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Will They Or Wont They is now a Definition Only Page, so bulleted examples are being removed. Please see that page for any applicable tropes that may cover removed examples.


* WalkingInRhythm: The [[https://youtu.be/vQBMJLLujqc first scene of Mizore and Nozomi]] features this, as does [[BookEnds the last]]. Notably, their footsteps are out of sync, illustrating the "disjoint". [[spoiler:The last scene has them in perfect sync.]]
* WillTheyOrWontThey: Mizore and Nozomi's friendship seems to teeter on the edge of a romantic confession throughout the whole film. [[spoiler: The ending doesn't give a definitive answer, although [[{{Subtext}} there are hints that they may]].]]

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* UnresolvedSexualTension: Mizore and Nozomi's friendship seems to teeter on the edge of a romantic confession throughout the whole film. [[spoiler: The ending doesn't give a definitive answer, although [[{{Subtext}} there are hints that they may get together]].]]
* WalkingInRhythm: The [[https://youtu.be/vQBMJLLujqc first scene of Mizore and Nozomi]] features this, as does [[BookEnds the last]]. Notably, their footsteps are out of sync, illustrating the "disjoint". [[spoiler:The last scene has them in perfect sync.]]
* WillTheyOrWontThey: Mizore and Nozomi's friendship seems to teeter on the edge of a romantic confession throughout the whole film. [[spoiler: The ending doesn't give a definitive answer, although [[{{Subtext}} there are hints that they may]].
]]

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Now defunct


** Nozomi compares Yuuko's performance as class president to their [[SenpaiKohai senpai]], Asuka, who graduated in the previous year.

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** Nozomi compares Yuuko's performance as class president to their [[SenpaiKohai senpai]], senpai, Asuka, who graduated in the previous year.



* DefrostingIceQueen: Ririka, Mizore's [[SenpaiKohai kohai]] and the only other oboe player in their band, tries to get her emotionally-distant senpai to open up a bit. [[spoiler:She eventually succeeds, and they play a duet together, to Nozomi's apparent discomfort.]]

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* DefrostingIceQueen: Ririka, Mizore's [[SenpaiKohai kohai]] kohai and the only other oboe player in their band, tries to get her emotionally-distant senpai to open up a bit. [[spoiler:She eventually succeeds, and they play a duet together, to Nozomi's apparent discomfort.]]
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** Mizore's characterization up until this film was that of a archetypal ShyBlueHairedGirl, with hints at deeper feelings but nothing more. Here, it's revealed that Mizore has a very complex inner world that she doesn't share due to her infatuation with Nozomi and her fear of abandonment, which she slowly learns to overcome with the help of Ririka and Niiyama-sensei.

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** Mizore's characterization up until this film was that of a an archetypal ShyBlueHairedGirl, with hints at deeper feelings but nothing more. Here, it's revealed that Mizore has a very complex inner world that she doesn't share due to her infatuation with Nozomi and her fear of abandonment, which she slowly learns to overcome with the help of Ririka and Niiyama-sensei.
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* CharacterDevelopment: The film serves to take Mizore and Nozomi's simple character arcs in ''Sound! Euphonium'' and explore them more thoroughly, giving them more thorough character development along the way.

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* CharacterDevelopment: The film serves to take Mizore and Nozomi's simple character arcs in ''Sound! Euphonium'' and explore them more thoroughly, deeply, giving them more thorough character development along the way.

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* AdaptationExpansion: ''Liz and the Blue Bird'' is very loosely based on the two-part novel ''Literature/SoundEuphonium: The Kitauji High School Concert Band's Second Turbulent Movement'', but in expanding Mizore and Nozomi's roles and exploring their relationship, it's effectively an original story set in the same universe and timeframe.



* BetaCouple: Kumiko and Reina are this to Nozomi and Mizore, in a reversal from the main series.

