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Redundant example


* ExplosiveOverclocking: in "Ending", the ''Robot Carnival'' supercharges its engines to surmount a dune at the cost of [[spoiler:its entire superstructure, with only the first 'O' reaching an appreciable distance]].

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* ExplosiveOverclocking: in "Ending", After getting bogged down, the ''Robot Carnival'' supercharges its engines to surmount a dune at the cost of [[spoiler:its entire superstructure, with only the first 'O' reaching an appreciable distance]].
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1) Added a ton of new entries re: the eponymous machine. 2) Switched to a new format that might make navigation easier.


!! This film contains examples of:

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!! Due to its nature as an anthology, the tropes have been sorted by the individual stories.

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[[folder:Unsorted/Other]]
This film contains examples of:
is for entries that have not been sorted into the other folders, or ones that do not fit into a single folder. %%When all entries have been sorted, convert this folder into a basic "other" folder and delete any mention of unsorted examples, including this note.%%
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* RealityEnsues: In "A Tale of Two Robots". What would a battle between two SteamPunk mecha with 19th-century technology be like? Well, they ''could'' be armed with projectile weapons, but it'd still take them several hours to walk all the way across town to confront each other.

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* RealityEnsues: RealityEnsues:
** The ''Robot Carnival'' is an unstoppable terror on hard, flat ground, but easily bogs down in the face of a steep sand dune.
** After a HeroicSecondWind allows it to overcome said dune, the stresses involved in the massive, aging machine reaching that speed, coupled with the various factors surrounding surmounting such a steep obstacle, cause it to seize upon reaching the top, [[spoiler:before finally collapsing wholesale]].
**
In "A Tale of Two Robots". What would a battle between two SteamPunk mecha with 19th-century technology be like? Well, they ''could'' be armed with projectile weapons, but it'd still take them several hours to walk all the way across town to confront each other.


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[[folder:Opening]]
* BaseOnWheels: The ''Robot Carnival'' is a ''steampunk'' example, with the entire front being taken up by the massive "ROBOT CARNIVAL" sign that conveniently doubles as the anthology's title sequence.
* MassOhCrap: During the first half, a small boy races into a village and tries to warn the residents of something that has clearly terrified him, even though the only evidence is a poster that had blown into his legs that doesn't seem to convey his intentions that well. Shortly after he gives up and flees, they look in the opposite direction to see what has him spooked, only to subsequently panic in turn after seeing the immense ''Robot Carnival'' approaching them, knowing full well what its various malfunctions have done to it.
* SoundtrackDissonance: The chaos and destruction caused by the ''Robot Carnival'' is overlaid by [[https://www.youtube.com/watch?v=sRXKIXpgE8c a cheery tune]] that actually ''wouldn't'' seem out of place back when it's arrival brought grand cheers instead of panicked screams.
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[[folder:Franken's Gears]]
* No examples yet. Either go into the "unsorted/other" folder and move some over, or find some new ones.
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[[folder:Deprive]]
* No examples yet. Either go into the "unsorted/other" folder and move some over, or find some new ones.
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[[folder:Presence]]
* No examples yet. Either go into the "unsorted/other" folder and move some over, or find some new ones.
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[[folder:Star Light Angel]]
* No examples yet. Either go into the "unsorted/other" folder and move some over, or find some new ones.
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[[folder:Cloud]]
* No examples yet. Either go into the "unsorted/other" folder and move some over, or find some new ones.
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[[folder:Strange Tales of Meiji Machine Culture: Westerner's Invasion]]
* No examples yet. Either go into the "unsorted/other" folder and move some over, or find some new ones.
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[[folder:Chicken Man and Red Neck]]
* No examples yet. Either go into the "unsorted/other" folder and move some over, or find some new ones.
[[/folder]]
[[folder:Ending]]
* BetterToDieThanBeKilled: After getting itself stuck on a dune, then spending the night reminiscing about it's heyday, the ''Robot Carnival'' decides it would rather shake itself apart trying to surmount the dune than give up and wait for nature to wear it down. It succeeds.
* ExplosiveOverclocking: in "Ending", the ''Robot Carnival'' supercharges its engines to surmount a dune at the cost of [[spoiler:its entire superstructure, with only the first 'O' reaching an appreciable distance]].
* FiveSecondForeshadowing: Two consecutive examples:
** During one of the flashback scenes, the ''Robot Carnival'' is shown emitting a proportionally large amount of smoke from its exhaust funnel, even though it doesn't emit any in the present. During its HeroicSecondWind, a small wisp of smoke does indeed escape the funnel, suggesting that it had been running in a low-power state due to its age.
** As it is ascending the dune, it is also shown emitting centuries worth of rust from it's funnel, in addition to the horrific sounds coming from its superstructure. As soon as it reaches the top, it subsequently collapses from the strain.
* HeroicSecondWind: The Robot Carnival bogs down trying to surmount a dune. After spending the night reminiscing about it's heyday, a sudden surge of energy the next morning allows it to reach the top.
* NitroBoost: The ''Robot Carnival'' does this after spending the previous night stuck on a dune, spurred on by the memories of it's past.
* TakingYouWithMe: A belated and possibly accidental example, but even after the ''[[spoiler:Robot Carnival]]'' destroys itself, small, self-contained devices salvaged from its wreckage still continue to wreak havoc years later. A prime example being the music box from the epilogue, which despite being no bigger than an ostrich egg, manages to vaporize a small shack shortly after activating.
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** This also goes for both "A Tale of Two Robots" and "Nightmare" themselves, being the only two (out of the principal 7 shorts) to be given new (and more Western-palatable) names for the early 90's American release. "[=AToTRs=]" was formally "Legends of Meiji Machine Culture: Westerner's Invasion" and "Nightmare" had the far less complicated (but stll cool) "Chicken Man and Red Neck."

