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* Lots of productions like to get a laugh by having Orsino mistake Sebastian for Viola when proposing marriage.
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* Once Sebastian arrives on the scene during the climax and the remaining cast are confronted with the identical twins, companies are missing a huge opportunity if they ''don't'' play it for laughs. Reactions across various productions have included even Feste being totally confused, the priest making the sign of the cross, and of course Olivia's "Most wonderful!" line when faced with the prospect of [[ThreesomeSubtext TWO Cesarios!]]

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* Once Sebastian arrives on the scene during the climax and the remaining cast are confronted with the identical twins, companies are missing a huge opportunity if they ''don't'' play it for laughs. Reactions across various productions have included even [[NotSoAboveItAll Feste being totally confused, confused,]] the priest making the sign of the cross, and of course Olivia's "Most wonderful!" line when faced with the prospect of [[ThreesomeSubtext TWO Cesarios!]]
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-->'''Feste/"Sir Topas":''' Out, hyperbolical fiend! Talkest thou nothing but of ladies?''

to:

-->'''Feste/"Sir Topas":''' Out, hyperbolical fiend! Talkest thou nothing but of ladies?''ladies?
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* Some productions have the idea of Feste reading Malvolio's letter and starting out in some sort of "crazy" talk from screaming to mumbling. When told to "read it in your right wits," he claims he's just channeling what Malvolio sounded like.
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Up To Eleven is a defunct trope


** Played UpToEleven in the 2017 National Theatre Production where Creator/TamsinGrieg (as the cross cast Malvolia) arrives and performs a striptease/burlesque musical number in yellow Basque and stockings.

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** Played UpToEleven up to eleven in the 2017 National Theatre Production where Creator/TamsinGrieg (as the cross cast Malvolia) arrives and performs a striptease/burlesque musical number in yellow Basque and stockings.
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* Once Sebastian arrives on the scene during the climax and the remaining cast are confronted with the identical twins, companies are missing a huge opportunity if they ''don't'' play it for laughs. Reactions across various productions have included even Feste being totally confused, the priest crossing himself, and of course Olivia's "Most wonderful!" line when faced with the prospect of [[ThreesomeSubtext ''two'' Cesarios!]]

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* Once Sebastian arrives on the scene during the climax and the remaining cast are confronted with the identical twins, companies are missing a huge opportunity if they ''don't'' play it for laughs. Reactions across various productions have included even Feste being totally confused, the priest crossing himself, making the sign of the cross, and of course Olivia's "Most wonderful!" line when faced with the prospect of [[ThreesomeSubtext ''two'' TWO Cesarios!]]

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* Viola does a long speech that basically boils down to telling Olivia "not gonna happen." Olivia's response? "Yet come again!"



* When Olivia calls out "husband, stay!" to Viola, the best productions have her, Orsino and others of their party stop in place and so slow turns of "um...what?"

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* Sir Toby mistaking Sebastian for Olivia is great with him doing a minor slap only for Sebastian to strike him down. "Are all the people ''mad?''"
* Sebastian's reaction to this gorgeous noblewoman talking of him as a grand love and inviting him to her home can be wonderful. "What relish is this?" he whispers, going from confused to eager in moments.
-->'''Olivia''': Would thou be ruled by me?
-->'''Sebastian''': Madam...I will!
* When Olivia calls out "husband, stay!" to Viola, the best productions have her, Orsino and others of their party stop in place and so do slow turns of "um...what?"
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** A BBC production has Feste about to read a letter, sees each twin, does a double-take, pauses to mull it over, then shrugs and acts like nothing is wrong.
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* When Olivia calls out "husband, stay!" to Viola, the best productions have her, Orsino and others of their party stop in place and so slow turns of "um...what?"
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* The scene where Malvolio finds "Oliva's" letter. Especially the bit where Malvolio realizes [[CaptainObvious the letters spell his name.]] In some productions, the hidden Fabian, Toby and Andrew [[SarcasticClapping all break out into applause.]]

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* The scene where Malvolio finds "Oliva's" "Olivia's" letter. Especially the bit where Malvolio realizes [[CaptainObvious the letters spell his name.]] In some productions, the hidden Fabian, Toby and Andrew [[SarcasticClapping all break out into applause.]]
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**Played UpToEleven in the 2017 National Theatre Production where Creator/TamsinGrieg (as the cross cast Malvolia) arrives and performs a striptease/burlesque musical number in yellow Basque and stockings.
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* When reading the letter, Malvolio comes across the line, "If this fall into thy hand, revolve." Many productions have taken this literally, resulting in Malvolio either turning over the letter or even spinning in a circle, forcing Toby and the others to hide.
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-->'''Olivia:''' As item, two lips, indifferent red; item, two grey eyes, with lids to them; item, one neck, one chin, and so forth.

to:

-->'''Olivia:''' [[BlackComedy As item, two lips, indifferent red; item, two grey eyes, with lids to them; item, one neck, one chin, and so forth.]]



