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Disambiguating; deleting and renaming wicks as appropriate


* OneTractMind: Any idea by Director Kadota for a tourism board project will invariably involve the Chupakabura somehow.



* AnAesop: People must respect and learn from each other. Outsiders shouldn't push their values on others, while those they're visiting should be open to changing themselves if necessary.



* AnAesop: People must respect and learn from each other. Outsiders shouldn't push their values on others, while those they're visiting should be open to changing themselves if necessary.



* {{GIFT}}: Discussed in Episode 17. After the seniors get connected to the internet, their use of screen names results in flame wars and other fights. The professor mentions that this is a case of HistoryRepeats, since something similar happened when the internet first became widely available and people stopped using their real names.



* IWasQuiteTheLooker: Oribe was HOT as a teenager. Kadota too.



* IWasQuiteTheLooker: Oribe was HOT as a teenager. Kadota too.

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* IWasQuiteTheLooker: Oribe was HOT as InternetJerk: Discussed in Episode 17. After the seniors get connected to the internet, their use of screen names results in flame wars and other fights. The professor mentions that this is a teenager. Kadota too.case of HistoryRepeats, since something similar happened when the internet first became widely available and people stopped using their real names.



* {{Main/Tokusatsu}}: Kadota tried to make a Chupakabura version back in the 90s. They ran out of money halfway through the pilot.



* OneTractMind: Any idea by Director Kadota for a tourism board project will invariably involve the Chupakabura somehow.



* TheQuest: Played with. Every episode title, along with the title of the show, seems to be ripped from a standard sword-n-sorcery fantasy story. The actual events are relatively mundane. The closest it ventures toward the trope is collection of three sacred items, but they have symbolic importance for the festival the Tourism bureau is trying to revive, so they really need them.
* RealPlaceBackground: The town is pretty much the real town of Nanto, Toyama, with Manoyama Station being a carbon copy of a real life Johana Station, the shuttered-up shopping street also being in Johana, while the wood-carving district is in Inami, another of the town constituents. Even the PAW building itself basically sits just across the Sakura Pond from the Chupakabura Kingdom building (which doesn't exist in RealLife).



* RealPlaceBackground: The town is pretty much the real town of Nanto, Toyama, with Manoyama Station being a carbon copy of a real life Johana Station, the shuttered-up shopping street also being in Johana, while the wood-carving district is in Inami, another of the town constituents. Even the PAW building itself basically sits just across the Sakura Pond from the Chupakabura Kingdom building (which doesn't exist in RealLife).



* {{Main/Tokusatsu}}: Kadota tried to make a Chupakabura version back in the 90s. They ran out of money halfway through the pilot.
* TheQuest: Played with. Every episode title, along with the title of the show, seems to be ripped from a standard sword-n-sorcery fantasy story. The actual events are relatively mundane. The closest it ventures toward the trope is collection of three sacred items, but they have symbolic importance for the festival the Tourism bureau is trying to revive, so they really need them.



* WhatTheHellHero: The owner of an abandoned house that a film company wanted to burn down for their movie gives permission to Shiori to do so. However, she has strong connections to the previous owner and deliberately lies to Yoshino about not being able to get in touch with the new owner. Yoshino later manages to call them, and then gets upset at Shiori for it, who then also snaps back in a fit of anger. However, Yoshino manages to find a compromise by having the film crew add the name of the previous owner so that her "gift" to the film would be remembered forever.



* WhatTheHellHero: The owner of an abandoned house that a film company wanted to burn down for their movie gives permission to Shiori to do so. However, she has strong connections to the previous owner and deliberately lies to Yoshino about not being able to get in touch with the new owner. Yoshino later manages to call them, and then gets upset at Shiori for it, who then also snaps back in a fit of anger. However, Yoshino manages to find a compromise by having the film crew add the name of the previous owner so that her "gift" to the film would be remembered forever.

