Is there an issue? Send a MessageReason:
None
Changed line(s) 13,16 (click to see context) from:
Walking home one night, off-duty policeman Hidenori Goto confronts [[NotWhatItLooksLike an apparent pervert]] stripping in an alleyway. Introducing himself as male model Masayoshi Hazama, the man explains that he was actually changing out of his costume, as he is an up-and-coming superhero dubbed "Samurai Flamenco." Escorting Hazama home, Goto discovers how deep the model's fixation on both superheroes and justice runs despite his total lacking of superpowers.
Despite starting out with wacky hijinks, such as starting easier by [[LawfulStupid obsessively enforcing anti-smoking laws and umbrella thefts]], Hazama soon finds fame after a series of videos of his antics go viral. Joined shortly thereafter by a woman calling herself [[MagicalGirl Flamenco Girl]], Hazama soon finds himself tackling the recent crime wave sweeping Tokyo with a network of allies. [[SeventhEpisodeTwist And then the first arc ends by raising the bar]] ''[[GainaxEnding significantly.]]''
Despite starting out with wacky hijinks, such as starting easier by [[LawfulStupid obsessively enforcing anti-smoking laws and umbrella thefts]], Hazama soon finds fame after a series of videos of his antics go viral. Joined shortly thereafter by a woman calling herself [[MagicalGirl Flamenco Girl]], Hazama soon finds himself tackling the recent crime wave sweeping Tokyo with a network of allies. [[SeventhEpisodeTwist And then the first arc ends by raising the bar]] ''[[GainaxEnding significantly.]]''
to:
Walking home one night, off-duty policeman Hidenori Goto confronts [[NotWhatItLooksLike an apparent pervert]] stripping in an alleyway. Introducing himself as male model Masayoshi Hazama, the man explains that he was actually changing out of his costume, as he is an up-and-coming a would-be superhero dubbed called "Samurai Flamenco." Escorting Hazama home, Goto discovers how deep the model's fixation on both superheroes and justice runs despite his total lacking of superpowers.
Despitestarting out with wacky hijinks, his initial focus on fighting neighborhood misdemeanors such as starting easier by [[LawfulStupid obsessively enforcing anti-smoking laws unlawful smoking and umbrella thefts]], theft, Hazama soon finds fame attracts publicity after a series of videos of his antics go viral. Joined shortly thereafter by a woman calling herself [[MagicalGirl Flamenco Girl]], Hazama soon finds himself tackling the recent crime wave sweeping Tokyo with a network of allies. [[SeventhEpisodeTwist And then the first arc ends by raising the bar]] ''[[GainaxEnding significantly.]]''
Despite
Is there an issue? Send a MessageReason:
None
Deleted line(s) 341 (click to see context) :
* Wham Episode: There are quite a few, starting in episode 7 when a drug addict transforms into a giant gorilla with a guillotine in its stomach and kills several police officers. Then again in episode 11, episode 18, and episode 19.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* Wham Episode: There are quite a few, starting in episode 7 when a drug addict transforms into a giant gorilla with a guillotine in its stomach and kills several police officers. Then again in episode 11, episode 18, and episode 19.
Is there an issue? Send a MessageReason:
Removed an example that was entirely the original writer's own interpretation and has very little evidence to support it. If reinstating this example, suggested that it be edited and moved to YMMV or somewhere equally appropriate, but it's far too subjective and unsupported in canon for a main page entry.
Deleted line(s) 59 (click to see context) :
* AttemptedRape: In episode 22 Masayoshi strips naked, tries to physically overpower a child (Sawada) who is saying he doesn't want it, and is ranting about loving Sawada. Somehow Masayoshi's confusion about love has led him to believe this is for justice and not an extremely criminal act. Masayoshi's intention to rape Sawada is never exactly clear despite the implications, but it is a sexual assault and would have seemed like attempted rape to Sawada. Masayoshi only stops once Goto pulls a gun on them both. While not directly played for laughs, it is somewhat an example of {{BlackComedyRape}}, certainly not in spite of it being a strange direction for Masayoshi to go in given his lofty ideals.
Is there an issue? Send a MessageReason:
It's an important aspect of what happened that I haven't seen talked about. Not only is it a horrific action on the part of the hero, but it also recontextualizes the rest of the show given the knowledge that his sense of justice is so warped he would sexual assault a child for said justice.
Added DiffLines:
* AttemptedRape: In episode 22 Masayoshi strips naked, tries to physically overpower a child (Sawada) who is saying he doesn't want it, and is ranting about loving Sawada. Somehow Masayoshi's confusion about love has led him to believe this is for justice and not an extremely criminal act. Masayoshi's intention to rape Sawada is never exactly clear despite the implications, but it is a sexual assault and would have seemed like attempted rape to Sawada. Masayoshi only stops once Goto pulls a gun on them both. While not directly played for laughs, it is somewhat an example of {{BlackComedyRape}}, certainly not in spite of it being a strange direction for Masayoshi to go in given his lofty ideals.