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* BetaCouple: Kumiko and Reina are this to Nozomi and Mizore, in a reversal from the main series. Their duet of "Liz and the Blue Bird," which is depicted more fully in ''Our Promise ~ A Brand-New Day'', demonstrates their stable relationship in contrast to Nozomi and Mizore's fragile one.


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* CharacterDevelopment: The film serves to take Mizore and Nozomi's simple character arcs in ''Sound! Euphonium'' and explore them more thoroughly, giving them more thorough character development along the way.
** Mizore's characterization up until this film was that of a archetypal ShyBlueHairedGirl, with hints at deeper feelings but nothing more. Here, it's revealed that Mizore has a very complex inner world that she doesn't share due to her infatuation with Nozomi and her fear of abandonment, which she slowly learns to overcome with the help of Ririka and Niiyama-sensei.
** Nozomi's previous characterization is best described as a cheerful, hardworking, popular girl who means more to Mizore than Mizore means to her. This film shows that Nozomi masks her true emotions to fit in with those around her, that she hides her sadness behind a smile, and that Mizore means more to her than she lets on.
** Taking these deeper emotions to their conclusion leads to the climactic scene of the film, where [[spoiler:Nozomi lays bare all of her flaws and admits her self-loathing and envy of Mizore despite her chipper exterior. Mizore responds by telling Nozomi all of the things she loves about her, to which Nozomi can only laugh. The two of them finally realize they need to let each other go to truly be equals]].

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** "disjoint," which is the first title card seen in the movie (even before the film's title), and serves as the linking thread for Mizore and Nozomi's unequal relationship. [[spoiler:Once they resolve their issues at the very end, the same title card is altered to read "joint".]]



* BookEnds: The film begins with Nozomi and Mizore walking into school together, and ends with them leaving school together. Everything else in the film is set inside the school (excluding the storybook sections).

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* BookEnds: The film begins with Mizore waiting for Nozomi and Mizore walking into so they can walk to school together, and ends with them leaving Nozomi waiting for Mizore so they can walk home from school together. Everything else in the film is set inside the school (excluding the storybook sections). It also begins with a title card reading "disjoint", and ends with [[spoiler:the same title card having the "dis-" scribbled out, now reading "joint"]].
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* {{Minimalism}}: The real-world scenes have a distinct minimalist feeling to them. The setting takes place entirely in the sterile and barren hallways of the high school, very few characters are given focus or even names, long stretches go without dialogue, and the music often consists of droning or atonal sounds without discernable melodies. The combined effect is an embodiment of Mizore's claustrophobia and dread as she approaches graduation, as well as to contrast with the livelier and more colorful storybook scenes.

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* {{Minimalism}}: The real-world scenes have a distinct minimalist feeling to them. The setting takes place entirely in the sterile and barren hallways of the high school, very few characters are given focus or even names, long stretches go without dialogue, and the music often consists of droning or atonal sounds without discernable melodies. The combined effect is an embodiment of Mizore's claustrophobia and dread as she approaches graduation, as well as to a contrast with the livelier and more colorful storybook scenes.
Is there an issue? Send a MessageReason:
None


* {{Minimalism}}: The real-world scenes have a distinct minimalist feeling to them. The setting takes place entirely in the sterile and barren hallways of the high school, very few characters are given focus or even names, long stretches go without dialogue, and the music often consists of droning or atonal sounds without discernable melodies. The combined effect is an embodiment Mizore's claustrophobia and dread as she approaches graduation, as well as to contrast with the livelier and more colorful storybook scenes.