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* ShoutOut: In episode 12, Sandal-san tosses a baseball around while quipping "[[Film/FieldOfDreams If you build, it, he will come,]]" right after namedropping the band Dreams Come True.

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* ShoutOut: In episode 12, Sandal-san tosses a baseball around while quipping "[[Film/FieldOfDreams If you build, it, he will come,]]" right after and namedropping the band Dreams Come True.True. As he leaves, he says, "[[UsefulNotes/JuliusCaesar I came, I saw, I]] [[Creator/KevinCostner Costner-ed]]."
* ShoutOutToShakespeare: In episode 16, The Garage Band's lyrics mention a "famous man" who said "Fair is foul and foul is fair."
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* ShoutOut: In episode 12, Sandal-san tosses a baseball around while quipping "[[Film/FieldOfDreams If you build, it, he will come,]]" and then namedropping Music/DreamsComeTrue.

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* ShoutOut: In episode 12, Sandal-san tosses a baseball around while quipping "[[Film/FieldOfDreams If you build, it, he will come,]]" and then right after namedropping Music/DreamsComeTrue.the band Dreams Come True.
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* ShoutOut: In episode 12, Sandal-san tosses a baseball around while quipping "[[Film/FieldOfDreams If you build, it, he will come,]]" and then namedropping Music/DreamsComeTrue.
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* TwiceShy: Katsuki runs into Sayuri, Shiori's older sister and a high school friend of his after his return from France to learn cooking. Though he and Sayuri like each other, neither one is bold enough to confess.

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* TwiceShy: Katsuki runs into Sayuri, Shiori's older sister and a high school friend of his after his return from France to learn cooking. Though he and Sayuri like each other, neither one is bold enough to confess. Later in the series, however, the two are often seen together, and it's implied that they are in a relationship.
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* BookEnds: When Yoshino arrives in Manoyama, Kadota greets her with a banner that has her name incorrectly written. At the very end, when Kadota sees her off, his banner is once again written incorrectly.
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* AnAesop: People must respect and learn from each other. Outsiders shouldn't push their values on others, while those they're visiting should be open to changing themselves if necessary.


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* TheFellowshipHasEnded: At the end of the series, [[spoiler:Yoshino goes to become Queen of another town, while Ririko gets permission from her grandmother to travel for a while. Sanae plans to open an office in Manoyama, Maki continues her work with the theater troupe, and Shiori hopes to ensure that Yoshino and Ririko will be able to return to Manoyama.]]

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* LonersAreFreaks: Ririko's obsessive interest in supernatural things tended to make the other kids to ostracize her, causing her to to keep largely to herself while going to school. Only Shiori talked to her regularly.

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* LonersAreFreaks: Ririko's obsessive interest in supernatural things tended to make the other kids to ostracize her, causing her to to keep largely to herself while going to school. Only Shiori talked to her regularly.


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** In Episode 23, Kadota meets up with the main characters feeling unusually glum.
-->'''Kadota''': I think we may be facing [[spoiler:the end of Manoyama]].\\
'''Yoshino''': What?\\
'''Kadota''': I've been hearing rumors for a while, but the plans are apparently moving forward now. [[spoiler:We'll be absorbed into Tomikura]].

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* HardTruthAesop: The Aesop of Episodes 21-22 is that achieving one's dreams isn't the be-all and end-all; the work is just beginning. This helps Erika realize that [[spoiler:running away to Tokyo won't solve her problems]], especially when she [[DidntThinkThisThrough hasn't thought her plan all the way through]]. Since Maki's the one who shares this bit of wisdom(obviously inspired from her failed career in acting), it's implied that this was why she asked Yoshino what was waiting for her back in Tokyo in Episode 2.



** Erika can be a bit of a brat, and causes a lot of trouble when she [[spoiler:runs away from home]], but she also has a valid perspective when she feels cooped up inside Manoyama and fears growing old there, not unlike how Yoshino felt in the past. Some of the adults realize that they need to make Manoyama welcoming to the young, and Erika's rant about the streets being dark at night helps Shiori come up with the plan to install lights.