Is there an issue? Send a MessageReason:
None
Changed line(s) 17,18 (click to see context) from:
The show is mostly a slice of life comedy, and an emotionally realistic, light-hearted {{Reconstruction}} of super hero tropes in general. Outside of that, the show can be considered an AffectionateParody of both the Western {{Superhero}} and Eastern {{Sentai}} genres, including blatant nods to series like Franchise/KamenRider, Franchise/TheAvengers, and Franchise/SuperSentai[=/=]Franchise/PowerRangers.
to:
The show is mostly a slice of life comedy, and an emotionally realistic, light-hearted {{Reconstruction}} of super hero tropes in general. Outside of that, the show can be considered an AffectionateParody of both the Western {{Superhero}} and Eastern {{Sentai}} {{Toku}} genres, including blatant nods to series like Franchise/KamenRider, Franchise/TheAvengers, and Franchise/SuperSentai[=/=]Franchise/PowerRangers.
Is there an issue? Send a MessageReason:
None
Changed line(s) 13,14 (click to see context) from:
Walking home one night, off-duty policeman Hidenori Goto confronts [[NotWhatItLooksLike an apparent pervert]] stripping in an alleyway. Introducing himself as male model Masayoshi Hazama, the man explains that he was actually changing out of his costume, as he is an up-and-coming superhero dubbed "Samurai Flamenco." Escorting Hazama home, Goto soon discovers how deep his fixation on both superheroes and justice runs despite his total lacking of superpowers.
to:
Walking home one night, off-duty policeman Hidenori Goto confronts [[NotWhatItLooksLike an apparent pervert]] stripping in an alleyway. Introducing himself as male model Masayoshi Hazama, the man explains that he was actually changing out of his costume, as he is an up-and-coming superhero dubbed "Samurai Flamenco." Escorting Hazama home, Goto soon discovers how deep his the model's fixation on both superheroes and justice runs despite his total lacking of superpowers.
Added DiffLines:
* TheEndingChangesEverything[=/=]RewatchBonus: The final arc twist involving Goto's backstory throws the majority of the character into question. Since the texts from Goto's girlfriend are all his projections and a coping mechanism for her almost-certain death, a large part of the character is cast in a different light on rewatch; since her messages are revealed to be vocalizations of his subconscious thoughts, a lot of his motives and actions can be better interpreted a second time around.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
** For comic book readers, this anime seems to be inspirated by ''ComicBook/KickAss''.
Is there an issue? Send a MessageReason:
New trope added
Added DiffLines:
* {{Chuunibyou}}: Masayoshi, as well good part of the characters, is considerated in the Evil Eye-type of this Japanese-named syndrome, having the delusions of being a SuperSentai hero and starting to act like one in the RealLife.
Is there an issue? Send a MessageReason:
None
Changed line(s) 17,18 (click to see context) from:
The show is mostly a slice of life comedy, and an emotionally realistic, light-hearted {{Reconstruction}} of super hero tropes in general. Outside of that, the show can be considered an AffectionateParody of both the Western {{Superhero}} and Eastern {{Sentai}} genres, including blatant nods to series like Franchise/TheAvengers and Franchise/SuperSentai.
to:
The show is mostly a slice of life comedy, and an emotionally realistic, light-hearted {{Reconstruction}} of super hero tropes in general. Outside of that, the show can be considered an AffectionateParody of both the Western {{Superhero}} and Eastern {{Sentai}} genres, including blatant nods to series like Franchise/TheAvengers Franchise/KamenRider, Franchise/TheAvengers, and Franchise/SuperSentai.
Franchise/SuperSentai[=/=]Franchise/PowerRangers.
Changed line(s) 104,108 (click to see context) from:
* ColorCodedCharacters: The Flamenco Girls:
** Flamenco Diamond: Yellow
** Flamenco Sapphire: Purple
** Flamenco Ruby: Pink
*** And then we get the Flamengers, a Super Sentai-esque team with Masayoshi as the red ranger. They even get a working giant robot.
** Flamenco Diamond: Yellow
** Flamenco Sapphire: Purple
** Flamenco Ruby: Pink
*** And then we get the Flamengers, a Super Sentai-esque team with Masayoshi as the red ranger. They even get a working giant robot.
to:
* ColorCodedCharacters: ColorCodedCharacters:
** The FlamencoGirls:
**Girls: Flamenco Diamond: Yellow
**Diamond (Yellow), Flamenco Sapphire: Purple
**Sapphire (Purple), and Flamenco Ruby: Pink
*** And then we get the Flamengers, a Super Sentai-esque team with Masayoshi as the red ranger. They even get a working giant robot.Ruby (Pink).