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* {{Minimalism}}: The real-world scenes have a distinct minimalist feeling to them. The setting takes place entirely in the sterile and barren hallways of the high school, very few characters are given focus or even names, long stretches go without dialogue, and the music often consists of droning or atonal sounds without discernable melodies. The combined effect is an embodiment of Mizore's claustrophobia and dread as she approaches graduation, as well as to contrast with the livelier and more colorful storybook scenes.
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* InelegantBlubbering: When Ririka doesn't get the oboe solo for "Liz and the Blue Bird", she bursts out in ugly tears about it to Mizore. It's played seriously, and this is what gets Mizore to [[DefrostingIceQueen open up more]] to Ririka.

to:

* InelegantBlubbering: When Ririka doesn't get the oboe solo for "Liz and the Blue Bird", she bursts out in ugly tears about it to Mizore. It's played seriously, and this is it's what gets Mizore to [[DefrostingIceQueen open up more]] to Ririka.



* {{Minimalism}}: The real-world scenes have a distinct minimalist feeling to them. The setting takes place entirely in the sterile and barren hallways of the high school, very few characters are given focus or even names, long stretches go without dialogue, and the music often consists of droning or atonal sounds without discernable melodies. This is used to embody Mizore's claustrophobia and dread as she approaches graduation, as well as to contrast with the livelier and more colorful storybook scenes.

to:

* {{Minimalism}}: The real-world scenes have a distinct minimalist feeling to them. The setting takes place entirely in the sterile and barren hallways of the high school, very few characters are given focus or even names, long stretches go without dialogue, and the music often consists of droning or atonal sounds without discernable melodies. This The combined effect is used to embody an embodiment Mizore's claustrophobia and dread as she approaches graduation, as well as to contrast with the livelier and more colorful storybook scenes.



** In a somewhat literal example of the trope name, the process of decalcomania (painting one half of a picture, then folding the paper so the paint stains the other half, creating an image that's nearly but not quite symmetrical) is used in several scenes -- not just in the animation, but in the sheet music of the soundtrack. This was used to illustrate the relationship and disjoint between Mizore and Nozomi, two people who are themselves nearly but not quite symmetrical.

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** In a somewhat literal example of the trope name, the process of decalcomania (painting one half of a picture, then folding the paper so the paint stains the other half, creating an image that's nearly but not quite symmetrical) is used in several scenes -- not just in the animation, but in the sheet music of the soundtrack. This was used to illustrate It illustrates the relationship and disjoint between Mizore and Nozomi, two people who are themselves nearly but not quite symmetrical.
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* PaintingTheMedium:
** In a somewhat literal example of the trope name, the process of decalcomania (painting one half of a picture, then folding the paper so the paint stains the other half, creating an image that's nearly but not quite symmetrical) is used in several scenes -- not just in the animation, but in the sheet music of the soundtrack. This was used to illustrate the relationship and disjoint between Mizore and Nozomi, two people who are themselves nearly but not quite symmetrical.
** To record the film's soundtrack, director Naoko Yamada and composer Kensuke Ushio went to the actual high school Kitauji High was based on and recorded themselves fiddling with things inside the classrooms (such as chairs, desks, music stands, and even beakers in the science labs). These sounds were then incorporated into the music, as if the objects that exist around the characters ''are'' the soundtrack.
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* AdvertisedExtra: Since they're main characters in ''Literature/SoundEuphonium'', Kumiko and Reina received [[https://static.wikia.nocookie.net/hibike-euphonium/images/7/71/Liz_and_the_Blue_Bird_-_Kumiko_%26_Reina.jpg/revision/latest?cb=20190328103217 a promotional poster]] and prominent spots on [[http://liz-bluebird.com/ the film's website.]] While Reina has a prominent role in one pivotal scene, Kumiko is effectively a background character. The website also includes Hazuki and Sapphire, who are even less prominent than Kumiko, only speaking in a single scene.

