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corrected misspellings
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* ContinuitySnarl: There are no points of continuity between either movie, save for one scene where Stone kills his father (an event referenced in the first movie, and played out in the second). The timelines don't even give--the first movie is quite clearly set in 1998-99, yet the second movie, which didn't get to play with pre-millennial fears, sets the bulk of the story in 2011.
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* ContinuitySnarl: There are no points of continuity between either movie, save for one scene where Stone kills his father (an event referenced in the first movie, and played out in the second). The timelines don't even give--the jibe--the first movie is quite clearly set in 1998-99, yet the second movie, which didn't get to play with pre-millennial fears, sets the bulk of the story in 2011.
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Trope has been renamed to Chuck Cunningham Syndrome.
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* BrotherChuck: Dominic, Cassandra, and Lane, despite aiding Stone at various points in the first movie, are nowhere to be found in the sequel.
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* ChuckCunninghamSyndrome: Dominic, Cassandra, and Lane, despite aiding Stone at various points in the first movie, are nowhere to be found in the sequel.
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* GratuitousSpanish: In ''Megiddo'', General Francini says, "¡AL ATAQUE!" (ATTACK!) when attacking Stone's forces in the first round. After that line he communicates speak English, possibly directing the American forces as well.
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* GratuitousSpanish: In ''Megiddo'', General Francini Garcia says, "¡AL ATAQUE!" (ATTACK!) when attacking Stone's forces in the first round. After that line he communicates speak English, possibly directing the American forces as well.
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* ChewingTheScenery: Michael York has quite a few moments in the sequel:
** Stone is in his palace in Rome, looks to the sky and starts mocking God and claiming there's nothing he can do to stop him. On cue, ''a meteor'' falls from the sky and ''blows up the Colosseum''. How does Stone react to this? By raising his fists above his head and shouting "'''[[BringIt BRING IT ON!]]'''"
** Stone is in his palace in Rome, looks to the sky and starts mocking God and claiming there's nothing he can do to stop him. On cue, ''a meteor'' falls from the sky and ''blows up the Colosseum''. How does Stone react to this? By raising his fists above his head and shouting "'''[[BringIt BRING IT ON!]]'''"
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* ChewingTheScenery: Michael York has quite a few moments in the sequel:
**Stone is in his palace in Rome, looks to the sky and starts mocking God and claiming there's nothing he can do to stop him. On cue, ''a meteor'' falls from the sky and ''blows up the Colosseum''. How does Stone react to this? By raising his fists above his head and shouting "'''[[BringIt BRING IT ON!]]'''"
**
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* GratuitousSpanish: In ''Megiddo'', one of the Latin American soldiers says, "¡AL ATAQUE!" (ATTACK!) when attacking Stone's forces in the first round. After that line, they speak English perfectly.
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* GratuitousSpanish: In ''Megiddo'', one of the Latin American soldiers General Francini says, "¡AL ATAQUE!" (ATTACK!) when attacking Stone's forces in the first round. After that line, they line he communicates speak English perfectly.English, possibly directing the American forces as well.
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* NiceJobBreakingItHero: ''Megiddo'' has a scene in which a black maid is comforting David when she mentions the Lord taking their mother but giving Stone David as a baby brother. [[spoiler:Soon after, Stone (after having been initially possessed by Satan) then tries to kill David by setting his crib on fire.]]
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* OneWorldOrder: Stone Alexander's World Union.
* PoesLaw: The second movie especially departs heavily from the standard script for End Times movies, has the villain following the Literature/BookOfRevelation as a script when there is no obvious reason to so, introduces a "chosen one" plot for the brother of the Antichrist which goes nowhere, features some rather bizarre theology for a Pentecostal film, and is topped by delightfully hammy performances. It still gets considerable play on Christian TV stations, though. The director has more-or-less admitted to playing this up for his own amusement when making it.
* PoesLaw: The second movie especially departs heavily from the standard script for End Times movies, has the villain following the Literature/BookOfRevelation as a script when there is no obvious reason to so, introduces a "chosen one" plot for the brother of the Antichrist which goes nowhere, features some rather bizarre theology for a Pentecostal film, and is topped by delightfully hammy performances. It still gets considerable play on Christian TV stations, though. The director has more-or-less admitted to playing this up for his own amusement when making it.
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* OneWorldOrder: Stone Alexander's World Union.
Union which controls every part of the globe except three holdouts; the United States, China, and Latin America. A coup installs a pro-Stone government in the US and, deprived of their third leg, the other two powers grudgingly kneel as well.
* PoesLaw: The second movie especially departs heavily from the standard script for End Times movies, has the villain following the Literature/BookOfRevelation as a scriptwhen there is no obvious reason just to so, feed his vanity, introduces a "chosen one" plot for the brother of the Antichrist which goes nowhere, features some rather bizarre theology for a Pentecostal film, and is topped by delightfully hammy performances. It still gets considerable play on Christian TV stations, though. The director has more-or-less admitted to playing this up for his own amusement when making it.
* PoesLaw: The second movie especially departs heavily from the standard script for End Times movies, has the villain following the Literature/BookOfRevelation as a script
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* ZergRush: Tanks and jets from Stone/Satan's armies overwhelm David's armies ''in massive droves'' when the former starts summoning his demonic forces into battle.
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* ZergRush: Tanks and jets from Stone/Satan's armies overwhelm David's the coalition's armies ''in massive droves'' when the former starts summoning his demonic forces into battle.