** The Flamengers: Flamen Red, Flamen Blue, Flamen Green, Flamen Pink and Flamen Black.
** The Flamenco
**
**
**
*** And then we get the Flamengers, a Super Sentai-esque team with Masayoshi as the red ranger. They even get a working giant robot.
** The Flamengers: Flamen Red, Flamen Blue, Flamen Green, Flamen Pink and Flamen Black.
* FiveManBand: The Flamengers, who all fit appropriate {{Sentai}} roles:
** Flamen Red: TheLeader
** Flamen Blue: TheLancer
** Flamen Green: TheSmartGuy
** Flamen Black: TheBigGuy
** Flamen Pink: TheChick
** Flamen Red: TheLeader
** Flamen Blue: TheLancer
** Flamen Green: TheSmartGuy
** Flamen Black: TheBigGuy
** Flamen Pink: TheChick
Changed line(s) 160 (click to see context) from:
* GratuitousEnglish:
to:
* GratuitousEnglish:GratuitousEnglish[=/=]GratuitousForeignLanguage:
** Most prominent with the Flamengers, especially so as their names are a {{portmanteau}} of Flamenco and [[Franchise/TheAvengers Avengers]]. This even extends to their codenames being English colors (e.g. Flamen Red), their vehicles being English nouns (e.g. Flamen Bird) and their mecha TransformationNameAnnouncement being "Change Flamen Robo! Let's Flamenco!"
** Most prominent with the Flamengers, especially so as their names are a {{portmanteau}} of Flamenco and [[Franchise/TheAvengers Avengers]]. This even extends to their codenames being English colors (e.g. Flamen Red), their vehicles being English nouns (e.g. Flamen Bird) and their mecha TransformationNameAnnouncement being "Change Flamen Robo! Let's Flamenco!"
Changed line(s) 162 (click to see context) from:
** Happens quite a bit in episode 18, especially with Alien Flamenco.
to:
** Happens quite a bit in episode 18, especially with Alien Flamenco.Flamenco very frequently dipping into English for no real reason.
Added DiffLines:
Is there an issue? Send a MessageReason:
Expanded opening, added folders.
Changed line(s) 13,22 (click to see context) from:
The story revolves around police officer Hidenori Goto and Masayoshi Hazama, a male model who is determined to become a hero of justice despite having no superpowers at all. At first Hazama goes through wacky hijinks while trying to clean up minor crimes, and eventually becomes famous after a video of his antics go viral. Another vigilante fancying herself a MagicalGirl shows up, calling herself Flamenco Girl.
The show is mostly a slice of life comedy, and an emotionally realistic, light-hearted {{Reconstruction}} of super hero tropes in general.
The anime series has been licensed by Creator/AniplexUSA in North America.
Has a [[Characters/SamuraiFlamenco character sheet]] that NeedsWikiMagicLove.
Compare ''Film/{{Zebraman}}'', a film with similar themes.
The show is mostly a slice of life comedy, and an emotionally realistic, light-hearted {{Reconstruction}} of super hero tropes in general.
The anime series has been licensed by Creator/AniplexUSA in North America.
Has a [[Characters/SamuraiFlamenco character sheet]] that NeedsWikiMagicLove.
Compare ''Film/{{Zebraman}}'', a film with similar themes.
to:
Despite starting out with wacky hijinks, such as starting easier by [[LawfulStupid obsessively enforcing anti-smoking laws and umbrella thefts]], Hazama
The show is mostly a slice of life comedy, and an emotionally realistic, light-hearted {{Reconstruction}} of super hero tropes in
The anime series has been licensed by Creator/AniplexUSA in North
Added DiffLines:
[[foldercontrol]]
[[folder:A-F]]
[[folder:A-F]]
Added DiffLines:
[[/folder]]
[[folder:G-L]]
[[folder:G-L]]
Added DiffLines:
[[/folder]]
[[folder:M-R]]
[[folder:M-R]]
Added DiffLines:
[[/folder]]
[[folder:S-Z]]
[[folder:S-Z]]
Added DiffLines:
[[/folder]]
Is there an issue? Send a MessageReason:
Badass is an index, not a trope.
Deleted line(s) 58 (click to see context) :
* BadAss: Masayoshi once he gets some judo training from an experienced Toku actor who did his own stunts. Goto was already experienced in the martial arts and a great marksman. Special mention goes to Akira for holding out against King Torture's literal torture of him.
Is there an issue? Send a MessageReason:
None
Changed line(s) 253 (click to see context) from:
* RoguesGallery: Since this is a series that serves as a light-hearted Reconstruction of superhero tropes, Samurai Flamenco naturallygets one of these, though the enemies he faces are mostly arc villains. They include King Torture, Beyond Flamenco, Ultimate Prime Minister, Alien Flamenco, and Haiji Sawada.
to:
* RoguesGallery: Since this is a series that serves as a light-hearted Reconstruction of superhero tropes, Samurai Flamenco naturallygets naturally gets one of these, though the enemies he faces are mostly arc villains. They include King Torture, Beyond Flamenco, Ultimate Prime Minister, Alien Flamenco, and Haiji Sawada.
