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Changed line(s) 12,13 (click to see context) from:
At the end of this chapter, the strip moved from pay site Modern Tales to Website/{{Keenspot}}, and spent several months rerunning all the strips so they'd be in the free archive before Variety Pack.
to:
At the end of this chapter, the strip moved from pay site Modern Tales to Website/{{Keenspot}}, Platform/{{Keenspot}}, and spent several months rerunning all the strips so they'd be in the free archive before Variety Pack.
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Changed line(s) 27 (click to see context) from:
* StalkerWithACrush: [[LampshadeHanging Lampshaded]] with Aggie thinking of showing her love sonnet to Marshall and then imagining him seeing her this way, complete with a ShoutOut to ''FatalAttraction'' (imaginary Aggie clutching a rabbit). She decides to hold off.
to:
* StalkerWithACrush: [[LampshadeHanging Lampshaded]] with Aggie thinking of showing her love sonnet to Marshall and then imagining him seeing her this way, complete with a ShoutOut to ''FatalAttraction'' ''Film/FatalAttraction'' (imaginary Aggie clutching a rabbit). She decides to hold off.
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None
Changed line(s) 12,13 (click to see context) from:
At the end of this chapter, the strip moved from pay site Modern Tales to {{Keenspot}}, and spent several months rerunning all the strips so they'd be in the free archive before Variety Pack.
to:
At the end of this chapter, the strip moved from pay site Modern Tales to {{Keenspot}}, Website/{{Keenspot}}, and spent several months rerunning all the strips so they'd be in the free archive before Variety Pack.
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None
Changed line(s) 6,7 (click to see context) from:
As the summer draws to a close, Aggie composes a love sonnet for Marshall, loosely based on ClassicalMythology, but thinks better of showing it to him just yet.
to:
As the summer draws to a close, Aggie composes a love sonnet for Marshall, loosely based on ClassicalMythology, Myth/ClassicalMythology, but thinks better of showing it to him just yet.
Changed line(s) 24 (click to see context) from:
* MundaneMadeAwesome: Aggie's sonnet portrays the LoveTriangle between Karen, Marshall and her as a grand mythological epic, with Karen as Persephone, Marshall as her prisoner Adonis and Aggie as his rescuer Aphrodite. (Campbell [[WordOfGod admits]] to taking liberties with ClassicalMythology here.)
to:
* MundaneMadeAwesome: Aggie's sonnet portrays the LoveTriangle between Karen, Marshall and her as a grand mythological epic, with Karen as Persephone, Marshall as her prisoner Adonis and Aggie as his rescuer Aphrodite. (Campbell [[WordOfGod admits]] to taking liberties with ClassicalMythology Myth/ClassicalMythology here.)
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None
Changed line(s) 1,2 (click to see context) from:
--> "The last days of summer..." Heh... Leaves can be such drama queens.
to:
--> "The "'The last days of summer..." summer'... Heh... Leaves can be such drama queens.
queens."\\
'''-- Aggie'''
'''-- Aggie'''
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* TitleDrop: Aggie thinks the page quote while watching leaves fall from trees.
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Changed line(s) 3,4 (click to see context) from:
Following directly from the previous arc, the storyline opens with Penny trying to determine what's got Aggie so upset. Aggie blurts out that it has something to do with Karen. Unable to understand her speech through the sobbing, Penny, based on the little she knows about Aggie, assumes that Karen taunted her about her deceased mother the [[http://www.pennyandaggie.com/index.php?p=74 same way]] [[http://www.pennyandaggie.com/index.php?p=20 she'd once contemplated]] doing. However, when she figures out Aggie's actually upset over Karen having "snatched away" Marshall, she claims boys aren't worth getting upset over. Miffed, Aggie snaps back into snark mode and the two are enemies once again. But now Aggie, having accomplished her initial mission to blow off steam, through antagonizing Penny, feels better.
to:
Following directly from the previous arc, the storyline opens with Penny trying to determine what's got Aggie so upset. Aggie blurts out that it has something to do with Karen. Unable to understand her speech through the sobbing, Penny, based on the little she knows about Aggie, assumes that Karen taunted her about her deceased mother the [[http://www.pennyandaggie.com/index.php?p=74 same way]] [[http://www.pennyandaggie.com/index.php?p=20 she'd once contemplated]] doing. However, when she figures out Aggie's actually upset crying over Karen having "snatched away" Marshall, she claims boys aren't worth getting upset over. Miffed, Aggie snaps back into snark mode and the two are enemies once again. But now Aggie, having accomplished her initial mission to blow off steam, through antagonizing Penny, feels better.