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** This also goes for both "A Tale of Two Robots" and "Nightmare" themselves, being the only two (out of the principal 7 shorts) to be given new (and more Western-palatable) names for the early 90's American release. "[=AToTRs=]" was formally "Legends of Meiji Machine Culture: Westerner's Invasion" and "Nightmare" had the far less complicated (but stll still cool) "Chicken Man and Red Neck."
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*** The theme park itself in "Star Light Angel" is pretty much just Tokyo Disneyland with the serial numbers filed off; Disney had opened the park only four years before this film was released.

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*** The theme park itself in "Star Light Angel" is pretty much just a slightly futuristic Tokyo Disneyland with the serial numbers filed off; Disney had opened the park only four years before this film was released.

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* CameBackStrong: Damaged night-unto deactivation while trying to protect the girl he loved from an invading robot army, the robot from Deprive managed to hook himself to a factory system that let him arrange a breand-new body with some ''major'' upgrades.

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* CameBackStrong: Damaged night-unto nigh-unto deactivation while trying to protect the girl he loved from an invading robot army, the robot from Deprive managed to hook himself to a factory system that let him arrange a breand-new brand-new body with some ''major'' upgrades.



* EyeBeams: The apparent leader of the bad-guy robots in "Deprive" has one of these. It hurts the hero when he's struck by it, but doesn't seem to do any real injury.

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* EyeBeams: The apparent alien leader of the bad-guy robots in "Deprive" has one of these. It hurts the hero when he's struck by it, but doesn't seem to do any real injury.


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* GoneHorriblyRight: Franken successfully makes a gigantic robot which imitates his every move. Then he trips and falls.

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* BecomeARealBoy: The segment "Cloud".

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* BecomeARealBoy: BecomeARealBoy:
** The hero of "Deprive" does this via hologram in his new body. It's probably symbolic of his awakened human passions and all that.
**
The segment "Cloud".