Is there an issue? Send a MessageReason:
Rearranging tropes in alphabetical order + adding a trope example.
* ProperlyParanoid: Goto tries to convince Mari that it wasn't a good idea to directly challenge King Torture. Then at the end of the episode she's been captured, badly beaten, and is being used as bait to lure Samurai Flamenco to King Torture.
Deleted line(s) 248 (click to see context) :
* ProperlyParanoid: Goto tries to convince Mari that it wasn't a good idea to directly challenge King Torture. Then at the end of the episode she's been captured, badly beaten, and is being used as bait to lure Samurai Flamenco to King Torture.
Added DiffLines:
* RoguesGallery: Since this is a series that serves as a light-hearted Reconstruction of superhero tropes, Samurai Flamenco naturallygets one of these, though the enemies he faces are mostly arc villains. They include King Torture, Beyond Flamenco, Ultimate Prime Minister, Alien Flamenco, and Haiji Sawada.
Is there an issue? Send a MessageReason:
italics for work names
%%
Changed line(s) 4,9 (click to see context) from:
to:
Changed line(s) 14,15 (click to see context) from:
Samurai Flamenco is a Japanese anime television series by Creator/{{Manglobe}}. Directed by Takahiro Omori, it began airing October 10th, 2013 under Fuji TV's {{noitaminA}} timeslot.
to:
Is there an issue? Send a MessageReason:
1.) Hannibal Lecture misuse; no one is captured at the moment right? 2.) Five Man Band misuse; there is no mentor in the band nor is role sharing allowed. 3.) Bigger Bad is obsolete.
Changed line(s) 68,69 (click to see context) from:
** Averted initially. Masayoshi likes to think the world runs on {{tokusatsu}} logic, and so he's constantly looking for some great evil to fight... which doesn't exist. At least, until King Torture shows up...
*** BiggerBad: And after King Torture's defeat, the From Beyond organization takes his place.
*** BiggerBad: And after King Torture's defeat, the From Beyond organization takes his place.
to:
** Averted initially. Masayoshi likes to think the world runs on {{tokusatsu}} logic, and so he's constantly looking for some great evil to fight... which doesn't exist. At least, until King Torture shows up...
*** BiggerBad: And afterup.
** After King Torture's defeat, the From Beyond organization takes his place.
*** BiggerBad: And after
** After King Torture's defeat, the From Beyond organization takes his place.
Changed line(s) 80 (click to see context) from:
* BreakThemByTalking: When ColdBloodedTorture fails to turn Akira to the dark side, King Torture instead resorts to psychological warfare--and it works.
to:
* BreakThemByTalking: BreakThemByTalking:
** When ColdBloodedTorture fails to turn Akira to the dark side, King Torture instead resorts to psychological warfare--and itworks.works.
** King Torture delivers one to Flamenco Diamond about how she just plays a hero for fun and was never prepared to risk her life, and how she would truly rather have Flamenco Sapphire sacrifice herself than die despite saying the opposite.
** When ColdBloodedTorture fails to turn Akira to the dark side, King Torture instead resorts to psychological warfare--and it
** King Torture delivers one to Flamenco Diamond about how she just plays a hero for fun and was never prepared to risk her life, and how she would truly rather have Flamenco Sapphire sacrifice herself than die despite saying the opposite.
Deleted line(s) 150,156 (click to see context) :
* FiveManBand:
** The Leader: Masayoshi/Samurai Flamenco/Flamen Red
** The Lancer: Goto, Aoshima/Flamen Blue
** The Big Guy: Mari/Flamenco Diamond, Kuroki/Flamen Black
** The Smart Guy: Mizuki/Flamenco Ruby, Midorikawa/Flamen Green
** The Chick: Moe/Flamenco Sapphire, Sakura/Flamen Pink
** The Mentor: Joji/Red Axe
** The Leader: Masayoshi/Samurai Flamenco/Flamen Red
** The Lancer: Goto, Aoshima/Flamen Blue
** The Big Guy: Mari/Flamenco Diamond, Kuroki/Flamen Black
** The Smart Guy: Mizuki/Flamenco Ruby, Midorikawa/Flamen Green
** The Chick: Moe/Flamenco Sapphire, Sakura/Flamen Pink
** The Mentor: Joji/Red Axe
Deleted line(s) 170 (click to see context) :
* HannibalLecture: King Torture delivers one to Flamenco Diamond about how she just plays a hero for fun and was never prepared to risk her life, and how she would truly rather have Flamenco Sapphire sacrifice herself than die despite saying the opposite.