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* AdvertisedExtra: Since they're main characters in ''Literature/SoundEuphonium'', Kumiko and Reina received [[https://static.wikia.nocookie.net/hibike-euphonium/images/7/71/Liz_and_the_Blue_Bird_-_Kumiko_%26_Reina.jpg/revision/latest?cb=20190328103217 a promotional poster]] and prominent spots are featured on [[http://liz-bluebird.com/ the film's website.]] While Reina has a prominent role in one pivotal scene, Kumiko is effectively a background character.character, and the two act as a BetaCouple. The website also includes Hazuki and Sapphire, who are even less prominent than Kumiko, only speaking in a single scene.
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actually would be better to have a direct image link lol


* AdvertisedExtra: Since they're main characters in ''Literature/SoundEuphonium'', Kumiko and Reina received [[https://danbooru.donmai.us/posts/5470061 a promotional poster]] and prominent spots on [[http://liz-bluebird.com/ the film's website.]] While Reina has a prominent role in one pivotal scene, Kumiko is effectively a background character. The website also includes Hazuki and Sapphire, who are even less prominent than Kumiko, only speaking in a single scene.

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* AdvertisedExtra: Since they're main characters in ''Literature/SoundEuphonium'', Kumiko and Reina received [[https://danbooru.donmai.us/posts/5470061 [[https://static.wikia.nocookie.net/hibike-euphonium/images/7/71/Liz_and_the_Blue_Bird_-_Kumiko_%26_Reina.jpg/revision/latest?cb=20190328103217 a promotional poster]] and prominent spots on [[http://liz-bluebird.com/ the film's website.]] While Reina has a prominent role in one pivotal scene, Kumiko is effectively a background character. The website also includes Hazuki and Sapphire, who are even less prominent than Kumiko, only speaking in a single scene.
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Added DiffLines:

* AdvertisedExtra: Since they're main characters in ''Literature/SoundEuphonium'', Kumiko and Reina received [[https://danbooru.donmai.us/posts/5470061 a promotional poster]] and prominent spots on [[http://liz-bluebird.com/ the film's website.]] While Reina has a prominent role in one pivotal scene, Kumiko is effectively a background character. The website also includes Hazuki and Sapphire, who are even less prominent than Kumiko, only speaking in a single scene.
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* ThemeNaming: All of the songs from the film's soundtrack use AllLowercaseLetters with phrases describing each scene separated by commas: i.e., "wind,glass,bluebird", "reflexion,allegretto,you", "girls,dance,staircase".

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* ThemeNaming: All of the songs from the film's soundtrack soundtrack, besides the orchestral pieces, use AllLowercaseLetters with [[AllLowercaseLetters all-lowercase]] phrases describing each scene separated by commas: i.e., "wind,glass,bluebird", "reflexion,allegretto,you", "girls,dance,staircase".
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None

Added DiffLines:

* {{Minimalism}}: The real-world scenes have a distinct minimalist feeling to them. The setting takes place entirely in the sterile and barren hallways of the high school, very few characters are given focus or even names, long stretches go without dialogue, and the music often consists of droning or atonal sounds without discernable melodies. This is used to embody Mizore's claustrophobia and dread as she approaches graduation, as well as to contrast with the livelier and more colorful storybook scenes.


Added DiffLines:

* ThemeNaming: All of the songs from the film's soundtrack use AllLowercaseLetters with phrases describing each scene separated by commas: i.e., "wind,glass,bluebird", "reflexion,allegretto,you", "girls,dance,staircase".
Is there an issue? Send a MessageReason:
None


''Liz and the Blue Bird'' (リズと青い鳥, ''Liz to Aoi Tori'') is a movie directed by Naoko Yamada and released by Creator/KyotoAnimation to Japanese theaters in 2018. It is a spin-off of the popular series ''Literature/SoundEuphonium'', but it still functions as an independent work that can be enjoyed without prior knowledge of the original (although some of the in-jokes may be lost on the uninitiated). It wonderfully captures the emotional bustle of adolescence by linking it to the classical piece played by the main characters, and the animated sequences representing said piece interspersed throughout the movie.