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* CallBack: Penny imagines Karen mocking Aggie's loss of her mother with the same words and same stance as she'd contemplated using in [[Recap/PennyAndAggieTheBestOfEnemies The Best of Enemies]], and with the same devastated reaction from Aggie.
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Changed line(s) 27 (click to see context) from:
* UnrequitedLove
to:
* UnrequitedLoveUnrequitedLove: Aggie for Marshall.
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* HypocriticalHumor / IronicEcho: Penny, having spent the last day of her Cloth Mart job putting up with yet another UnsatisfiableCustomer, is relieved she'll never have to do so again. She then proceeds to be such a customer for a clerk at another store, right down to echoing the Cloth Mart customer's line almost exactly.
Changed line(s) 20 (click to see context) from:
--> '''Aggie:''' She snadged away uh mos bootiful boy ih thuh whuhuhuhuhuh!
to:
--> '''Aggie:''' She snadged away uh mos bootiful boy ih thuh whuhuhuhuhuh!whuhuhuhuhuh! ("She snatched away the most beautiful boy in the world!")
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trope renamed at TRS
* MundaneMadeAwesome: Aggie's sonnet portrays the LoveTriangle between Karen, Marshall and her as a grand mythological epic, with Karen as Persephone, Marshall as her prisoner Adonis and Aggie as his rescuer Aphrodite. (Campbell [[WordOfGod admits]] to taking liberties with ClassicalMythology here.)
Changed line(s) 26 (click to see context) from:
* WhatDoYouMeanItsNotAwesome: Aggie's sonnet portrays the LoveTriangle between Karen, Marshall and her as a grand mythological epic, with Karen as Persephone, Marshall as her prisoner Adonis and Aggie as his rescuer Aphrodite. (Campbell [[WordOfGod admits]] to taking liberties with ClassicalMythology here.)
to:
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Changed line(s) 14,15 (click to see context) from:
* AsideGlance - Nick in [[http://www.pennyandaggie.com/index.php?p=97 this strip]]. Although he appears to be smiling at the reader, T Campbell--who otherwise has avoided BreakingTheFourthWall in the comic--[[WordOfGod handwaved]] this as simply Nick smiling to himself, out of Aggie's line of sight.
* CompletelyMissingThePoint - Penny in the following exchange:
* CompletelyMissingThePoint - Penny in the following exchange:
to:
* AsideGlance - AsideGlance: Nick in [[http://www.pennyandaggie.com/index.php?p=97 this strip]]. Although he appears to be smiling at the reader, T Campbell--who otherwise has avoided BreakingTheFourthWall in the comic--[[WordOfGod handwaved]] this as simply Nick smiling to himself, out of Aggie's line of sight.
*CompletelyMissingThePoint - ComicallyMissingThePoint: Penny in the following exchange:
*
Changed line(s) 21,24 (click to see context) from:
* OneDialogueTwoConversations - Penny and Aggie in the opening sequence.
* ResetButton - In the first story within this arc, Penny and Aggie seem poised to become friends, given Penny's genuine attempt to console Aggie and the latter appreciating it. However, when Penny learns the real reason for Aggie's sadness and thoughtlessly dismisses it, the two soon fall back into fighting. [[WordOfGod According to Campbell]], founding artist Gisèle Lagacé's original concept for the strip was that the title characters would remain [[StatusQuoIsGod locked]] in a perpetual, though comical, rivalry, often on the verge of becoming friends but never quite making that leap. However, Campbell has said he [[WriterRevolt got bored]] with that setup before long, and the comic eventually took a different turn.
* StalkerWithACrush - [[LampshadeHanging Lampshaded]] with Aggie thinking of showing her love sonnet to Marshall and then imagining him seeing her this way, complete with a ShoutOut to ''FatalAttraction'' (imaginary Aggie clutching a rabbit). She decides to hold off.
* StylisticSuck - Aggie's sonnet is pretentious and overwrought, and [[WordOfGod is meant to be]]. It's a recurring trait of most, though not all, of her creative efforts.
* ResetButton - In the first story within this arc, Penny and Aggie seem poised to become friends, given Penny's genuine attempt to console Aggie and the latter appreciating it. However, when Penny learns the real reason for Aggie's sadness and thoughtlessly dismisses it, the two soon fall back into fighting. [[WordOfGod According to Campbell]], founding artist Gisèle Lagacé's original concept for the strip was that the title characters would remain [[StatusQuoIsGod locked]] in a perpetual, though comical, rivalry, often on the verge of becoming friends but never quite making that leap. However, Campbell has said he [[WriterRevolt got bored]] with that setup before long, and the comic eventually took a different turn.