Is there an issue? Send a MessageReason:
No critical reception in work pages
Deleted line(s) 20,21 (click to see context) :
The anime was well-received in the West, but unfortunately, it was a financial disaster in Japan, which along with ''Manga/{{Gangsta}}'', led to the closure of Manglobe.
Is there an issue? Send a MessageReason:
Being cut per TRS.
Changed line(s) 91 (click to see context) from:
* CerebusRollercoaster: At the end of episode seven the first MonsterOfTheWeek appears, a cyborg gorilla with a guillotine for a stomach, and it's treated with the utmost seriousness. It even manages to kill several police officers. However, after that, King Torture's monsters don't manage to kill or hurt anyone for several weeks, and they're seemingly getting progressively weaker. It's the same way for the first half of episode nine, until we see that King Torture [[ColdBloodedTorture can and will live up to his name]] and also starts becoming DangerouslyGenreSavvy. It goes back down after Torture's defeat, becoming a Sentai show through and through, until around [[WhamEpisode Episode 19]].
to:
* CerebusRollercoaster: At the end of episode seven the first MonsterOfTheWeek appears, a cyborg gorilla with a guillotine for a stomach, and it's treated with the utmost seriousness. It even manages to kill several police officers. However, after that, King Torture's monsters don't manage to kill or hurt anyone for several weeks, and they're seemingly getting progressively weaker. It's the same way for the first half of episode nine, until we see that King Torture [[ColdBloodedTorture can and will live up to his name]] and also starts becoming DangerouslyGenreSavvy.name]]. It goes back down after Torture's defeat, becoming a Sentai show through and through, until around [[WhamEpisode Episode 19]].
Changed line(s) 255 (click to see context) from:
** Later on when more monsters show up they get increasingly more over-the-top and are near indistinguishable from the monsters of some of the hammier toku shows, lacking the menace the first monster had. This makes the public more apathetic towards the situation, similarly to many superhero shows when dealing with the subject. This gets turn on its head however when it turns out that the MonsterOfTheWeek was [[DangerouslyGenreSavvy deliberately played up so that it would become a routine to the point of people being desensitized by it.]]
to:
** Later on when more monsters show up they get increasingly more over-the-top and are near indistinguishable from the monsters of some of the hammier toku shows, lacking the menace the first monster had. This makes the public more apathetic towards the situation, similarly to many superhero shows when dealing with the subject. This gets turn on its head however when it turns out that the MonsterOfTheWeek was [[DangerouslyGenreSavvy deliberately played up so that it would become a routine to the point of people being desensitized by it.]]
Is there an issue? Send a MessageReason:
None
Added DiffLines:
The anime was well-received in the West, but unfortunately, it was a financial disaster in Japan, which along with ''Manga/{{Gangsta}}'', led to the closure of Manglobe.
Is there an issue? Send a MessageReason:
None
Changed line(s) 89 (click to see context) from:
* CerebusRollercoaster: At the end of episode seven the first MonsterOfTheWeek appears, a cyborg gorilla with a guillotine for a stomach, and it's treated with the utmost seriousness. It even manages to kill several police officers. However, after that, King Torture's monsters don't manage to kill or hurt anyone for several weeks, and they're seemingly getting progressively weaker. It's the same way for the first half of episode nine, until we see that King Torture [[ColdBloodedTorture can and will live up to his name and also starts becoming DangerouslyGenreSavvy. It goes back down after Torture's defeat, becoming a Sentai show through and through, until around [[WhamEpisode Episode 19]].
to:
* CerebusRollercoaster: At the end of episode seven the first MonsterOfTheWeek appears, a cyborg gorilla with a guillotine for a stomach, and it's treated with the utmost seriousness. It even manages to kill several police officers. However, after that, King Torture's monsters don't manage to kill or hurt anyone for several weeks, and they're seemingly getting progressively weaker. It's the same way for the first half of episode nine, until we see that King Torture [[ColdBloodedTorture can and will live up to his name name]] and also starts becoming DangerouslyGenreSavvy. It goes back down after Torture's defeat, becoming a Sentai show through and through, until around [[WhamEpisode Episode 19]].
Is there an issue? Send a MessageReason:
None
Changed line(s) 52 (click to see context) from:
* ArcVillain: King Torture for the first half of the show, the From Beyond organization for the second season's first half, and Sawada Haiji from episode 19 onward.
to:
* ArcVillain: King Torture for the first half of the show, the From Beyond organization and the [[AntiVillain Prime Minister]] for the second first season's first second half, and Sawada Haiji from episode 19 onward.
Is there an issue? Send a MessageReason:
None
* ArcVillain: King Torture for the first half of the show, the From Beyond organization for the second season's first half, and Sawada Haiji from episode 19 onward.
Changed line(s) 80 (click to see context) from:
* BrokenMasquerade: Everyone's secret identities are revealed in episode ten... This is less than halfway through the show.
to:
* BrokenMasquerade: Everyone's secret identities are revealed in episode ten... This 10, Keep in mind, this is less than halfway through the show.
