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* American author Jim Kjelgaard wrote many stories in this form, with an animal protagonist and written from the animal's point of view. Most of them were domestic animals - dogs of various breeds, and once a cat - set loose in the wild by accident and forced to fend for themselves.
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* The ''Wiki/SCPFoundation'' has [[http://www.scp-wiki.net/the-choir-below these]] [[http://www.scp-wiki.net/koi-format two]] documents. The first is written mostly by StarfishAliens describing themselves to humans, and the second is written mostly by intelligent carp [[HumansThroughAlienEyes describing humans]].

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* The ''Wiki/SCPFoundation'' ''Website/SCPFoundation'' has [[http://www.scp-wiki.net/the-choir-below these]] [[http://www.scp-wiki.net/koi-format two]] documents. The first is written mostly by StarfishAliens describing themselves to humans, and the second is written mostly by intelligent carp [[HumansThroughAlienEyes describing humans]].
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* In the short story ''The Author of Acacia Seeds and Other Extracts from the Journal of Therolinguistics'' by ''Creator/UrsulaKLeGuin'', Therolinguistics deals with studying and interpreting literature created by animals, such as ants, penguins and dolphins.
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* ''WebOriginal/HamstersParadise'' is normally presented in a nature guide-style format, focusing on maps, species and biomes at intervals of 5-10 million years. An example of Xenofiction happens, however, when the AlwaysChaoticEvil harmsters arise, and very quickly eradicate themselves. The trope is much stronger with the Calliducyonidae, a family arising 45 million years after the harmsters, containing two genera of dog-like sophonts, the wolf-like southhounds and the fox-like northhounds, which are depicted from the stories they tell and their perspectives on life.
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links to a different book


* ''Literature/{{Jennie}}'' (also known as ''Abandoned'') is about a boy who gets turned into a cat, and who meets a cat who teaches him about his new body and how cats perceive the world.

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* ''Literature/{{Jennie}}'' ''Jennie'' (also known as ''Abandoned'') is about a boy who gets turned into a cat, and who meets a cat who teaches him about his new body and how cats perceive the world.
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* ''Film/TheLegendOfLobo'' is a 1962 American animal-adventure film that follows the life and adventures of Lobo, a wolf born and raised in southwestern North America. The story is told as much from a wolf's point of view as from a human's. There is no dialogue in the film, with the only interpretation presented through the use of story-song composed and sung by the Sons of the Pioneers and the Sherman Brothers, and narration by Rex Allen.
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* ''Literature/TheOneAndOnlyIvan'' is from the perspective of a gorilla. As a great ape who lived in a human home when he was small, watches TV regularly, and is constantly observed on all sides by humans on the outside of his little enclosure in TheMall, he definitely has some understanding of humans, but still finds them strange in various ways and struggles to comprehend them and their priorities.
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** ''WesternAnimation/ToyStory'' and its sequels explore this trope as applied to sentient objects:

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** ''WesternAnimation/ToyStory'' and its sequels explore ''Franchise/ToyStory'' explores this trope as applied to sentient objects:



*** The first movie's villain is actually only "evil" in the toy's perspective. He is just a kid that is too destructive with his things, and didn't know his toys are alive. Which is really [[MasqueradeParadox the toys' own fault]] when you think about it.

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*** [[WesternAnimation/ToyStory1 The first movie's movie]]'s villain is actually only "evil" in the toy's perspective. He is just a kid that is too destructive with his things, and didn't know his toys are alive. Which is really [[MasqueradeParadox the toys' own fault]] when you think about it.
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* ''Literature/WarQueen'': The titular character is the queen of a colony of what are essentially giant alien ants, and many of the chapters are from the perspective of some of the other members of her colony. They communicate as much through scent, sight, and touch as they do through sound and find communication with humans weirdly stripped for lacking the other two senses. They don't have writing, but their oral histories come in the form of a song that is periodically sung in a chorus consisting of every member of the colony, ensuring the whole history is remembered as long as the entire colony is not wiped out. Each individual "ant" doesn't think of themselves as an individual--even the queen. She's merely the part of the colony whose job it is to make decisions, similar to the way the brain is the part of a human that thinks. The other "ants" are sapient and have personalities, but they are completely devoted to their roles and don't have any desire to strike off on their own, and don't have individual names, instead referring to themselves in the format "Hive Name-Role". Their minds are collectively blown when they realize that a single human can perform any role, can change roles, and make decisions like a queen, but then sometimes still subordinates themself to others.
** The Hive Queen makes decisions for the colony, and also reproduces to sustain the colony.
** Thinkers ask questions and advise the Queen.
** Junior queens lay eggs, and may eventually become the Hive Queen themselves.
** Soldiers fight.
** Spitters fight at range.
** Scouts gather information and are one of the few roles that can stand being cut off from the hive for any length of time.
** Menials dig, build, carry things, raise livestock, and grow food.
** Healers heal, and help raise young.
** Diggers build tunnels and mine ore.
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** The ''Literature/{{Foreigner}}'' novels are borderline examples, since they largely follow the human interpreter to an alien race, but the focus is the alien psychology. Later books add an alien as a second viewpoint character.