* StalkerWithACrush - [[LampshadeHanging Lampshaded]] with Aggie thinking of showing her love sonnet to Marshall and then imagining him seeing her this way, complete with a ShoutOut to ''FatalAttraction'' (imaginary Aggie clutching a rabbit). She decides to hold off.
* StylisticSuck - Aggie's sonnet is pretentious and overwrought, and [[WordOfGod is meant to be]]. It's a recurring trait of most, though not all, of her creative efforts.
to:
* OneDialogueTwoConversations - OneDialogueTwoConversations: Penny and Aggie in the opening sequence.
*ResetButton - ResetButton: In the first story within this arc, Penny and Aggie seem poised to become friends, given Penny's genuine attempt to console Aggie and the latter appreciating it. However, when Penny learns the real reason for Aggie's sadness and thoughtlessly dismisses it, the two soon fall back into fighting. [[WordOfGod According to Campbell]], founding artist Gisèle Lagacé's original concept for the strip was that the title characters would remain [[StatusQuoIsGod locked]] in a perpetual, though comical, rivalry, often on the verge of becoming friends but never quite making that leap. However, Campbell has said he [[WriterRevolt got bored]] with that setup before long, and the comic eventually took a different turn.
*StalkerWithACrush - StalkerWithACrush: [[LampshadeHanging Lampshaded]] with Aggie thinking of showing her love sonnet to Marshall and then imagining him seeing her this way, complete with a ShoutOut to ''FatalAttraction'' (imaginary Aggie clutching a rabbit). She decides to hold off.
*StylisticSuck - StylisticSuck: Aggie's sonnet is pretentious and overwrought, and [[WordOfGod is meant to be]]. It's a recurring trait of most, though not all, of her creative efforts.
*
*
*
Changed line(s) 26 (click to see context) from:
* WhatDoYouMeanItsNotAwesome - Aggie's sonnet portrays the LoveTriangle between Karen, Marshall and her as a grand mythological epic, with Karen as Persephone, Marshall as her prisoner Adonis and Aggie as his rescuer Aphrodite. (Campbell [[WordOfGod admits]] to taking liberties with ClassicalMythology here.)
to:
* WhatDoYouMeanItsNotAwesome - WhatDoYouMeanItsNotAwesome: Aggie's sonnet portrays the LoveTriangle between Karen, Marshall and her as a grand mythological epic, with Karen as Persephone, Marshall as her prisoner Adonis and Aggie as his rescuer Aphrodite. (Campbell [[WordOfGod admits]] to taking liberties with ClassicalMythology here.)
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ptitle removal.
Changed line(s) 26 (click to see context) from:
* [[{{Ptitle8px80d2wm3pd}} What Do You Mean, It's Not Awesome?]] - Aggie's sonnet portrays the LoveTriangle between Karen, Marshall and her as a grand mythological epic, with Karen as Persephone, Marshall as her prisoner Adonis and Aggie as his rescuer Aphrodite. (Campbell [[WordOfGod admits]] to taking liberties with ClassicalMythology here.)
to:
* [[{{Ptitle8px80d2wm3pd}} What Do You Mean, It's Not Awesome?]] WhatDoYouMeanItsNotAwesome - Aggie's sonnet portrays the LoveTriangle between Karen, Marshall and her as a grand mythological epic, with Karen as Persephone, Marshall as her prisoner Adonis and Aggie as his rescuer Aphrodite. (Campbell [[WordOfGod admits]] to taking liberties with ClassicalMythology here.)
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None
Deleted line(s) 15 (click to see context) :
* BigLippedAlligatorMoment - The [[http://www.pennyandaggie.com/index.php?p=85 loneliest whale]] strip, apparently conceived as a Sunday comic in line with the strip's initial [[NewspaperComic syndication]] pitch, bears no relation to the plot in this or any other arc, centered as it is on Nick imagining a whale dressed in [[MCHammer Hammer pants]] and performing "U Can't Touch This." Even Nick can't help but wonder "WTF?", going by his expression. "My mind is strange."
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None
Added DiffLines:
* StylisticSuck - Aggie's sonnet is pretentious and overwrought, and [[WordOfGod is meant to be]]. It's a recurring trait of most, though not all, of her creative efforts.