Changed line(s) 87 (click to see context) from:
* CerebusRollercoaster: At the end of episode seven the first MonsterOfTheWeek appears, a cyborg gorilla with a guillotine for a stomach, and it's treated with the utmost seriousness. It even manages to kill several police officers. However, after that, King Torture's monsters don't manage to kill or hurt anyone for several weeks, and they're seemingly getting progressively weaker. It's the same way for the first half of episode nine, until we see that King Torture [[ColdBloodedTorture can and will live up to his name and also starts becoming DangerouslyGenreSavvy.]] It goes back down after Torture's defeat, becoming a Sentai show through and through, until around [[WhamEpisode Episode 19]].
to:
* CannonFodder: The {{mooks}} of King Torture reveal that they fully understand their status as disposable fodder, yet they don't care about it because they are just as fanatical about Torture's goal as the monsters and the leader himself.
* CerebusRollercoaster: At the end of episode seven the first MonsterOfTheWeek appears, a cyborg gorilla with a guillotine for a stomach, and it's treated with the utmost seriousness. It even manages to kill several police officers. However, after that, King Torture's monsters don't manage to kill or hurt anyone for several weeks, and they're seemingly getting progressively weaker. It's the same way for the first half of episode nine, until we see that King Torture [[ColdBloodedTorture can and will live up to his name and also starts becoming DangerouslyGenreSavvy.]] It goes back down after Torture's defeat, becoming a Sentai show through and through, until around [[WhamEpisode Episode 19]].
* CerebusRollercoaster: At the end of episode seven the first MonsterOfTheWeek appears, a cyborg gorilla with a guillotine for a stomach, and it's treated with the utmost seriousness. It even manages to kill several police officers. However, after that, King Torture's monsters don't manage to kill or hurt anyone for several weeks, and they're seemingly getting progressively weaker. It's the same way for the first half of episode nine, until we see that King Torture [[ColdBloodedTorture can and will live up to his name and also starts becoming DangerouslyGenreSavvy.
Changed line(s) 160 (click to see context) from:
* GenreShift: [[UpToEleven THREE TIMES.]] It only seems to be a slice of life comedy for the first six episodes. At the end of episode seven, we get actual monsters and actual supervillains. Ones that actually ''kill'' people. But despite the vague SciFi villains we still deal with a hero that is clearly using nothing but his powers as a human to triumph. This all changes in episode 11, when the series becomes full-out Super Sentai.And then, after things settle down with From Beyond and the Prime Minister, the tone shifts ''again'' in episode 19 when the show starts picking apart what kind of person Masayoshi is, [[DarkAndTroubledPast how Goto became a cop in the first place]], and the psychological scars that they have.
to:
* GenreShift: [[UpToEleven THREE TIMES.]] It only seems to be a slice of life comedy for the first six episodes. At the end of episode seven, we get actual monsters and actual supervillains. Ones that actually ''kill'' people. But despite the vague SciFi villains we still deal with a hero that is clearly using nothing but his powers as a human to triumph. This all changes in episode 11, when the series becomes full-out Super Sentai. And then, after things settle down with From Beyond and the Prime Minister, the tone shifts ''again'' in episode 19 when the show starts picking apart what kind of person Masayoshi is, [[DarkAndTroubledPast how Goto became a cop in the first place]], and the psychological scars that they have.
Changed line(s) 169 (click to see context) from:
* HeWhoFightsMonsters: Originally, Masayoshi abhorred hurting the [[MonsterOfTheWeek Monsters of the Week, and especially felt bad about them possibly being brainwashed. By the end of Episode 8, however, he has become eerily complacent with the deaths of the monsters, and even seems to enjoy himself.]]
to:
* HeWhoFightsMonsters: Originally, Masayoshi abhorred hurting the [[MonsterOfTheWeek Monsters of the Week, Week]], and especially felt bad about them possibly being brainwashed. By the end of Episode 8, however, he has become eerily complacent with the deaths of the monsters, and even seems to enjoy himself.]]
Changed line(s) 182 (click to see context) from:
* {{Hypocrite}}: Interestingly, King Torture does one to Mari/Flamenco Girl. In episode 10 he's captured both her and Moe and Mari says she's risking her life out there. He then plays her interview from episode 9 back to her, where she treats her superhero alter ego like a game. After Moe says some things to King Torture, he squeezes her pinky with a pair of pliers to the point it bleeds, then offers her a choice. She can take Mari's place and allow him to crush her entire body like he did with finger, or she can free herself. Mari tells Moe to flee, but Moe says wholeheartedly that she would gladly take Mari's place. He then calls Mari out on her hypocrisy, and frees Moe because of her readiness to lay down her life for her friend, while revealing Mari secretly wanted to save herself at the expense of Moe's life. This revelation stings Mari pretty harshly.
