyrm]], a walking living disaster that threatens Japan every time it escapes through a gate.
Changed line(s) 55 (click to see context) from:
* JerkassGods: Downplayed, but both Daijin and [[spoiler:Sadaijin]] have their moments. Daijin has grown bored with his role and wants to spend time with Suzume, so he ran away and [[spoiler:turned Souta into his replacement as the keystone]]. [[spoiler:Sadaijin possessed Tamaki and made her confess her darker feelings towards Suzume]], though this seems to have helped their relationship.
to:
* JerkassGods: Downplayed, but both Daijin and [[spoiler:Sadaijin]] have their moments. Daijin has grown bored with his role and wants to spend time with Suzume, so he ran runs away and [[spoiler:turned [[spoiler:turns Souta into his replacement as the keystone]]. [[spoiler:Sadaijin possessed possesses Tamaki and made makes her confess her darker feelings towards Suzume]], though this seems to have helped help their relationship.relationship. This is somewhat consistent with their status as ''kami'' out of Myth/JapaneseMythology; they are more living forces of nature rather than gods as such, and while they may be petitioned for help (as when Souta prays at key moments), they don't automatically favour human beings.
Changed line(s) 70,71 (click to see context) from:
* {{Nephewism}}: Following her mother's death, Suzume has been taken care of by her aunt Tamaki. [[spoiler:It proves to be a source of each other's issues with Tamaki feeling annoyed and stressed by Suzume's behaviour and refusal to open up to her while Suzume feels suffocated by Tamaki's care and doesn't want her to waste her adulthood taking care of her.]]
* NeverTrustATrailer: The second trailer makes Daijin look like the BigBad causing the disasters. [[spoiler: In the actual movie he's more benevolent if somewhat selfish.]]
* NeverTrustATrailer: The second trailer makes Daijin look like the BigBad causing the disasters. [[spoiler: In the actual movie he's more benevolent if somewhat selfish.]]
to:
* {{Nephewism}}: Following her mother's death, Suzume has been taken care of by her aunt Tamaki. [[spoiler:It proves to be a source of each other's issues issues, with Tamaki feeling annoyed and stressed by Suzume's behaviour and refusal to open up to her while Suzume feels suffocated by Tamaki's care and doesn't want her to waste her adulthood taking care of her.]]
* NeverTrustATrailer: The second trailer makes Daijin look like the BigBad causing the disasters.[[spoiler: In [[spoiler:In the actual movie he's more benevolent if somewhat selfish.]]
* NeverTrustATrailer: The second trailer makes Daijin look like the BigBad causing the disasters.
Added DiffLines:
* OldMaid: Both Tamaki and Suzume are concerned that Tamaki is getting too old to find romance (perhaps becoming a ChristmasCake in Japanese terms), despite the fact that she is depicted as quite attractive, with at least one admirer.
Added DiffLines:
* StrugglingSingleMother: A recurring trope in the film. Suzume's biological mother was apparently single, though her financial circumstances aren't mentioned; Tamaki has taken over raising Suzume, and money seems to be tight in their household, though not to the point of outright poverty; and another character who Suzume meets along the way turns out to ve another single mother, who works what is clearly a moderately stressful job in a bar to make ends meet.
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Changed line(s) 81,82 (click to see context) from:
* PleaseDontLeaveMe: Suzume pleads with [[spoiler:Souta]] to answer her and not give in to [[spoiler:the Keystone transformation]], but can't respond.
* PoorCommunicationKills: The relationship between Suzume and Tamaki is strained because neither is willing to actually discuss their issues. Suzume feels smothered by Tamaki's attention and pulls away from her as a result, which makes Tamaki feel like she has to tred carefully around her niece. Ironically, both of them worry that Tamaki is denying herself the chance to enjoy her own life due to this.
* PoorCommunicationKills: The relationship between Suzume and Tamaki is strained because neither is willing to actually discuss their issues. Suzume feels smothered by Tamaki's attention and pulls away from her as a result, which makes Tamaki feel like she has to tred carefully around her niece. Ironically, both of them worry that Tamaki is denying herself the chance to enjoy her own life due to this.
to:
* PleaseDontLeaveMe: Suzume pleads with [[spoiler:Souta]] to answer her and not give in to [[spoiler:the Keystone transformation]], but can't respond.
gets no response.