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''Liz and the Blue Bird'' (リズと青い鳥, ''Liz to Aoi Tori'') is a movie directed by Naoko Yamada and released by Creator/KyotoAnimation to Japanese theaters in 2018. It is a spin-off of the popular novel and anime series ''Literature/SoundEuphonium'', but it still functions as an independent work that can be enjoyed without prior knowledge of the original story (although some of the in-jokes may be lost on the uninitiated). It wonderfully captures the emotional bustle of adolescence by linking it to the classical piece played by the main characters, and the animated sequences representing said piece interspersed throughout the movie.
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* LonelyPianoPiece: Piano, especially prepared piano, is used throughout the film's soundtrack to create a sense of quiet melancholy. [[https://youtu.be/80NNS7shns4 "reflexion,allegretto,you"]] stands out; it's a bittersweet solo piano piece used to score Mizore's increasing sense of loneliness as she feels herself growing apart from Nozomi.
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* AccidentalMisnaming: Ririka accidentally gives her surname as "Yoroizuka" (Mizore's surname) before correcting herself with "Kenzaki". Later, Niiyama-sensei makes the same mistake.

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* InelegantBlubbering: When Ririka doesn't get the oboe solo for "Liz and the Blue Bird", she bursts out in ugly tears about it to Mizore. It's played seriously, and this is what gets Mizore to [[DefrostingIceQueen open up more]] to Ririka.



* WillTheyOrWontThey: Quite a few viewers see Mizore and Nozomi's relationship this way. [[spoiler: The movie doesn't give a definitive answer, although [[{{Subtext}} there are hints that they may]].]]

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* WillTheyOrWontThey: Quite a few viewers see Mizore and Nozomi's relationship this way. friendship seems to teeter on the edge of a romantic confession throughout the whole film. [[spoiler: The movie ending doesn't give a definitive answer, although [[{{Subtext}} there are hints that they may]].]]
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* CatharticCrying: After a long period of struggling, Mizore finally manages to give a soaring performance [[spoiler:once she understands her relationship with Nozomi and "Liz and the Blue Bird"]]. Mizore's playing causes Nozomi to begin crying in the middle of rehearsal, [[spoiler:since she realizes Mizore was holding back for her sake, and fears Mizore's talent will drive them apart]].
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* FreezeFrameBonus: Looking carefully at the "Liz and the Blue Bird" storybook reveals the author's name as "Věroslav Chytil", and the illustrator's name as "Věroslav Lovagny", who are presumably Czech (as the book is written in German). The name of the author was based on Věra Chytilová, an avant-garde Czech filmmaker.
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* LivingEmotionalCrutch: Mizorr pours all of her emotions into being around Nozomi, due to her lack of social skills and Nozomi being the first person to truly open up to her. Mizore only decides to go to music college based on the ''chance'' that Nozomi may go to the same school. [[spoiler:The movie ends with her taking her first steps past this codependency, pursuing her own path forward in life and making new friends besides Nozomi.]]

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* LivingEmotionalCrutch: Mizorr Mizore pours all of her emotions into being around Nozomi, due to her lack of social skills and Nozomi being the first person to truly open up to her. Mizore only decides to go to music college based on the ''chance'' that Nozomi may go to the same school. [[spoiler:The movie ends with her taking her first steps past this codependency, pursuing her own path forward in life and making new friends besides Nozomi.]]

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** "Happy Ice Cream."
** [[spoiler: The "Love You Hug."]]

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** "Happy Ice Cream."
Cream," which starts as the subject of an inconsequential background event, [[spoiler:and then becomes the thing that allows Mizore to break the ice between her and Nozomi in the final scene]].
** [[spoiler: The "Love You Hug."]]Hug," which comes up three times after it's introduced; [[spoiler:Nozomi rejects Mizore's attempts to initiate the first two times, and Mizore basically forces one to happen during the third]].



* ComingOfAgeStory: The main point of the movie.

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* ComingOfAgeStory: The main point of the movie.movie; Mizore and Nozomi are about to graduate from high school and go their separate ways into adulthood, and they need to learn how to cope with their newfound feelings toward life and each other.