to:
* {{Hypocrite}}: Interestingly, King Torture does one to Mari/Flamenco Girl. In episode 10 he's captured both her and Moe and Mari says she's risking her life out there. He then plays her interview from episode 9 back to her, where she treats her superhero alter ego like a game. After Moe says some things to King Torture, he squeezes her pinky with a pair of pliers to the point it bleeds, then offers her a choice. She can take Mari's place and allow him to crush her entire body like he did with her finger, or she can free herself. Mari tells Moe to flee, but Moe says wholeheartedly that she would gladly take Mari's place. He then calls Mari out on her hypocrisy, and frees Moe because of her readiness to lay down her life for her friend, while revealing Mari secretly wanted to save herself at the expense of Moe's life. This revelation stings Mari pretty harshly.
Changed line(s) 201 (click to see context) from:
* LikeRealityUnlessNoted: As per it's deconstructive, slice-of-life style, akin to ComicBook/KickAss. This is why the introduction of a drug-dealer who transforms into a NighInvulnerable robot-gorilla with a guillotine in his stomach, his phantasm of a boss, and their decimation of a police squad after six full episodes of realism is so...surreal.
to:
* LikeRealityUnlessNoted: As per it's deconstructive, slice-of-life style, akin to ComicBook/KickAss.''ComicBook/KickAss''. This is why the introduction of a drug-dealer who transforms into a NighInvulnerable robot-gorilla with a guillotine in his stomach, his phantasm of a boss, and their decimation of a police squad after six full episodes of realism is so...surreal.
* LoonyFan: Sawada Haiji for sure. His obsession with turning Masayoshi back into the old Samurai Flamenco endangered himself and many of his loved ones.
Changed line(s) 217,218 (click to see context) from:
* MoodWhiplash: Episode 7. About halfway through the episode, Masayoshi does some soul searching after finding out a little more about his past, where his parents were murdered, although he was too young to remember any of it, and Goto giving him a semi-cheering up message regarding what he's done so far for the city. Then when the police go to raid a drug house, one of the drug dealers turns into a giant gorilla with a guillotine in his mid-section, and violently decapitates at least one of the officers, and nearly kills Goto and Masayoshi in the process.
* MoreDeadlyThanTheMale: Flamenco Girl aka Mari uses weapons, excessive violence, and likes to [[GroinAttack repeatedly hit guys down there]] for no reason after beating them.
* MoreDeadlyThanTheMale: Flamenco Girl aka Mari uses weapons, excessive violence, and likes to [[GroinAttack repeatedly hit guys down there]] for no reason after beating them.
to:
* MoodWhiplash: Episode 7. About halfway through the episode, Masayoshi does some soul searching after finding out a little more about his past, where his parents were murdered, although he was too young to remember any of it, and Goto giving him a semi-cheering up message regarding what he's done so far for the city. Then when the police go to raid a drug house, one of the drug dealers turns into a giant gorilla with a guillotine in his mid-section, and violently decapitates at least one of the officers, and nearly kills Goto and Masayoshi in the process.
process. Unsurprisingly, the audience was ''confused''.
* MoreDeadlyThanTheMale: FlamencoGirl aka Mari Girl[=/=]Mari uses weapons, excessive violence, and likes to [[GroinAttack repeatedly hit guys down there]] for no reason after beating them.
* MoreDeadlyThanTheMale: Flamenco
Changed line(s) 223 (click to see context) from:
* NiceJobBreakingItHero: Truns out that Prime Minister was trying to fight [[AlienInvasion something much bigger.]]
to:
* NiceJobBreakingItHero: Truns Turns out that [[GoodAllAlong Prime Minister Minister]] was trying to fight [[AlienInvasion something much bigger.]]
Changed line(s) 230 (click to see context) from:
** The opening sequence makes it look like this anime will be a traditional action Toku series, simply animated. However, the first episode reveals a much more ''slice of life'' style anime with enough [[ShipTease ship teasing]] and [[HoYay unintentional homoerotic subtext]] to convince some viewers that it was going swerve right into the yaoi genre.
to:
** The opening sequence makes it look like this anime will be a traditional action Toku series, simply animated. However, the first episode reveals a much more ''slice of life'' style anime with enough [[ShipTease ship teasing]] and [[HoYay unintentional homoerotic subtext]] to convince some viewers that it was going swerve right into the yaoi genre. From episode 7 onward, the opening is more than fitting for the tone the series goes in.
Deleted line(s) 232 (click to see context) :
** Played it straight when episode 7 rolls in where the MonstersOfTheWeek appears and beheads people which caught the viewers off guard.
Changed line(s) 239 (click to see context) from:
* PetTheDog: The man chasing after Masayohsi in episode 6 has a moment of this when he deliberately misleads a group of people trying to capture the former after he saved the latter's life from a fall.
to:
* PetTheDog: The man chasing after Masayohsi Masayoshi in episode 6 has a moment of like this when he deliberately misleads a group of people trying to capture the former after he saved the latter's life from a fall.