* LeftHanging: [[spoiler: How will Manoyama deal with the merger? Will the shopping district be fine? Will the repurposing of the old school be succesful? What will Kadota do after closing the Kingdom he had maintained for ''decades''? Sure, we get glimpses of the main characters' lives in the ending credits, but none of these questions get answered in any meaningful way.]]

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* LeftHanging: [[spoiler: How will Manoyama deal with the merger? Will the shopping district be fine? Will the repurposing of the old school be succesful? successful? What will Kadota do after closing the Kingdom he had maintained for ''decades''? Sure, we get glimpses of the main characters' lives in the ending credits, but none of these questions get answered in any meaningful way.conclusively answered, due to being complicated issues that play out over the course of many years.]]

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** Angelica suffers this in Episodes 21-22. [[spoiler:Her eldest daughter runs away from home, and her younger son later goes out into a snowstorm to try to get his sister to return home]].



** The ending of the series proper. [[spoiler:Yoshino has grown as a person, and her efforts to revive the town had a definite positive effect, but Manoyama's merger with a bigger town still makes its future uncertain. Moreover, Yoshino decides to move away after her contract ends, leaving behind the people with whom she has formed a loving bond, and at her abdication ceremony Kadota tells the townspeople that he will shut down the Chupakabura Kingdom for good. ]]

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** The end of the Warabiya Village arc in Episode 19. A compromise is achieved for the village, with the stop being removed and replaced with an on-demand bus service (albeit one that costs a bit more than the bus), so the senior citizens living there won't have to give up their mode of transportation. However, [[spoiler:the professor collapses and dies at home one evening. After the funeral]], the protagonists obtain the staff, the first of the three treasures they need for the festival.
** The ending of the series proper. [[spoiler:Yoshino has grown as a person, and her efforts to revive the town had a definite positive effect, but Manoyama's merger with a bigger town still makes its future uncertain. Moreover, Yoshino decides to move away after her contract ends, leaving behind the people with whom she has formed a loving bond, and at her abdication ceremony Kadota tells the townspeople that he will shut down the Chupakabura Kingdom for good. ]]



* HomemadeInventions: Among other things, the Town inventor has developed compact vending machines, remote controlled arms. and '''functioning exoskeletons'''.

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* HomemadeInventions: Among other things, the Town town inventor has developed compact vending machines, remote controlled arms. and '''functioning exoskeletons'''.



* OldShame: An In-Universe example with Kadota. [[spoiler:As a teenager he performed a reckless stunt that destroyed an expensive Shrine Float and led to the cancellation of the summer festival]]. The chance that someone may rediscover the evidence prompts him nearly to drown trying to remove it.

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* OldShame: An In-Universe example with Kadota. [[spoiler:As a teenager he performed a reckless stunt that destroyed an expensive Shrine Float and led to the cancellation of the summer festival]]. The chance that someone may rediscover the evidence prompts him nearly to drown trying to remove it. That said, some of his colleagues note that [[spoiler:the rest of the town doesn't care all that much about the festival's cancellation, hence why Kadota didn't end up being reviled for it]].
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* RunawayBride: In Episode 21, Maki starts to tell Erika a story of a woman who came into a crepe cafe (where Maki was working part-time) in a wedding dress. In Episode 22, she adds that the woman was running away from her own wedding. To Maki, the point of the story is that wanting something isn't enough; you have to have a plan to get it.

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* WhamLine: The elderly professor says this to Yoshino at the end of Episode 17.

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* WhamLine: WhamLine:
**
The elderly professor says this to Yoshino at the end of Episode 17.