** The "Liz and the Blue Bird" suite has a very traditional example, with Liz represented by the oboe and the blue bird represented by the flute.



* LivingEmotionalCrutch: Mizorr pours all of her emotions into being around Nozomi, due to her lack of social skills and Nozomi being the first person to truly open up to her. Mizore only decides to go to music college based on the ''chance'' that Nozomi may go to the same school. [[spoiler:The movie ends with her taking her first steps past this codependency, pursuing her own path forward in life and making new friends besides Nozomi.]]



* ManicPixieDreamGirl: Nozomi is this to Mizore, who sees herself as Liz with Nozomi as the blue bird who frees her of her loneliness. [[spoiler: Later it appears that the roles are actually reversed, or that they are at least ''each other's'' blue bird.]]

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* ManicPixieDreamGirl: The blue bird in the story is this to Liz, who frees her from her lonely and mundane life thanks to her cheerfulness and childlike sense of wonder. In turn, Nozomi is this to Mizore, who sees herself as Liz with Nozomi as the blue bird who frees her of her loneliness. [[spoiler: Later it appears that the roles are actually reversed, or that they are at least ''each other's'' blue bird.]]



* PseudoRomanticFriendship: This is the main dynamic between Mizore and Nozomi, with plenty of longing stares and "I love you"s to go around. Any further implications to the nature of their relationship are left as {{subtext}}.

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* PseudoRomanticFriendship: PseudoRomanticFriendship:
**
This is the main dynamic between Mizore and Nozomi, with plenty of longing stares and "I love you"s to go around. Any further implications to the nature of their relationship are left as {{subtext}}.{{subtext}}.
** A similar case applies to Liz and the blue bird themselves, due to the story being a variant on the typical ShapeshiftingLover fairy tale. They live in the same house, sleep in the same bed, and are seen doing domestic chores like bathing and cooking together. The movement of the suite that concerns their separation is even titled "The Things We Do for Love."


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* ShapeshiftingLover: A [[PseudoRomanticFriendship (most likely)]] platonic example with the "Liz and the Blue Bird" story, where a blue bird turns into a human girl so she become friends with Liz. She eventually has to leave Liz and go back to being a bird. [[spoiler:The part that isn't said ahead of time is that Liz ''willingly'' lets the blue bird go, against the bird's wishes, as she understands keeping the bird as a human will rob her of her freedom to fly.]]
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[[caption-width-right:350:Mizore and Nozomi are in the front, Liz and the blue bird are in the back.]]

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[[caption-width-right:350:Mizore [[caption-width-right:350:[[{{Tagline}} "I thought we would be together forever and always."]][[note]]Mizore and Nozomi are in the front, Liz and the blue bird are in the back.]]
[[/note]]]]

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''Liz and the Blue Bird'' (リズと青い鳥, ''Liz to Aoi Tori'') is a movie directed by Naoko Yamada and released by Creator/KyotoAnimation to Japanese theaters in 2018. It is a spin-off of the popular series ''Literature/SoundEuphonium'', but it still functions as an independent work that can be enjoyed without prior knowledge of the original (although some of the in-jokes may be lost on the uninitiated). It wonderfully captures the emotional bustle of adolescence by linking it to the classical piece played by the main characters, and the animated sequences representing said piece interspersed throughout the movie.



Mizore starts spending a lot of time trying to master her instrument, driven not only by her desire to become a better musician, but also as a way of connecting with Nozomi, to whom she becomes ever more emotionally attached as time passes. Nozomi, herself a proficient concert flautist, ends up quitting in her first year of high school without telling Mizore; the two reconcile after she rejoins the band, but their relationship is on fragile footing as a result.

to:

Mizore starts spending a lot of time trying to master her instrument, driven not only by her desire to become a better musician, but also as a way of connecting with Nozomi, to whom she becomes ever more emotionally attached as time passes. Nozomi, herself a proficient concert flautist, flutist, ends up quitting in her first year of high school without telling Mizore; the two reconcile after she rejoins the band, but their relationship is on fragile footing as a result.