Changed line(s) 251,252 (click to see context) from:
** Later on when more monsters show up they get increasingly more over-the-top and are near indistinguishable from the monsters of some of the hammier toku shows, lacking the menace the first monster had. This makes the public more apathetic towards the situation, similarly to many superhero shows when dealing with the subject. This gets turn on it's head however when it turns out that the MonsterOfTheWeek was [[DangerouslyGenreSavvy deliberately played up so that it would become a routine to the point of people being desensitized by it.]]
*** The {{mooks}} reveal that they fully understand their status as disposable fodder, yet don't care about it because they are just as fanatical about Torture's goal as the monsters and the leader himself.
*** The {{mooks}} reveal that they fully understand their status as disposable fodder, yet don't care about it because they are just as fanatical about Torture's goal as the monsters and the leader himself.
to:
** Later on when more monsters show up they get increasingly more over-the-top and are near indistinguishable from the monsters of some of the hammier toku shows, lacking the menace the first monster had. This makes the public more apathetic towards the situation, similarly to many superhero shows when dealing with the subject. This gets turn on it's its head however when it turns out that the MonsterOfTheWeek was [[DangerouslyGenreSavvy deliberately played up so that it would become a routine to the point of people being desensitized by it.]]
*** The {{mooks}} reveal that they fully understand their status as disposable fodder, yet don't care about it because they are just as fanatical about Torture's goal as the monsters and the leader himself.]]
*** The {{mooks}} reveal that they fully understand their status as disposable fodder, yet don't care about it because they are just as fanatical about Torture's goal as the monsters and the leader himself.
Changed line(s) 317 (click to see context) from:
** Now joined by Flamenco Girl.
to:
** Now By the end of the first season, he's joined by the Flamenco Girl.Girls.
Changed line(s) 321 (click to see context) from:
** in episode 6, he ups it by ten.
to:
** in In episode 6, he ups it by ten.
Is there an issue? Send a MessageReason:
Namespace
Changed line(s) 141 (click to see context) from:
** Kaname Joji is essentially an exaggerated Creator/HiroshiFujioka in cel form, complete with doing stunts himself and samurai status (Joji being called "a modern samurai", while Fujioka is a self-proclaimed samurai with a dojo and all). There are also hints of KenjiOhba and Creator/HiroshiMiyauchi sprinkled around
to:
** Kaname Joji is essentially an exaggerated Creator/HiroshiFujioka in cel form, complete with doing stunts himself and samurai status (Joji being called "a modern samurai", while Fujioka is a self-proclaimed samurai with a dojo and all). There are also hints of KenjiOhba Creator/KenjiOhba and Creator/HiroshiMiyauchi sprinkled aroundaround.
Is there an issue? Send a MessageReason:
None
Changed line(s) 187 (click to see context) from:
* ImaginaryLoveTriangle: Goto's girlfriend is quite literally imaginary. He tells people she is real--Mari and Masayoshi think she is real, complicating their relationships with him--but in the end she only exists in Goto's mind.
to:
* ImaginaryLoveTriangle: Goto's girlfriend is quite literally imaginary. He tells people she is real--Mari and Masayoshi think she is real, complicating their relationships with him--but him--she appears to be jealous of Masayoshi's relationship with Goto--but in the end end, she is only exists in Goto's mind.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
*ImaginaryLoveTriangle: Goto's girlfriend is quite literally imaginary. He tells people she is real--Mari and Masayoshi think she is real, complicating their relationships with him--but in the end she only exists in Goto's mind.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
*LoveEpiphany: [[CrowningMomentOfHeartwarming "Oh, I get it, this is love."]]
Is there an issue? Send a MessageReason:
None
Added DiffLines:
*UmbrellaOfTogetherness: Masayoshi and Goto [[HoYay share an umbrella]] in episode 2.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
*SheIsNotMyGirlfriend: Mari assumes Masayoshi and Goto are a couple. Twice. Goto forcefully denies it.
Is there an issue? Send a MessageReason:
None
Changed line(s) 43 (click to see context) from:
** In episode 5, Goto tries to set up a date with his girlfriend, but she is angry with him and jealous of how much time he's spending with Masayoshi:
to:
** In episode 5, Goto tries to set up a date with his girlfriend, but she is angry with him and jealous of how much time he's spending with Masayoshi:
Changed line(s) 46 (click to see context) from:
** Then we find out that Goto's "girlfriend" is a delusion, and the he is sending himself the messages. By imagining his girlfriend as jealous, Goto is implying that he has feelings for Masayoshi.
to:
** Then we find out that Goto's "girlfriend" is a delusion, and the he is sending himself the messages. By imagining that his girlfriend as would be jealous, Goto is implying that he has may be expressing unacknowledged feelings for Masayoshi.