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** Maki hears the audition results at the start of Episode 20.
-->"#12, Midorikawa, #13, Yamamoto, #15, Tsurumi. If I just called your name, [[spoiler:then you're free to go. Thanks for coming in]]."
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* {{GIFT}}: Discussed in Episode 17. After the seniors get connected to the internet, their use of screen names results in flame wars and other fights. The professor mentions that this is a case of HistoryRepeats, since something similar happened when the internet first became widely available and people stopped using their real names.


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* WhamLine: The elderly professor says this to Yoshino at the end of Episode 17.
-->"Ms. Koharu, I'm terribly sorry, but [[spoiler:I'm going to have to take you hostage]]."

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* DirtyOldMan: Masa, an elderly man who runs a storehouse, is obsessed with young women's butts, and apparently groped Sanae in the dark.



* TechnologicallyBlindElders: One old man acquired a tablet PC, but due to not knowing how to use it, ended up using it as a light. It abruptly loses power in the middle of the conversation about it, possibly because he forgot to check the batteries. Another old man is a downplayed example, since he uses his tablet as a timer for his instant noodles.

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* TechnologicallyBlindElders: One old man Masa acquired a tablet PC, but due to not knowing how to use it, ended up using it as a light. It abruptly loses power in the middle of the conversation about it, possibly because he forgot to check the batteries. Another old man is a downplayed example, since he uses his tablet as a timer for his instant noodles.
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* TechnologicallyBlindElders: One old man acquired a tablet PC, but due to not knowing how to use it, ended up using it as a light. It abruptly loses power in the middle of the conversation about it, possibly because he forgot to check the batteries. Another old man is a downplayed example, since he uses his tablet as a timer for his instant noodles.


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* YourLittleDismissiveDiminutive: The professor the main characters meet in Episode 17 mentions that he saw them on TV, "playing at (their) little rural revival games."
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* ManipulativeEditing: The production exec behind "Moving Mountains" employs it for the final cut of the episode of his show, with hefty dose of in-universe ExecutiveMeddling along the way. This not only disappoints everyone in Manoyama once the episode is aired, but is also done clearly against the will of the director. [[spoiler: When he shows again with another offer for the town few months later, instantly trying to meddle with festival preparations, he's unceremoniously told to get lost]].

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* ManipulativeEditing: The production exec behind "Moving Mountains" employs it for the final cut of the episode of his show, with hefty dose of in-universe ExecutiveMeddling along the way. This not only disappoints everyone in Manoyama once the episode is aired, but is also done clearly against the will of the director. [[spoiler: When he the producer shows again with another offer for the town few months later, instantly trying to meddle with festival preparations, he's unceremoniously told to get lost]].

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* AccidentalMisnaming: Kadota and Chitose call Ptolemaios "Plus-minus."



* HopeSpot: Yoshino has one in episode 13. She appears downcast when she first arrives on the stage to make her announcement, but immediately perks up when she notices how large the crowd is. [[spoiler:Unfortunately it's short-lived, as few tourists actually show up after the festival and rock concert. Combined with the negative documentary on them, Yoshino falls into a depression when she wonders what she's been doing for the past six months.]]

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* HopeSpot: Yoshino has one in episode 13. She appears downcast when she first arrives on the stage to make her announcement, but immediately perks up when she notices how large the crowd is. [[spoiler:Unfortunately it's short-lived, as not only does most of the crowd make a beeline for the concert, but few tourists actually show up after the festival and rock concert. Combined with the negative documentary on them, Yoshino falls into a depression when she wonders what she's been doing for the past six months.]]



* JackOfAllTrades: Maki has a lot of talents, from years of doing odd jobs for film crews.

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* JackOfAllTrades: Maki has a lot of talents, gained from years of doing odd jobs for film crews.



* SickEpisode: Ririko catches a cold in episode 11 after getting caught out in a sudden downpour while only wearing light clothing. Her overprotective grandmother refuses to let anyone see her, even Yoshino.

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* SickEpisode: Ririko catches a cold in episode 11 after getting caught out in a sudden downpour while only wearing light clothing. Her overprotective grandmother refuses to let anyone see her, even Yoshino.especially not Yoshino(who Chitose has always viewed with suspicion as an outsider).