* If a production's WimpFight between Viola and Andrew isn't hilarious, they're doing it wrong. Various stagings have shown it any number of ways, from hilariously awful swordwork, to Viola straight-up [[ScrewThisImOuttaHere dropping her sword and running the hell away]], to both Andrew and Viola forgoing swords all together in favor of a sissy slap fight.
* Once Sebastian arrives on the scene during the climax and the remaining cast are confronted with the identical twins, companies are missing a huge opportunity if they ''don't'' play it for laughs. Reactions across various productions have included even Feste being totally confused, the priest crossing himself, and of course Olivia's "Most wonderful!" line when faced with the prospect of ''two'' Cesarios!

to:

* If a production's WimpFight between Viola and Andrew isn't hilarious, they're doing it wrong. Various stagings have shown it any number of ways, from hilariously awful swordwork, to Viola straight-up [[ScrewThisImOuttaHere dropping her sword and running the hell away]], to both Andrew and Viola forgoing swords all together in favor of a sissy classic slap fight.
* Once Sebastian arrives on the scene during the climax and the remaining cast are confronted with the identical twins, companies are missing a huge opportunity if they ''don't'' play it for laughs. Reactions across various productions have included even Feste being totally confused, the priest crossing himself, and of course Olivia's "Most wonderful!" line when faced with the prospect of [[ThreesomeSubtext ''two'' Cesarios!Cesarios!]]
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None

Added DiffLines:

* Once Sebastian arrives on the scene during the climax and the remaining cast are confronted with the identical twins, companies are missing a huge opportunity if they ''don't'' play it for laughs. Reactions across various productions have included even Feste being totally confused, the priest crossing himself, and of course Olivia's "Most wonderful!" line when faced with the prospect of ''two'' Cesarios!
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* If a production's WimpFight between Viola and Andrew isn't hilarious, they're doing it wrong. Various stagings have shown it any number of ways, from hilariously awful swordwork, to Viola straight-up [[ScrewThisImOuttaHere dropping her sword and running the hell away]], to both Andrew and Viola forgoing swords all together in favor of a sissy slap fight.
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* One civic theatre production even made a funny bit out of "My brother he is in Elysium.": During the Viola/Captain scene, there were signs pointing left to "Shore," right to "Illyria"... and up to "Elysium."

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* One civic theatre production even made a funny bit out of "My brother he is in Elysium.": During the Viola/Captain scene, there were signs pointing left to "Shore," right to "Illyria"... and up to "Elysium.""
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Removed: 21

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* The box tree scene.



-->'''Olivia:''' As item, two lips, indifferent red; item, two grey eyes, with lids to them; item, one neck, one chin, and so forth.

to:

-->'''Olivia:''' As item, two lips, indifferent red; item, two grey eyes, with lids to them; item, one neck, one chin, and so forth.forth.
* One civic theatre production even made a funny bit out of "My brother he is in Elysium.": During the Viola/Captain scene, there were signs pointing left to "Shore," right to "Illyria"... and up to "Elysium."
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-->'''Olivia:''' As item, two lips, indifferent red; item, two eyes, with lids to them; item, one neck, one chin, and so forth.

to:

-->'''Olivia:''' As item, two lips, indifferent red; item, two grey eyes, with lids to them; item, one neck, one chin, and so forth.
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* Once Olivia lets Viola see her face, Viola chides her that she would be the cruelest woman alive if she went to the grave while leaving no copies of such beauty (i.e. kids) to the world. Olivia jokingly retorts that she'll leave an inventory of it in her will.

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* Once Olivia lets Viola see her face, Viola chides her that she would be the cruelest woman alive if she went to the grave while leaving no copies of such beauty (i.e. kids) to the world. Olivia jokingly retorts that she'll leave an inventory of it in her will.will.
-->'''Olivia:''' As item, two lips, indifferent red; item, two eyes, with lids to them; item, one neck, one chin, and so forth.
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* The scene where Malvolio finds "Oliva's" letter. Especially the bit where Malvolio realizes [[CaptainObvious the letters spell his name.]] In some productions, the hidden Fabian, Toby and Andrew [[SarcasticClapping all break out into applause.]]

to:

* The scene where Malvolio finds "Oliva's" letter. Especially the bit where Malvolio realizes [[CaptainObvious the letters spell his name.]] In some productions, the hidden Fabian, Toby and Andrew [[SarcasticClapping all break out into applause.]]]]
* Once Olivia lets Viola see her face, Viola chides her that she would be the cruelest woman alive if she went to the grave while leaving no copies of such beauty (i.e. kids) to the world. Olivia jokingly retorts that she'll leave an inventory of it in her will.
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** Especially the scene where Feste has an argument with "Sir Topas," switching back and forth between Topas's voice and his own.
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* The scene where Malvolio finds "Oliva's" letter. Especially the bit where Malvolio realizes [[CaptainObvious the letters spell his name.]] In some productions, the hidden Feste, Maria, Toby and Andrew [[SarcasticClapping all break out into applause.]]

to:

* The scene where Malvolio finds "Oliva's" letter. Especially the bit where Malvolio realizes [[CaptainObvious the letters spell his name.]] In some productions, the hidden Feste, Maria, Fabian, Toby and Andrew [[SarcasticClapping all break out into applause.]]
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** ''Malvolio: Sir Topas, good Sir Topas, go to my lady...''
** ''Feste/Sir Topas: Out, hyperbolical fiend! Talkest thou nothing but of ladies?''

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** ''Malvolio: -->'''Malvolio:''' Sir Topas, good Sir Topas, go to my lady...''
** ''Feste/Sir Topas:
lady...
-->'''Feste/"Sir Topas":'''
Out, hyperbolical fiend! Talkest thou nothing but of ladies?''
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* Malvolio's "exorcism" marks where Sir Toby Belch et al. take their joke too far, but still has some of the best lines in the play.
** ''Malvolio: Sir Topas, good Sir Topas, go to my lady...''
** ''Feste/Sir Topas: Out, hyperbolical fiend! Talkest thou nothing but of ladies?''
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* The box tree scene.

to:

* The box tree scene.scene.
* The scene where Malvolio finds "Oliva's" letter. Especially the bit where Malvolio realizes [[CaptainObvious the letters spell his name.]] In some productions, the hidden Feste, Maria, Toby and Andrew [[SarcasticClapping all break out into applause.]]
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Added DiffLines:

* The box tree scene.

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