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** The ''Literature/{{Foreigner}}'' ''Literature/Foreigner1994'' novels are borderline examples, since they largely follow the human interpreter to an alien race, but the focus is the alien psychology. Later books add an alien as a second viewpoint character.
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Up To Eleven is a defunct trope


** Taken UpToEleven later on with a chapter devoted to [[spoiler:[[PhysicalGod Scion]]]]. [[spoiler:The first half of a later chapter is devoted to his so-called ''[[StarfishAliens other half,]]'' Eden, and her perspective of the CrapsackWorld [[ForWantOfANail they had wanted to create.]]]]

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** Taken UpToEleven later Later on with there's a chapter devoted to [[spoiler:[[PhysicalGod Scion]]]]. [[spoiler:The first half of a later chapter is devoted to his so-called ''[[StarfishAliens other half,]]'' Eden, and her perspective of the CrapsackWorld [[ForWantOfANail they had wanted to create.]]]]

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* ''Anime/OneStormyNight'' focuses on a goat and a wolf. Mei and Gabu are actually friends and Gabu, the wolf, must struggle with his basic urges to try and eat Mei while they try and escape the prejudices of their respective families/social groups.

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* ''Anime/OneStormyNight'' focuses on a goat and a wolf. Mei and Gabu are actually friends and Gabu, The 1978 Hungarian StopMotion ShortFilm ''The Chair'' is about an apparently sentient chair that sets off into the wolf, must struggle with his basic urges urban wilderness to try and eat Mei while they try and escape the prejudices of their respective families/social groups.dump.


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* ''Anime/OneStormyNight'' focuses on a goat and a wolf. Mei and Gabu are actually friends and Gabu, the wolf, must struggle with his basic urges to try and eat Mei while they try and escape the prejudices of their respective families/social groups.


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* ''Animation/VukTheLittleFox'' is about the exploits of foxes and other woodland creatures trying to survive and kill the humans' livestock. Humans are not shown to be evil, but they're still villainized because they oppose the protagonists and have more powerful weapons to kill them.
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** ''WesternAnimation/ToyStory'' and its sequels explores this trope as applied to sentient objects:

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** ''WesternAnimation/ToyStory'' and its sequels explores explore this trope as applied to sentient objects:
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Toy Story was made by Pixar


* ''WesternAnimation/ToyStory'' and its sequels explores this trope as applied to sentient objects:
** Most of the conflict revolves around issues that are specifically "toy problems," such as destructive children and animals that play too dangerously hard, being separated from or abandoned by a child, being broken, malfunctioning, or losing parts, being put into storage, getting thrown away, friends and LoveInterests being separated from them in garage sales, etc... They all have a strong psychological need to be played with by a child, and suffer if that need is not met, and they get very attached to their owners, who all eventually get rid of them or get too old to play with them anymore. Failure to meet these needs causes at least two toys to become villains. It's a surprisingly hard life to be a living toy.
** The first movie's villain is actually only "evil" in the toy's perspective. He is just a kid that is too destructive with his things, and didn't know his toys are alive.
** In ''WesternAnimation/ToyStory4,'' Ducky and Bunny react to another damaged plush toy's exposed fluff much like a human would react to gore.