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* BothSidesHaveAPoint: The story's main conflict is between the tourism board (particularly the members that are from outside Manoyama)'s attempts to revitalize Manoyama, and many of the locals who are resistant to change. The former group is correct about ''something'' needing to be done to help avert the town's decline, while the latter is correct that the former group needs to listen to others before setting their plans into motion.



* JerkassHasAPoint: Due to the general downplayed and mundane nature of various cliches and plot devices, the whole series is a deconstruction of TheComplainerIsAlwaysWrong. Characters that are complaining have valid and solid reasons to point out why something is futile and[=/=]or wasteful. This include constant reminding about expenses and funding of various projects. But the most prominent example is the brash anthropologist, who tears apart the idea of a reviving old festival. Not out of spite or lack of respect, but simply by noting how locals don't care about it themselves.

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* JerkassHasAPoint: JerkassHasAPoint:
**
Due to the general downplayed and mundane nature of various cliches and plot devices, the whole series is a deconstruction of TheComplainerIsAlwaysWrong. Characters that are complaining have valid and solid reasons to point out why something is futile and[=/=]or wasteful. This include constant reminding about expenses and funding of various projects. But the most prominent example is the brash anthropologist, who tears apart the idea of a reviving an old festival. Not out of spite or lack of respect, but simply by noting how locals don't care about it themselves.themselves.
** On a more personal example, Kazushi ends up being completely right about Sanae coming to Manoyama in order to run away, and not necessarily caring about where she runs to. His point is scathing and accurate enough that Sanae considers quitting.
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* ArmorPiercingQuestion: Kazushi asks Sanae if she came to Manoyama to run away from something, and didn't care where she went. Sanae admits to Yoshino that he hit the nail on the head.


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* TheReasonYouSuckSpeech: In Episode 4, Kazushi gives Yoshino and Sanae one when they try to apologize, accusing them of not understanding what they're getting into. It hits quite hard for Sanae, who admits that [[JerkassHasAPoint he's right]] about her running away.
-->'''Kazushi''': All right, why don't you tell me why you came to Manoyama?\\
'''Sanae''': Because... I wanted to be surrounded by nature and I wanted to be my own boss.\\
'''Kazushi''': [[ArmorPiercingQuestion You sure you weren't simply running away from something difficult? Running anywhere, am I right? Didn't matter where?]] ''(Sanae is speechless)'' I don't care to be lectured by someone who came here as an escape. I chose to come to this place with a purpose, unlike you two.\\
'''Yoshino''': I'm sorry, but I don't think that's fair at all.\\
'''Sanae''': Yoshino...\\
'''Yoshino''': We've been working really hard on this idea! We've wracked our brains trying to find ways to get people excited about Manoyama woodcarving!\\
'''Kazushi''': Sorry, but nobody asked you to do that! Let me ask you something; what kind of wood do you think that is over there? ''(waits a moment for an answer, and doesn't get one)'' No idea, right? And yet you assume you're qualified to talk about Manoyama woodcarving? What a joke.
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* BlandNameProduct: Sanae and Shiori search for information about the Kabura Kid on Boogle.

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* BlandNameProduct: Sanae and Shiori search for information about the Kabura Kid on Boogle.Boogle, and watch an old video on [=ViewTube=].
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* BlandNameProduct: Sanae and Shiori search for information about the Kabura Kid on Boogle.
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* ManipulativeEditing: The production exec behind "Moving Mountains" employs it for the final cut of the episode of his show, with hefty does of in-universe ExecutiveMeddling along the way. This not only disappoints everyone in Manoyama once the episode is aired, but is also done clearly against the will of the director.

to:

* ManipulativeEditing: The production exec behind "Moving Mountains" employs it for the final cut of the episode of his show, with hefty does dose of in-universe ExecutiveMeddling along the way. This not only disappoints everyone in Manoyama once the episode is aired, but is also done clearly against the will of the director. [[spoiler: When he shows again with another offer for the town few months later, instantly trying to meddle with festival preparations, he's unceremoniously told to get lost]].
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* JerkassHasAPoint: Due to the general downplayed and mundane nature of various cliches and plot devices, the whole series is a deconstruction of TheComplainerIsAlwaysWrong. Characters that are complaining have valid and solid reasons to point out why something is pointless and[=/=]or wasteful. This include constant reminding about expenses and funding of various projects. But the most prominent example is the brash anthropologist, who tears apart the idea of a reviving old festival. Not out of spite or lack of respect, but simply by noting how locals simply don't care about it themselves.

to:

* JerkassHasAPoint: Due to the general downplayed and mundane nature of various cliches and plot devices, the whole series is a deconstruction of TheComplainerIsAlwaysWrong. Characters that are complaining have valid and solid reasons to point out why something is pointless futile and[=/=]or wasteful. This include constant reminding about expenses and funding of various projects. But the most prominent example is the brash anthropologist, who tears apart the idea of a reviving old festival. Not out of spite or lack of respect, but simply by noting how locals simply don't care about it themselves.
Is there an issue? Send a MessageReason:
None


* ManipulativeEditing: The production exec behind "Moving Mountains" employs it for the final cut of the episode of his show, along with hefty does of in-universe ExecutiveMeddling along the way. This not only disappoints everyone in Manoyama, but is also don clearly against the will of the director.

to:

* ManipulativeEditing: The production exec behind "Moving Mountains" employs it for the final cut of the episode of his show, along with hefty does of in-universe ExecutiveMeddling along the way. This not only disappoints everyone in Manoyama, Manoyama once the episode is aired, but is also don done clearly against the will of the director.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* ManipulativeEditing: The production exec behind "Moving Mountains" employs it for the final cut of the episode of his show, along with hefty does of in-universe ExecutiveMeddling along the way. This not only disappoints everyone in Manoyama, but is also don clearly against the will of the director.


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* YankTheDogsChain: After a lot of convincing and encouragement, [[spoiler: Maki decides to give a shot to an audition for acting part. An assembly of final picks is made and one of the casting assistants starts to list names, including Maki... only to inform those just read should leave]]. Oh, and reading who passed would save them time anyway.

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* JerkassHasAPoint: Due to the general downplayed and mundane nature of various cliches and plot devices, the whole series is a deconstruction of TheComplainerIsAlwaysWrong. Characters that are complaining have valid and solid reasons to point out why something is pointless and[=/=]or wasteful. This include constant reminding about expenses and funding of various projects. But the most prominent example is the brash anthropologist, who tears apart the idea of a reviving old festival. Not out of spite or lack of respect, but simply by noting how locals simply don't care about it themselves.



* TheQuest: Played with. Every episode title, along with the title of the show, seems to be ripped from a standard sword-n-sorcery fantasy story. The actual events are relatively mundane.

to:

* TheQuest: Played with. Every episode title, along with the title of the show, seems to be ripped from a standard sword-n-sorcery fantasy story. The actual events are relatively mundane. The closest it ventures toward the trope is collection of three sacred items, but they have symbolic importance for the festival the Tourism bureau is trying to revive, so they really need them.
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The series is currently available for legal streaming subtitled on Creator/{{FUNimation}} [[https://www.funimation.com/shows/sakura-quest/ here]]. The simuldub began streaming on May 9th, 2017, with releasing a new dubbed episode every Wednesday at 9PM EST.

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The series is currently available for legal streaming subtitled and dubbed on Creator/{{FUNimation}} [[https://www.funimation.com/shows/sakura-quest/ here]]. The simuldub began streaming on May 9th, 2017, with releasing a new dubbed episode every Wednesday at 9PM EST.
Is there an issue? Send a MessageReason:
Sakura Quest is no longer available in Crunchyroll after the Crunchyroll/Funimation breakup. It's listed, but no episodes are available anymore.