* PoorCommunicationKills: The relationship between Suzume and Tamaki is strained because neither is willing to actually discuss their issues. Suzume feels smothered by Tamaki's attention and pulls away from her as a result, which makes Tamaki feel like she has to tred carefully around her niece. Ironically, both of them worry that Tamaki is denying herself the chance to enjoy her own life due to this. This finally leads to a bitter argument [[spoiler:spurred on by Sadaijin]].
* PoorCommunicationKills: The relationship between Suzume and Tamaki is strained because neither is willing to actually discuss their issues. Suzume feels smothered by Tamaki's attention and pulls away from her as a result, which makes Tamaki feel like she has to tred carefully around her niece. Ironically, both of them worry that Tamaki is denying herself the chance to enjoy her own life due to this. This finally leads to a bitter argument [[spoiler:spurred on by Sadaijin]].
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Added DiffLines:
* PoorCommunicationKills: The relationship between Suzume and Tamaki is strained because neither is willing to actually discuss their issues. Suzume feels smothered by Tamaki's attention and pulls away from her as a result, which makes Tamaki feel like she has to tred carefully around her niece. Ironically, both of them worry that Tamaki is denying herself the chance to enjoy her own life due to this.
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Added DiffLines:
* NeverTrustATrailer: The second trailer makes Daijin look like the BigBad causing the disasters. [[spoiler: In the actual movie he's more benevolent if somewhat selfish.]]
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Changed line(s) 3,4 (click to see context) from:
''Suzume'' (''Suzume no Tojimari'', lit. Suzume's Locking Up) is the eighth film from director Creator/MakotoShinkai. The film was animated by [=CoMix Wave Films=] and distributed by Creator/{{Toho}}. RADWIMPS once again composed the soundtrack. At a runtime of 122 minutes, it stands as Shinkai's longest film to date.
to:
''Suzume'' (''Suzume no Tojimari'', lit. Suzume's Locking Up) is the eighth film from director Creator/MakotoShinkai. The film was animated by [=CoMix Wave Films=] and distributed by Creator/{{Toho}}. RADWIMPS once again composed the soundtrack.soundtrack alongside Kazuma Jinnouchi. At a runtime of 122 minutes, it stands as Shinkai's longest film to date.
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Changed line(s) 84 (click to see context) from:
* RemovedAchillesHeel: [[spoiler:The Tokyo subway tunnel from which the Wyrm emerges lacks a door with which Suzume and Souta could trap it from re-emerging like in previous encounters. The Wyrm then manages to fully escape from the tunnel, forcing Suzume to using Souta (which Daijin reveals to be the current keystone) to dispel the Wyrm.]]
to:
* RemovedAchillesHeel: [[spoiler:The Tokyo subway tunnel from The [[spoiler:Great Wyrm]] is entirely reliant on doors to enter the living world, so all it takes is one or two humans with a key and a prayer to stop it. The [[spoiler:Tokyo]] door is buried deep underground which prevents the protagonists from finding its location before [[spoiler:the Wyrm emerges lacks a door with which Suzume and Souta could trap it from re-emerging like in previous encounters. The Wyrm then manages to fully escape from the tunnel, emerges, forcing Suzume to using Souta (which Daijin reveals to be seal it as the current keystone) to dispel the Wyrm.]]new keystone]].
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found proper trope
Deleted line(s) 60 (click to see context) :
* LogicalWeakness: Inverted as it is a Logical Immunity. [[spoiler:The Tokyo subway tunnel from which the Wyrm emerges lacks a door with which the heroes could trap it from re-emerging. The Wyrm then manages to fully escape from the tunnel, forcing Suzume to using Souta (which Daijin reveals to be the current keystone) to dispel the Wyrm.]]
Added DiffLines:
* RemovedAchillesHeel: [[spoiler:The Tokyo subway tunnel from which the Wyrm emerges lacks a door with which Suzume and Souta could trap it from re-emerging like in previous encounters. The Wyrm then manages to fully escape from the tunnel, forcing Suzume to using Souta (which Daijin reveals to be the current keystone) to dispel the Wyrm.]]
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Changed line(s) 14 (click to see context) from:
* AncientOrderOfProtectors: The Closers, who are charged with keeping the doors [[spoiler:to the Ever After closed so the Wyrm cannot escape to cause disaster]]. In the present, only Souta and his grandfather seem to be left.* ApocalypticLog: [[spoiler:Suzume]] kept a diary as a child where she'd draw something in crayon each day. After the [[spoiler:tsunami destroyed her hometown]], she blacked out a page for each day afterward. [[spoiler:Only when she visited the Ever After did she draw something new]].
to:
* AncientOrderOfProtectors: The Closers, who are charged with keeping the doors [[spoiler:to the Ever After closed so the Wyrm cannot escape to cause disaster]]. In the present, only Souta and his grandfather seem to be left.left.