* CameBackStrong: Damaged night-unto deactivation while trying to protect the girl he loved from an invading robot army, the robot from Deprive managed to hook himself to a factory system that let him arrange a breand-new body with some ''major'' upgrades.



* {{Cyberspace}}: In "Star Light Angel", the ride the main girl ends up on after running away from her friend seems to be a virtual reality ride that taps into its riders' minds. Notably, there's a HologramMalfunction when Robot Suit Guy accidentally re-awakens the main girl's crushing heartbreak.

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* {{Cyberspace}}: In "Star Light Angel", the ride the main girl ends up on after running away from her friend seems to be a virtual reality ride that taps into its riders' minds. Notably, there's a HologramMalfunction HolodeckMalfunction when Robot Suit Guy accidentally re-awakens the main girl's crushing heartbreak.


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* EyeBeams: The apparent leader of the bad-guy robots in "Deprive" has one of these. It hurts the hero when he's struck by it, but doesn't seem to do any real injury.


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* WhenHeSmiles: The hero of "Deprive" doesn't smile even once until the girl he loves awakens, this his face just lights up.
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* {{Cyberspace}}: In "Star Light Angel", the ride the main girl ends up on after running away from her friend seems to be a virtual reality ride that taps into its riders' minds. Notably, there's a HologramMalfunction when Robot Suit Guy accidentally re-awakens the main girl's crushing heartbreak.


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* LoveAtFirstSight: Robot Suit Guy is immediately fascinated with the main girl from "Star Light Angel" when she runs by him with a joyful smile. It takes her a bit longer to reciprocate.
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* LeftTheBackgroundMusicOn: Played with in the "Nightmare" a/k/a "Chicken Man and Red Neck" sequence. The score and a few sound effects are all that can be heard on the soundtrack, drawing a parallel with ''Disney/{{Fantasia}}'' (particularly the "Night on Bald Mountain" segment)... but the volume of the soundtrack actually ''decreases'' when the camera moves away from the parade of monsters to a drunk waking up in a nearby alleyway, and then ''increases'' when he wanders out. The music is temporarily ''treated'' as though it were actually being played audibly in the scene, but of that the film gives no confirmation.

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* LeftTheBackgroundMusicOn: Played with in the "Nightmare" a/k/a "Chicken Man and Red Neck" sequence. The score and a few sound effects are all that can be heard on the soundtrack, drawing a parallel with ''Disney/{{Fantasia}}'' ''WesternAnimation/{{Fantasia}}'' (particularly the "Night on Bald Mountain" segment)... but the volume of the soundtrack actually ''decreases'' when the camera moves away from the parade of monsters to a drunk waking up in a nearby alleyway, and then ''increases'' when he wanders out. The music is temporarily ''treated'' as though it were actually being played audibly in the scene, but of that the film gives no confirmation.



* ShoutOut: The "Nightmare" sequence makes obvious references to Disney works such as the "Night on Bald Mountain" segment from ''Disney/{{Fantasia}}'' and ''The Legend of Sleepy Hollow''.

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* ShoutOut: The "Nightmare" sequence makes obvious references to Disney works such as the "Night on Bald Mountain" segment from ''Disney/{{Fantasia}}'' ''WesternAnimation/{{Fantasia}}'' and ''The Legend of Sleepy Hollow''.
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Can no longer remember where I found this quote, or even whether it was from AWO in the first place


*** The theme park itself in "Star Light Angel" is pretty much just Tokyo Disneyland with the serial numbers filed off; Podcast/AnimeWorldOrder has simply called it Copyright Infringement Park. (Disney had opened the park only four years before this film was released.)