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Changed line(s) 11,12 (click to see context) from:
At the end of this chapter, the strip moved from pay site {{Girlamatic}} to {{Keenspot}}, and spent several months rerunning all the strips so they'd be in the free archive before Variety Pack.
to:
At the end of this chapter, the strip moved from pay site {{Girlamatic}} Modern Tales to {{Keenspot}}, and spent several months rerunning all the strips so they'd be in the free archive before Variety Pack.
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None
Changed line(s) 15,16 (click to see context) from:
* BigLippedAlligatorMoment - The [[http://www.pennyandaggie.com/index.php?p=85 loneliest whale]] strip, apparently conceived as a Sunday comic in line with the strip's initial [[NewspaperComic syndication]] pitch, bears no relation to the plot in this or any other arc, centered as it is on Nick imagining a whale dressed in [[MCHammer Hammer pants]] and performing "U Can't Touch This."
** Even Nick can't help but wonder "WTF?", going by his expression.
** Even Nick can't help but wonder "WTF?", going by his expression.
to:
* BigLippedAlligatorMoment - The [[http://www.pennyandaggie.com/index.php?p=85 loneliest whale]] strip, apparently conceived as a Sunday comic in line with the strip's initial [[NewspaperComic syndication]] pitch, bears no relation to the plot in this or any other arc, centered as it is on Nick imagining a whale dressed in [[MCHammer Hammer pants]] and performing "U Can't Touch This."
**" Even Nick can't help but wonder "WTF?", going by his expression.expression. "My mind is strange."
**
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Added DiffLines:
** Even Nick can't help but wonder "WTF?", going by his expression.
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Added DiffLines:
--> "The last days of summer..." Heh... Leaves can be such drama queens.
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Changed line(s) 9 (click to see context) from:
to:
At the end of this chapter, the strip moved from pay site {{Girlamatic}} to {{Keenspot}}, and spent several months rerunning all the strips so they'd be in the free archive before Variety Pack.
Changed line(s) 20 (click to see context) from:
* ResetButton - In the first story within this arc, Penny and Aggie seem poised to become friends, given Penny's genuine attempt to console Aggie and the latter appreciating it. However, when Penny learns the real reason for Aggie's sadness and thoughtlessly dismisses it, the two soon fall back into fighting. [[WordOfGod According to Campbell]], founding artist Gisèle Lagacé's original concept for the strip was that the title characters would remain [[StatusQuoIsGod locked]] in a perpetual, though comical, rivalry, often on the verge of becoming friends but never quite making that leap. However, Campbell has said he [[WriterRevolt got bored]] with that setup before long, and the comic eventually took a different turn.
to:
* ResetButton - In the first story within this arc, Penny and Aggie seem poised to become friends, given Penny's genuine attempt to console Aggie and the latter appreciating it. However, when Penny learns the real reason for Aggie's sadness and thoughtlessly dismisses it, the two soon fall back into fighting. [[WordOfGod According to Campbell]], founding artist Gisèle Lagacé's original concept for the strip was that the title characters would remain [[StatusQuoIsGod locked]] in a perpetual, though comical, rivalry, often on the verge of becoming friends but never quite making that leap. However, Campbell has said he [[WriterRevolt got bored]] with that setup before long, and the comic eventually took a different turn.
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None
Added DiffLines:
* ResetButton - In the first story within this arc, Penny and Aggie seem poised to become friends, given Penny's genuine attempt to console Aggie and the latter appreciating it. However, when Penny learns the real reason for Aggie's sadness and thoughtlessly dismisses it, the two soon fall back into fighting. [[WordOfGod According to Campbell]], founding artist Gisèle Lagacé's original concept for the strip was that the title characters would remain [[StatusQuoIsGod locked]] in a perpetual, though comical, rivalry, often on the verge of becoming friends but never quite making that leap. However, Campbell has said he [[WriterRevolt got bored]] with that setup before long, and the comic eventually took a different turn.
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None
Changed line(s) 5,6 (click to see context) from:
Meanwhile, Penny catches up with her friend Michelle, who's just returned from an abortive family relocation to California with emotional baggage involving body issues and resentment of her father. (Subsequent storylines reveal the reason for this resentment and bring her body image problem more into focus.)
to:
Meanwhile, Penny catches up with her friend Michelle, Michelle Brown, who's just returned from an abortive family relocation to California with emotional baggage involving body issues and resentment of her father. (Subsequent storylines reveal the reason for this resentment and bring her body image problem more into focus.)