''Liz and the Blue Bird'' (リズと青い鳥, ''Liz to Aoi Tori'') is a movie directed by Naoko Yamada and released by Creator/KyotoAnimation to Japanese theaters in 2018. It is a spin-off of the popular series ''Literature/SoundEuphonium'', but it still functions as an independent work that can be enjoyed without prior knowledge of the original (although some of the in-jokes may be lost on the uninitiated). It wonderfully captures the emotional bustle of adolescence by linking it to the classical pieces played by the main characters, and the "Liz and the Blue Bird" shorts interspersed throughout the movie.



* TheAce: Mizore. She is the only one of the girls who gets asked by the woodwind instructor [[spoiler:if she is interested in studying music, much to Nozomi's dismay.]]

to:

* TheAce: Mizore. She is the only one of the girls who gets asked by the woodwind instructor [[spoiler:if if she is interested in studying music, much to Nozomi's visible but unspoken dismay.]]



** Nozomi compares Yuuko's performance as class president to their senpai, Asuka, who graduated in the previous year.

to:

** Nozomi compares Yuuko's performance as class president to their senpai, [[SenpaiKohai senpai]], Asuka, who graduated in the previous year.



* DefrostingIceQueen: Ririka, Mizore's [[SempaiKohai kohai]] and the only other oboe player in their band, tries to get her emotionally-distant senpai to open up a bit. [[spoiler:She eventually succeeds, and they play a duet together, to Nozomi's apparent discomfort.]]

to:

* DefrostingIceQueen: Ririka, Mizore's [[SempaiKohai [[SenpaiKohai kohai]] and the only other oboe player in their band, tries to get her emotionally-distant senpai to open up a bit. [[spoiler:She eventually succeeds, and they play a duet together, to Nozomi's apparent discomfort.]]



* GenkiGirl: Nozomi, especially in relation to Mizore.

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* GenkiGirl: Nozomi, Nozomi is very outgoing and chipper, especially in relation to Mizore.Mizore. [[spoiler:It's suggested that this is just a front she puts on to make others happy, seen when Mizore confesses her love and Nozomi replies that she isn't as great as Mizore thinks she is.]]



* LovingAShadow: Mizore is infatuated with Nozomi for being, from her perspective, kind, sociable, and popular. [[spoiler:When she finally confesses the extent of her feelings, Nozomi replies that she isn't any of those things. Mizore responds that she doesn't care if that's the case, because she's special to ''her'', and that's all that matters.]]



* PlotBasedVoiceCancellation: At the very last moment when Nozomi and Mizore leave school, Nozomi [[spoiler:faces Mizore and says something that makes Mizore turn all wide-eyed and blushing. Was it a confession? Who knows?]]

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* PlotBasedVoiceCancellation: PlotBasedVoiceCancellation:
** The moment when Mizore and Nozomi both come to the same conclusion [[spoiler: about their relationship with "Liz and the Blue Bird"]], their voices cut to silence.
**
At the very last moment when Nozomi and Mizore leave school, Nozomi [[spoiler:faces Mizore and says something that makes Mizore turn all wide-eyed and blushing. Was it a confession? Who knows?]]



* TheRival: Curiously, Nozomi confesses to see Mizore that way.
* ShowWithinAShow: The shorts of the "Liz and the Blue Bird" story, although they are actually animated pages of the children's book used as the inspiration of the tone poem played by the wind music club.

to:

* TheRival: Curiously, Nozomi confesses to see Mizore this way, [[spoiler:saying that way.
she's jealous of Mizore for being so much better at her instrument and that she got picked to go to a music college]].
* ShowWithinAShow: The shorts of the "Liz and the Blue Bird" story, although they which are actually animated pages of the children's book used as the inspiration of for the tone poem played by the wind music club.

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