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*** The theme park itself in "Star Light Angel" is pretty much just Tokyo Disneyland with the serial numbers filed off; Podcast/AnimeWorldOrder has simply called it Copyright Infringement Park. (Disney Disney had opened the park only four years before this film was released.)
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** The English dubbing of this particular piece drew some criticism because the voice actors put on thick Japanese accents when they delivered their lines. The original director, however, apparently wasn't offended.
*** The piece itself is a parody of Japanese propaganda films of UsefulNotes/WorldWarII -- the MadScientist villain is a greedy {{Eagleland}} type-2 Ugly American who's convinced that he can conquer Japan and ransack its treasures all by himself.
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None


* NoExportForYou: For almost thirty years, the only legitimate copies of ''Robot Carnival'' in the West were copies of the Creator/StreamlinePictures VHS (which went out of print in the mid-Nineties) and a Region 2 DVD (that had a similarly short lifespan on the shelves). Not until February 2015 did any company -- Creator/DiscotekMedia, for the record -- announce any intention of distributing it on R1 DVD.

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* NoExportForYou: For almost thirty years, the only legitimate copies of ''Robot Carnival'' in the West were copies of the Creator/StreamlinePictures VHS (which went out of print in the mid-Nineties) and mid-Nineties), a Region 2 DVD (that had a similarly short lifespan on the shelves).shelves), and a laser disc release. Not until February 2015 did any company -- Creator/DiscotekMedia, for the record -- announce any intention of distributing it on R1 DVD.
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* StockSoundEffects: In the "Opening" segment, when the boy runs in the desert, some H-B sound effects are heard. Kazutoshi Sato is good at using some cartoony sound effects, isn't he?

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* StockSoundEffects: In the "Opening" segment, when the boy runs in the desert, some H-B Creator/HannaBarbera sound effects are heard. Kazutoshi Sato is good at using some cartoony sound effects, isn't he?

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* StockSoundEffects: In the "Opening" segment, when the boy runs in the desert, some H-B sound effects are heard. Kazutoshi Sato is good at using some cartoony sound effects, isn't he?


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* StockSoundEffects: In the "Opening" segment, when the boy runs in the desert, some H-B sound effects are heard. Kazutoshi Sato is good at using some cartoony sound effects, isn't he?
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None

Added DiffLines:

* StockSoundEffects: In the "Opening" segment, when the boy runs in the desert, some H-B sound effects are heard. Kazutoshi Sato is good at using some cartoony sound effects, isn't he?
Is there an issue? Send a MessageReason:
None


** This also goes for both "A Tale of Two Robots" and "Nightmare" themselves, being the only two (out of the principal 7 shorts) to be given new (and more Western-palatable) names for the early 90's American release. "AToTRs" was formally "Legends of Meiji Machine Culture: Westerner's Invasion" and "Nightmare" had the far less complicated (but stll cool) "Chicken Man and Red Neck."

to:

** This also goes for both "A Tale of Two Robots" and "Nightmare" themselves, being the only two (out of the principal 7 shorts) to be given new (and more Western-palatable) names for the early 90's American release. "AToTRs" "[=AToTRs=]" was formally "Legends of Meiji Machine Culture: Westerner's Invasion" and "Nightmare" had the far less complicated (but stll cool) "Chicken Man and Red Neck."
Is there an issue? Send a MessageReason:
Modified Dub Name Change

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** This also goes for both "A Tale of Two Robots" and "Nightmare" themselves, being the only two (out of the principal 7 shorts) to be given new (and more Western-palatable) names for the early 90's American release. "AToTRs" was formally "Legends of Meiji Machine Culture: Westerner's Invasion" and "Nightmare" had the far less complicated (but stll cool) "Chicken Man and Red Neck."
Is there an issue? Send a MessageReason:
add link


* NoExportForYou: For almost thirty years, the only legitimate copies of ''Robot Carnival'' in the West were copies of the Streamline Pictures VHS (which went out of print in the mid-Nineties) and a Region 2 DVD (that had a similarly short lifespan on the shelves). Not until February 2015 did any company -- Creator/DiscotekMedia, for the record -- announce any intention of distributing it on R1 DVD.

to:

* NoExportForYou: For almost thirty years, the only legitimate copies of ''Robot Carnival'' in the West were copies of the Streamline Pictures Creator/StreamlinePictures VHS (which went out of print in the mid-Nineties) and a Region 2 DVD (that had a similarly short lifespan on the shelves). Not until February 2015 did any company -- Creator/DiscotekMedia, for the record -- announce any intention of distributing it on R1 DVD.
Is there an issue? Send a MessageReason:
add link


* NoExportForYou: For almost thirty years, the only legitimate copies of ''Robot Carnival'' in the West were copies of the Streamline Pictures VHS (which went out of print in the mid-Nineties) and a Region 2 DVD (that had a similarly short lifespan on the shelves). Not until February 2015 did any company -- Discotek Media, for the record -- announce any intention of distributing it on R1 DVD.

to:

* NoExportForYou: For almost thirty years, the only legitimate copies of ''Robot Carnival'' in the West were copies of the Streamline Pictures VHS (which went out of print in the mid-Nineties) and a Region 2 DVD (that had a similarly short lifespan on the shelves). Not until February 2015 did any company -- Discotek Media, Creator/DiscotekMedia, for the record -- announce any intention of distributing it on R1 DVD.
Is there an issue? Send a MessageReason:
Fixed a link


During the early 1990's, this anthology was shown frequently on the [[Creator/{{Syfy}} Sci Fi Channel]] and later on the Turner Network, often paired with other feature-length anime films such as ''Anime/VampireHunterD'', ''Anime/DemonCityShinjuku'', and ''Anime/TwilightOfTheCockroaches'', making ''Robot Carnival'' one of [[GatewaySeries the first tastes of anime to many American viewers]].

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During the early 1990's, this anthology was shown frequently on the [[Creator/{{Syfy}} Sci Fi Channel]] and later on the Turner Network, often paired with other feature-length anime films such as ''Anime/VampireHunterD'', ''Anime/DemonCityShinjuku'', ''Literature/DemonCityShinjuku'', and ''Anime/TwilightOfTheCockroaches'', making ''Robot Carnival'' one of [[GatewaySeries the first tastes of anime to many American viewers]].
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* MissingMom: The protagonist of "Presence" states that he lost his mother when he was young and that he has "never known a mother's love". To this [[FreudianExcuse early trauma]] he attributes his difficulties with women; he marries a driven career woman who isn't very motherly at first, and the first time someone else -- his own creation -- offers him unconditional love, he finds himself unexpectedly ''terrified'' by it and deactivates her immediately.

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* MissingMom: The protagonist of "Presence" states that he lost his mother when he was young and that he has "never known a mother's love". To this [[FreudianExcuse early trauma]] he attributes his difficulties with women; he marries married a driven career woman who isn't very turned out not to be quite as motherly at first, as he thought, and the first time someone else -- his own creation -- offers him unconditional love, he finds himself unexpectedly ''terrified'' by it and deactivates her immediately.
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* MissingMom: The protagonist of "Presence" states that he lost his mother when he was young and that he has "never known a mother's love". To this [[FreudianExcuse early trauma]] he attributes his difficulties with women; he marries a driven career woman who isn't very motherly at first, and the first time someone else -- his own creation -- offers him unconditional love, he finds himself unexpectedly ''terrified'' by it and deactivates her immediately.

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* DubNameChange: The villain of "A Tale of Two Robots". In the Streamline dub he identifies himself as Jonathan Jameson Volkessen III, whereas in Japan he's the slightly more unlikely John-Jacques Walkerson III.