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* ** ''WesternAnimation/ToyStory'' and its sequels explores this trope as applied to sentient objects:
** *** Most of the conflict revolves around issues that are specifically "toy problems," such as destructive children and animals that play too dangerously hard, being separated from or abandoned by a child, being broken, malfunctioning, or losing parts, being put into storage, getting thrown away, friends and LoveInterests being separated from them in garage sales, etc... They all have a strong psychological need to be played with by a child, and suffer if that need is not met, and they get very attached to their owners, who all eventually get rid of them or get too old to play with them anymore. Failure to meet these needs causes at least two toys to become villains. It's a surprisingly hard life to be a living toy.
** *** The first movie's villain is actually only "evil" in the toy's perspective. He is just a kid that is too destructive with his things, and didn't know his toys are alive. \n** Which is really [[MasqueradeParadox the toys' own fault]] when you think about it.
***
In ''WesternAnimation/ToyStory4,'' Ducky and Bunny react to another damaged plush toy's exposed fluff much like a human would react to gore.
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** ''Literature/{{Longtusk}}'' and its sequels, by Creator/StephenBaxter, is a series of books with mammoths as protagonists. There are humans present, but not as POV characters. The third book goes into some weird territory though [[RecycledInSpace Mammoths on Mars, anyone?]]

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** ''Literature/{{Longtusk}}'' and its sequels, by Creator/StephenBaxter, is a series of books with mammoths as protagonists. There are humans present, but not as POV characters. The third book goes into some weird territory though [[RecycledInSpace [[JustForFun/RecycledInSpace Mammoths on Mars, anyone?]]
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Minor edit.


* ''[[{{VideoGame/Destiny}} Destiny]]'' gives us the ''Book of Sorrows,'' a document written from the perspective of various alien characters that details [[FromNobodyToNightmare the terrifying origins of the Hive.]]

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* ''[[{{VideoGame/Destiny}} Destiny]]'' gives us the ''Book ''Books of Sorrows,'' Sorrow,'' a document written from the perspective of various alien characters that details [[FromNobodyToNightmare the terrifying origins of the Hive.]]
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Added content.

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* ''[[{{VideoGame/Destiny}} Destiny]]'' gives us the ''Book of Sorrows,'' a document written from the perspective of various alien characters that details [[FromNobodyToNightmare the terrifying origins of the Hive.]]
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* ''WebOriginal/{{Serina}}'' started off as a speculative evolution exercise on canaries being itnroduced to another planet and the subsequent adaptive radiation. But by the Ultimocene section (circa 250 million years after the fact, and five-six real life years after the project's inception) has shifted into focusing primarily on sapient species and their narratives, thus becoming Redwall-esque xenofiction with fantasy elements.

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If it's taking place under the nose of humans, there may or may not have a {{Masquerade}}, and humans will probably either be [[HumansAreBastards bastards]] or [[HumansAreCthulhu eldritch abominations]]. It may make use of HumansThroughAlienEyes. If humans are taking place under the nose of it, you may have HumansAreInteresting. Xenofiction usually explores BizarreAlienPsychology.

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If it's taking place under the nose of humans, there may or may not have a {{Masquerade}}, and humans will probably either be [[HumansAreBastards bastards]] or [[HumansAreCthulhu eldritch abominations]]. It may make use of HumansThroughAlienEyes. If humans are taking place under the nose of it, you A non-human character may have HumansAreInteresting.be IntriguedByHumanity. Xenofiction usually explores BizarreAlienPsychology.

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If it's taking place under the nose of humans, there may or may not have a {{Masquerade}}, and [[HumansThroughAlienEyes humans]] will probably either be [[HumansAreBastards bastards]] or [[HumansAreCthulhu eldritch abominations]]. If humans are taking place under the nose of it, you may have HumansAreInteresting. Xenofiction usually explores BizarreAlienPsychology.

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If it's taking place under the nose of humans, there may or may not have a {{Masquerade}}, and [[HumansThroughAlienEyes humans]] humans will probably either be [[HumansAreBastards bastards]] or [[HumansAreCthulhu eldritch abominations]].abominations]]. It may make use of HumansThroughAlienEyes. If humans are taking place under the nose of it, you may have HumansAreInteresting. Xenofiction usually explores BizarreAlienPsychology.
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* ''Film/AuHasardBelthazar'' is conveyed entirely from the perspective of a donkey.

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* ''Film/AuHasardBelthazar'' ''Film/AuHasardBalthazar'' is conveyed entirely from the perspective of a donkey.
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Moving to Humans Through Alien Eyes because it's a better fit for that trope.