* ApocalypticLog: [[spoiler:Suzume]] kept a diary as a child where she'd draw something in crayon each day. After the [[spoiler:tsunami destroyed her hometown]], she blacked out a page for each day afterward. [[spoiler:Only when she visited the Ever After did she draw something new]].
* ApocalypticLog: [[spoiler:Suzume]] kept a diary as a child where she'd draw something in crayon each day. After the [[spoiler:tsunami destroyed her hometown]], she blacked out a page for each day afterward. [[spoiler:Only when she visited the Ever After did she draw something new]].
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Changed line(s) 14 (click to see context) from:
* ApocalypticLog: [[spoiler:Suzume]] kept a diary as a child where she'd draw something in crayon each day. After the [[spoiler:tsunami destroyed her hometown]], she blacked out a page for each day afterward. [[spoiler:Only when she visited the Ever After did she draw something new]].
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* AncientOrderOfProtectors: The Closers, who are charged with keeping the doors [[spoiler:to the Ever After closed so the Wyrm cannot escape to cause disaster]]. In the present, only Souta and his grandfather seem to be left.* ApocalypticLog: [[spoiler:Suzume]] kept a diary as a child where she'd draw something in crayon each day. After the [[spoiler:tsunami destroyed her hometown]], she blacked out a page for each day afterward. [[spoiler:Only when she visited the Ever After did she draw something new]].
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* CheshireCatGrin: Daijin has a grin that stretches across his entire face when he's up to something, such as when he transforms Souta.
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* DelayingAction: [[spoiler:Sadaijin]] fights the [[spoiler:Great Wyrm]] in order to delay it reaching the door while Suzume and Daijin [[spoiler:rescue Souta]].
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Added shoutout
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** Miki from ''Anime/YourName'' makes an appearance as an employee of the karaoke bar, though it's unclear whether they are meant to be the same character or not.
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I only remember the Itomori one, tho.
* RecycledSoundtrack: [[https://youtu.be/yxvSVPeBPfM Itomori High School]] from ''Anime/YourName'' and [[https://youtu.be/bWEXgLj_jLo First Visit to K&A]] from ''Anime/WeatheringWithYou'' are heard when Daijin is seen crossing the Akashi Kaikyo Bridge in a news broadcast.
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* SchoolUniformsAreTheNewBlack: Suzume starts her journey while wearing a school uniform, but that's only because she'd just left school. She wears a casual outfit loaned to her by Chika for the second act, before swapping back to the uniform for the climax.
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* SchoolUniformsAreTheNewBlack: Suzume starts her journey while wearing a her school uniform, but that's only because she'd just left school. She wears a casual outfit loaned to her by Chika for the second act, before swapping back to the uniform for the climax.
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* PleaseDontLeaveMe: Suzume pleads with [[spoiler:Souta]] to answer her and not give in to [[spoiler:the Keystone transformation]], but can't respond.
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nominal "3" looks weird when referring to countable amounts
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* CoolKey: Souta carries a special key which is used in the door-shutting ritual.
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* CoolKey: Souta carries a special primitive-looking key which is used in the door-shutting ritual.
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* CuteKitten: Daijin looks like an adorable kitten and is more than happy to strike adorable poses, which results in him receiving a substantial social media following during his trek across Japan. [[https://static1.srcdn.com/wordpress/wp-content/uploads/2023/04/suzume_3.jpg Observe]]
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* CuteKitten: Daijin looks like an adorable kitten and is more than happy to strike adorable poses, which results in him receiving a substantial social media following during his trek across Japan. [[https://static1.srcdn.com/wordpress/wp-content/uploads/2023/04/suzume_3.jpg Observe]]Observe]].
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* DoomedNewClothes: Suzume receives a new set of clothes from Chika so she won't stand out quite as much in her school uniform. However, the outfit is ruined while [[spoiler:sealing the Tokyo door]] and she dons her uniform again.
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* DoomedNewClothes: Suzume receives a new set of clothes from Chika so she won't stand out quite as much in her school uniform.uniform while trekking across Japan. However, the outfit is ruined while [[spoiler:sealing the Tokyo door]] and she dons her uniform again.