*** The theme park itself in "Star Light Angel" is pretty much just Tokyo Disneyland with the serial numbers filed off. (Disney had opened the park only four years before this film was released.)

to:

*** The theme park itself in "Star Light Angel" is pretty much just Tokyo Disneyland with the serial numbers filed off.off; Podcast/AnimeWorldOrder has simply called it Copyright Infringement Park. (Disney had opened the park only four years before this film was released.)
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None

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** In 2018, Discotek also released a very nice blu-ray of the movie, so it seems the curse has finally been lifted.
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*** The piece itself is a parody of Japanese propaganda films of WorldWarII -- the MadScientist villain is a greedy {{Eagleland}} type-2 Ugly American who's convinced that he can conquer Japan and ransack its treasures all by himself.

to:

*** The piece itself is a parody of Japanese propaganda films of WorldWarII UsefulNotes/WorldWarII -- the MadScientist villain is a greedy {{Eagleland}} type-2 Ugly American who's convinced that he can conquer Japan and ransack its treasures all by himself.
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** The protagonist of "Deprive" is essentially the opposite of [[Anime/NeoHumanCasshern Casshern]]. Instead of a human rebuilt as a robot he is a robot who is given a human exterior.
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During the early 1990's, this anthology was shown frequently on the SciFiChannel and later on the Turner Network, often paired with other feature-length anime films such as ''Anime/VampireHunterD'', ''Anime/DemonCityShinjuku'', and ''Anime/TwilightOfTheCockroaches'', making ''Robot Carnival'' one of [[GatewaySeries the first tastes of anime to many American viewers]].

to:

During the early 1990's, this anthology was shown frequently on the SciFiChannel [[Creator/{{Syfy}} Sci Fi Channel]] and later on the Turner Network, often paired with other feature-length anime films such as ''Anime/VampireHunterD'', ''Anime/DemonCityShinjuku'', and ''Anime/TwilightOfTheCockroaches'', making ''Robot Carnival'' one of [[GatewaySeries the first tastes of anime to many American viewers]].
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None


* CircusOfFear: The eponymous carnival. It was once a normal circus, but years of disrepair have turned it into a mechanical nightmare that turns the people of the towns it encounters into new performers... or [[StuffBlowingUp makes them explode]].

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* CircusOfFear: The eponymous carnival. It was once a normal circus, but years (decades? ''centuries?'') of disrepair have turned it into a mechanical nightmare that turns the people of the towns it encounters into new performers... or [[StuffBlowingUp makes them explode]].



* GiantMecha: The segment "A Tale of Two Robots -- Chapter 3: Foreign Invasion" feature two giant robots battling over Japan, the Western invader in his giant robot opposed by some kids in a robot designed for a parade.

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* GiantMecha: The segment "A Tale of Two Robots -- Chapter 3: Foreign Invasion" feature features two giant robots battling over Japan, a Japanese port town, the Western invader in his giant robot opposed by some kids in a robot designed for a parade.
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* RockBeatsLaser: Played with and (perhaps intentionally) subverted in the "A Tale of Two Robots" segment. While both {{Giant Mecha}} seem to be at the SteamPunk level of technology, the robot belonging to Doctor Volkessen is definitely more advanced, having a real cannon on its shoulder (as opposed to the repurposed fireworks used by the heroes) and brick-and-mortar "armor". While the heroes win, it was likely just dumb luck (although their leader is quick to attribute it to patriotic HeroicResolve), and their GiantMecha is definitely much the worse for wear... while the villain's robot winds up ''floating'' homeward.

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* RockBeatsLaser: Played with and (perhaps intentionally) subverted in the "A Tale of Two Robots" segment. While both {{Giant Mecha}} seem to be at the SteamPunk level of technology, the robot belonging to Doctor Volkessen is definitely more advanced, having a real cannon on its shoulder (as opposed to the repurposed fireworks used by the heroes) and brick-and-mortar "armor". While the heroes win, it was likely mostly just dumb luck (although their leader is quick to attribute it to patriotic HeroicResolve), and their GiantMecha is definitely much the worse for wear... while the villain's robot winds up ''floating'' homeward.



* SilenceIsGolden: Only "A Tale of Two Robots" and "Presence" have any spoken dialogue.

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* SilenceIsGolden: Only "A Tale of Two Robots" and "Presence" have any spoken dialogue.
dialogue. The opening and ending feature human voices, but the "language" spoken by the characters is blatant gibberish.

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