[[folder:Poetry]]
* Craig Raine's poem ''A Martian Sends a Postcard Home'' described various common earthly things using strange metaphors and interpretations, as if viewed by an entity unfamiliar with them. "Martian poetry" became a genre of its own for a while, but never became very common.
[[/folder]]
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* ''Literature/BazilBroketail'': The series frequently shows Bazil's persective on things, along with other dragons at times. It even does this occasionally with normal animals, like a bear in the first book.
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* ''[[https://zirconaworks.com/ Z-Verse]]'' series by R.H. Stevens takes place entirely from the perspective of various alien characters with nary a human in sight. They're usually pretty cozy mysteries even if they have dark premises. Some of the stories are free to read including:
** ''[[https://zirconaworks.com/a-sense-for-memory/ A Sense for Memory]]'': Alien detectives investigate the disappearance of a courier who may or may not be carrying a cosmic doomsday device.
** ''[[https://zirconaworks.com/trick-of-the-light/ Trick of the Light]]'': Commandos stumble upon a creepy derelict ship .
** ''[[https://zirconaworks.com/escape-angra-mainyu/ Escape from Angra-Mainyu]]'': A Rit-Phyr ambassador recovers data from a falling space station and encounters strange experiments.
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* ''VideoGame/WolfQuest'' is an EdutainmentGame that seeks to depict the lives of wild wolves in Yellowstone as scientifically accurate as possible. As such, they interact with each other and the wider Yellowstone ecosystem with real communications and behaviors with the main goal of finding a mate, establishing territory, and raising their pups. Any further anthropomorphization is up to the player.
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Not to be confused with {{Xenafication}}, or [[VideoGame/{{Xenogears}} the]] [[VideoGame/{{Xenosaga}} Xeno]] [[VideoGame/{{Xenoblade}} games]], or [[Franchise/{{Alien}} Xenomorph fiction]].

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Not to be confused with {{Xenafication}}, or [[VideoGame/{{Xenogears}} the]] [[VideoGame/{{Xenosaga}} Xeno]] [[VideoGame/{{Xenoblade}} [[VideoGame/XenobladeChronicles1 games]], or [[Franchise/{{Alien}} Xenomorph fiction]].
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* ''[[https://penguinking.com/three-raccoons-in-a-trenchcoat/ Three Raccoons in a Trench Coat]]'', as the name suggests, is about the players playing intelligent but otherwise-ordinary raccoons. The raccoons stumble upon humans doing something, and try to figure out if there's something they can get out of it and how (which, again as the name suggests, may involve [[TotemPoleTrench clumsisly disguising themselves as a human wearing a trenchcoat]]).
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* ''[[http://clarkesworldmagazine.com/watts_01_10/ The Things]]'', a very strange re-telling of ''Film/TheThing1982'', a classic Creator/JohnCarpenter horror movie from the perspective of a distinctly non-human character. Written by Creator/PeterWatts of ''Literature/{{Blindsight}}'' fame. Beware: BodyHorror and more may await you.

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* ''[[http://clarkesworldmagazine.com/watts_01_10/ The Things]]'', ''Literature/TheThings'', a very strange re-telling of ''Film/TheThing1982'', a classic Creator/JohnCarpenter horror movie from the perspective of a distinctly non-human character. Written by Creator/PeterWatts of ''Literature/{{Blindsight}}'' fame. Beware: BodyHorror and more may await you.
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* ''WebAnimation/MyPride'' is an animated web series about the struggles of a young lioness who was crippled by a prideless male or "No-Mane" as a cub. The art style takes obvious inspiration from ''WesternAnimation/TheLionKing1994'', but the lore has a more fleshed-out pride structure, AnimalReligion, and a naming system more inspired by ''Literature/WarriorCats'' (for which the creator was once a prominent fan animator).

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* ''WebAnimation/MyPride'' is an animated web series about the struggles of a young lioness who was crippled by a prideless male or "No-Mane" as a cub. lion pride. The art style takes obvious inspiration from ''WesternAnimation/TheLionKing1994'', but the lore has a takes more fleshed-out pride structure, AnimalReligion, and a naming system more inspired by inspiration from ''Literature/WarriorCats'' (for which the creator was once a prominent fan animator).animator); the lions have a strict culture and AnimalReligion which ultimately results in them having the morals and social structure of real lions, for better or worse.
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Not to be confused with {{Xenafication}}, or [[VideoGame/{{Xenogears}} the]] [[VideoGame/{{Xenosaga}} Xeno]] [[VideoGame/{{Xenoblade}} games]].

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Not to be confused with {{Xenafication}}, or [[VideoGame/{{Xenogears}} the]] [[VideoGame/{{Xenosaga}} Xeno]] [[VideoGame/{{Xenoblade}} games]].
games]], or [[Franchise/{{Alien}} Xenomorph fiction]].

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