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-->-- '''Creator/HarlanEllison''', from "Introduction: Thirty-Two Soothsayers"

Creator/HarlanEllison doesn't think small. The fact that the above quote -- the first paragraph of his original introduction to this book -- is, if anything, a major ''understatement'', says a helluva lot.

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-->-- '''Creator/HarlanEllison''', '''Harlan Ellison''', from "Introduction: Thirty-Two Soothsayers"

Creator/HarlanEllison doesn't wasn't one to think small. The fact that the above quote -- the first paragraph of his original introduction to this book -- is, if anything, a major ''understatement'', says a helluva lot.
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The book also features a forward by Creator/IsaacAsimov and introductions to each story by Ellison himself, who talks about the writer, and an afterword by each writer regarding the story. This gives the reader an immense feeling of the community surrounding science-fiction, and was part of why the anthology was so well-received. Illustrations by Leo and Diane Dillon accompany each story.

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The book also features a forward not one but ''two'' forewords by Creator/IsaacAsimov and introductions to each story by Ellison himself, Ellison, who talks about the writer, and an afterword by each writer regarding the story. This gives the reader an immense feeling of the community surrounding science-fiction, and was itself a big part of why the anthology was so well-received. Illustrations by Leo and Diane Dillon accompany each story.
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The book also features a forward by Creator/IsaacAsimov and introductions to each story by Ellison, who talks about the writer, and an afterword by each writer regarding the story. This gives the reader an immense feeling of the community surrounding science-fiction, and was part of why the anthology was so well-received. Illustrations by Leo and Diane Dillon accompany each story.

to:

The book also features a forward by Creator/IsaacAsimov and introductions to each story by Ellison, Ellison himself, who talks about the writer, and an afterword by each writer regarding the story. This gives the reader an immense feeling of the community surrounding science-fiction, and was part of why the anthology was so well-received. Illustrations by Leo and Diane Dillon accompany each story.
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It had a sequel anthology, ''Literature/AgainDangerousVisions'' (1971), and Ellison was working on a third collection to be called ''The Last Dangerous Visions'' right up until his death, but... well, [[BerserkButton he didn't like to talk about it much]] (although Creator/{{Christopher Priest|Novelist}} was [[http://web.archive.org/web/20000902203835/http://sf.www.lysator.liu.se/sf_archive/sf-texts/Ansible/Last_Deadloss_Visions,Chris_Priest more than happy to]]). Creator/JMichaelStraczynski is currently working on putting together the third book, which is slated for publication in autumn 2024.

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It had a sequel anthology, anthology called ''Literature/AgainDangerousVisions'' (1971), and Ellison was working on a third collection collection, to be called ''The Last Dangerous Visions'' Visions'', right up until his death, but... well, [[BerserkButton he didn't like care to talk about it much]] (although Creator/{{Christopher Priest|Novelist}} was [[http://web.archive.org/web/20000902203835/http://sf.www.lysator.liu.se/sf_archive/sf-texts/Ansible/Last_Deadloss_Visions,Chris_Priest more than happy to]]). Creator/JMichaelStraczynski is currently working on putting together the third book, which is slated for publication in autumn 2024.
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[[quoteright:250:https://static.tvtropes.org/pmwiki/pub/images/dangerous_visions_791.jpg]]

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[[quoteright:250:https://static.[[quoteright:320:https://static.tvtropes.org/pmwiki/pub/images/dangerous_visions_791.jpg]]
org/pmwiki/pub/images/dangerou_visions_1967_cover.jpeg]]



Creator/HarlanEllison doesn't think small. The fact that the above page-quote--the first paragraph of his original introduction to the book--is, if anything, an ''understatement'', says a helluva lot.

In the 1960s, Ellison had the idea of putting together a science-fiction anthology. But not just any ordinary anthology--his mad scheme was to collect stories from the best writers in the field. And not just ANY stories--he wanted stories that were, well, too ''dangerous'' to get printed anywhere else.

to:

Creator/HarlanEllison doesn't think small. The fact that the above page-quote--the quote -- the first paragraph of his original introduction to the book--is, this book -- is, if anything, an a major ''understatement'', says a helluva lot.

In the 1960s, Ellison had the idea of putting together a science-fiction anthology. But not just any ordinary anthology--his anthology -- his mad scheme was to collect stories from the best writers in the field. And not just ANY stories--he stories -- he wanted stories that were, well, simply too ''dangerous'' to get printed published anywhere else.



The book also features a forward by Creator/IsaacAsimov and introductions to each story by Ellison, who talks about the writer, and an afterword by the writer about the story. This gives the reader an immense feeling of the community surrounding science-fiction, and was part of why the anthology was so well-received. Illustrations by Leo and Diane Dillon accompany each story.

Published in 1967, ''Dangerous Visions'' won a truckload of awards, and Harlan got a special citation at the 26th World SF Convention for editing "the most significant and controversial SF book published in 1967". And it's gone on to be perhaps ''[[FamedInStory the]]'' [[FamedInStory most influential science-fiction anthology of all time]].

It had a sequel anthology, ''Literature/AgainDangerousVisions'' (1971), and there were and sometimes apparently ''are'' plans for ''The Last Dangerous Visions'', but... well, [[BerserkButton Harlan didn't like to talk about it]] (though Creator/ChristopherPriestNovelist is [[http://web.archive.org/web/20000902203835/http://sf.www.lysator.liu.se/sf_archive/sf-texts/Ansible/Last_Deadloss_Visions,Chris_Priest happy to]]).

to:

The book also features a forward by Creator/IsaacAsimov and introductions to each story by Ellison, who talks about the writer, and an afterword by the each writer about regarding the story. This gives the reader an immense feeling of the community surrounding science-fiction, and was part of why the anthology was so well-received. Illustrations by Leo and Diane Dillon accompany each story.

Published in 1967, ''Dangerous Visions'' won a truckload of awards, and Harlan Ellison got a special citation at the 26th World SF Convention for editing "the most significant and controversial SF book published in 1967". And it's gone on to be perhaps ''[[FamedInStory the]]'' [[FamedInStory most influential science-fiction anthology of all time]].

It had a sequel anthology, ''Literature/AgainDangerousVisions'' (1971), and there were and sometimes apparently ''are'' plans for Ellison was working on a third collection to be called ''The Last Dangerous Visions'', Visions'' right up until his death, but... well, [[BerserkButton Harlan he didn't like to talk about it]] (though Creator/ChristopherPriestNovelist is it much]] (although Creator/{{Christopher Priest|Novelist}} was [[http://web.archive.org/web/20000902203835/http://sf.www.lysator.liu.se/sf_archive/sf-texts/Ansible/Last_Deadloss_Visions,Chris_Priest more than happy to]]).
to]]). Creator/JMichaelStraczynski is currently working on putting together the third book, which is slated for publication in autumn 2024.
Is there an issue? Send a MessageReason:
None


The book also features not one but ''two'' forwards by Creator/IsaacAsimov and introductions to each story by Ellison, who talks about the writer, and an afterword by the writer about the story. This gives the reader an immense feeling of the community surrounding science-fiction, and was part of why the anthology was so well-received. Illustrations by Leo and Diane Dillon accompany each story.

to:

The book also features not one but ''two'' forwards a forward by Creator/IsaacAsimov and introductions to each story by Ellison, who talks about the writer, and an afterword by the writer about the story. This gives the reader an immense feeling of the community surrounding science-fiction, and was part of why the anthology was so well-received. Illustrations by Leo and Diane Dillon accompany each story.

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