The series is currently available for legal streaming subtitled on Website/{{Crunchyroll}} [[http://www.crunchyroll.com/sakura-quest here]]. The simuldub began streaming on May 9th, 2017, with Creator/{{FUNimation}} releasing a new dubbed episode every Wednesday at 9PM EST [[https://www.funimation.com/shows/sakura-quest/ here]].

to:

The series is currently available for legal streaming subtitled on Website/{{Crunchyroll}} [[http://www.crunchyroll.com/sakura-quest here]]. The simuldub began streaming on May 9th, 2017, with Creator/{{FUNimation}} releasing a new dubbed episode every Wednesday at 9PM EST [[https://www.funimation.com/shows/sakura-quest/ here]]. The simuldub began streaming on May 9th, 2017, with releasing a new dubbed episode every Wednesday at 9PM EST.
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* StreisandEffect: Kadota's stunts trying to hide [[spoiler:the remains of the Summer Festival Float in the lake]] only renews an interest in the town's history for Yoshino.

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* StreisandEffect: In-universe. Kadota's stunts trying to hide [[spoiler:the remains of the Summer Festival Float in the lake]] only renews an interest in the town's history for Yoshino.

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* FinaleTitleDrop: At the end of the final episode, ''Sakura Quest'' is revealed to be [[spoiler:the title of Sandal's book that chronicles the events of the series]].
* FirstNameBasis: In the first episode, Shiori asks for permission to call Yoshino "Yoshino-chan," which Yoshino accepts.
* FreudianExcuse: Chitose is highly suspicious of Yoshino, an out of town person who moved to their village to work for their tourism board. It's later revealed that her son married a woman who came from outside the town. However, she was bored in Monoyama, and convinced him to move away to the city. They later had Ririko, but then divorced shortly afterwards, and Ririko's father was then reassigned overseas for the company he worked for. It was agreed that Ririko was better off staying in Japan with Chitose, who raised her on her own ever since. Chitose had intended for her son to take over the sweets shop she ran, and blames the outsider woman he married for destroying said plans and breaking her son's heart.



* FinaleTitleDrop: At the end of the final episode, ''Sakura Quest'' is revealed to be [[spoiler:the title of Sandal's book that chronicles the events of the series]].
* FreudianExcuse: Chitose is highly suspicious of Yoshino, an out of town person who moved to their village to work for their tourism board. It's later revealed that her son married a woman who came from outside the town. However, she was bored in Monoyama, and convinced him to move away to the city. They later had Ririko, but then divorced shortly afterwards, and Ririko's father was then reassigned overseas for the company he worked for. It was agreed that Ririko was better off staying in Japan with Chitose, who raised her on her own ever since. Chitose had intended for her son to take over the sweets shop she ran, and blames the outsider woman he married for destroying said plans and breaking her son's heart.



* WoundedGazelleGambit: Shiori attempts this when Yoshino tries to leave Manoyama during her first night by pretending to be assaulted by a Chupakabura. Instead of using a plastic sword placed nearby, Yoshino beats the Cuphakabura with her bag, injuring Mister Kadota who was wearing the costume. Kadota is hospitalized, and Yoshino is guilted into staying longer.

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* WoundedGazelleGambit: Shiori attempts ends up having to do this when Kadota catches wind of Yoshino tries trying to leave Manoyama during her first night by pretending to be assaulted by leave- he dresses up as a Chupakabura. Instead of using Chupacubra, and she poses as a plastic sword placed nearby, victim, asking Yoshino beats to draw the Cuphakabura sword. Unfortunately, Yoshino hits him with her bag, injuring Mister Kadota who was wearing the costume. Kadota is hospitalized, handbag instead, resulting in him being injured. Shiori apologizes and explains her intentions, and Yoshino is guilted into staying longer.ultimately reluctantly decides to stay for a little while longer.

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