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* ForcedTransformation: Souta is forcibly transformed into Suzume's 3 legged chair at the hands of the cat Daijin.
* ForebodingFleeingFlock: Birds take the sky whenever the [[spoiler:Great Wyrm]] begins to emerge, with an enormous number of birds appearing when it uses the [[spoiler:Tokyo]] door.
* ForebodingFleeingFlock: Birds take the sky whenever the [[spoiler:Great Wyrm]] begins to emerge, with an enormous number of birds appearing when it uses the [[spoiler:Tokyo]] door.
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* ForcedTransformation: Souta is forcibly transformed into Suzume's 3 legged three-legged chair at the hands of the cat Daijin.
* ForebodingFleeingFlock: Birds take the sky whenever the [[spoiler:Great Wyrm]] begins to emerge, with an enormous number of birds appearing when ituses emerges from the [[spoiler:Tokyo]] door.[[spoiler:Tokyo subway tunnel]].
* ForebodingFleeingFlock: Birds take the sky whenever the [[spoiler:Great Wyrm]] begins to emerge, with an enormous number of birds appearing when it
* LogicalWeakness: Inverted as it is a Logical Immunity. [[spoiler:The Tokyo subway tunnel from which the Wyrm emerges lacks a door with which the heroes could trap it from re-emerging. The Wyrm then manages to fully escape from the tunnel, forcing Suzume to using Souta (which Daijin reveals to be the current keystone) to dispel the Wyrm.]]
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* StableTimeLoop: As the [[spoiler:Ever After, the world beyond the door, exists outside of time and space Suzume is able to meet her child self, who stumbled in by accident while looking for her mother following the earthquake. She comforts her and gives her the 3 legged chair, thus ensuring the events of the story play out.]]
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* StableTimeLoop: As the [[spoiler:Ever After, the world beyond the door, exists outside of time and space Suzume is able to meet her child self, who stumbled in by accident while looking for her mother following the earthquake. She comforts her and gives her the 3 legged three-legged chair, thus ensuring the events of the story play out.]]
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* TragicKeepsake: The 3 legged chair that Suzume's mother made for her is one of the things she has to remember her by, and was even found holding onto it when she nearly got lost looking for her mother following the earthquake. [[spoiler:Doubles as a MementoMacGuffin as teen Suzume giving the chair to her child self is pivotal to making sure the entire story happens.]]
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* TragicKeepsake: The 3 legged three-legged chair that Suzume's mother made for her is one of the things she has to remember her by, and was even found holding onto it when she nearly got lost looking for her mother following the earthquake. [[spoiler:Doubles as a MementoMacGuffin as teen Suzume giving the chair to her child self is pivotal to making sure the entire story happens.]]
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* WeirdnessCensor: When [[spoiler:Sadaijin]] talks in front of Tamaki and Tomoya, Suzume assures them that ''obviously'' the cat didn't say anything. They accept this, since cats don't talk and move on until [[spoiler:Sadaijin]] talks again, at which point they can't ignore it.
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* JerkWithAHeartOfGold: Daijin is selfish and [[spoiler: traps Souta as the keystone]] but he rescues Suzume [[spoiler: from harm twice and ultimately willingly returns to his duty as the keystone.]]
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better wording
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* EmergencyBroadcast: Done via smartphones whenever an earthquake occurs. As noted by the [[https://suzume-tojimari-movie.jp/ official website]], the sounds used are different from their real-life counterparts.
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* EmergencyBroadcast: Done via smartphones whenever an earthquake occurs. As noted by Worth noting is that the [[https://suzume-tojimari-movie.jp/ official website]], website]] warns viewers that the sounds used are in-movie alarms sound slightly different from their real-life real counterparts.
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unfortunately there's no specific "disaster alarm slightly different than IRL" trope
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* EmergencyBroadcast: Done via smartphones whenever an earthquake occurs. As noted by the [[https://suzume-tojimari-movie.jp/ official website]], the sounds used are different from their real-life counterparts.
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* DisappearedDad: Suzume makes no mention of her father, implying that, perhaps, whatever relationship he and her mother had was a one-night stand.
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* DisappearedDad: Suzume makes no mention of her father, implying that, perhaps, whatever relationship he father and Tamaki says her mother had sister was a one-night stand.single mother. Based on this, he was likely not involved with the family even before the tsunami.
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* DisappearedDad: Suzume makes no mention of her father, implying that, perhaps, whatever relationship he and her mother had was a one-night stand.
