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-->'''YOU''' - "You're pretty comfy."\\

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-->'''YOU''' --->'''YOU''' - "You're pretty comfy."\\



-->'''THE NARRATOR''' - Are you quite done now? Finally sorted through all the memories of a world you apparently don't care about saving?\\

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-->'''THE --->'''THE NARRATOR''' - Are you quite done now? Finally sorted through all the memories of a world you apparently don't care about saving?\\

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* AscendedFridgeHorror: [[spoiler:When the Shifting Mound starts pulling out the Princesses Harry has already brought her to give them the usual vessel rundown, Harry's more human, worldly perspective compared to the Long Quiet means he interprets her comments about their fate the way a player/reader might: as a form of death

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* AscendedFridgeHorror: [[spoiler:When the Shifting Mound starts pulling out the Princesses Harry has already brought her to give them the usual vessel rundown, Harry's more human, worldly perspective compared to the Long Quiet means he interprets her comments about their fate the way a player/reader might: as a form of deathdeath. He ultimately makes a kind of peace with it, especially after being able to give each of them a eulogy, but the doubt remains.]]



* EuphemismBuster: [[spoiler:When the Shifting Mound brings out the Pale, Perception almost calls the form she's taking "the Apricot Chewing Gum Scented One", but Volition insists they call Dora by her real name.]]



* NotSoAboveItAll: At one point in the second CHAPTER III, Harry has to kick down a locked door. [[spoiler:Flux Et Reflux, AKA the Echo, AKA ''the Princess'']] gives a bonus to the check, with the description being a gleeful "Yeah! [[BuffySpeak Kick that thing!]]"

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* NotSoAboveItAll: NotSoAboveItAll:
**
At one point in the second CHAPTER III, Harry has to kick down a locked door. [[spoiler:Flux Et Reflux, AKA the Echo, AKA ''the Princess'']] gives a bonus to the check, with the description being a gleeful "Yeah! [[BuffySpeak Kick that thing!]]"thing!]]"
** [[spoiler:Once they're able to talk to each other, Harry actually has a moment of banter with the Shifting Mound. Her voice, of course, doesn't change, but the Echo, held in her grasp, smiles ever so slightly.]]
-->'''YOU''' - "You're pretty comfy."\\
[[rtl:[[pink:[[spoiler:.I am many things]]]]]]



* TraumaButton: Between the Nightmare boasting that she doesn't ''need'' to get better -- "in fact, maybe I'll get worse!" -- and her MindRape including a vision of her as she "loses everything [she] is", it's safe to say that Harry has his pressed a fair few times in her chapter.

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* TraumaButton: TraumaButton:
**
Between the Nightmare boasting that she doesn't ''need'' to get better -- "in fact, maybe I'll get worse!" -- and her MindRape including a vision of her as she "loses everything [she] is", it's safe to say that Harry has his pressed a fair few times in her chapter.chapter.
** [[spoiler:After the events of THE ACT OF FUTILITY, the fate of C-Wing has become one for Harry. Just trying to recall it to bring Esprit De Corps back nearly destroys him again, forcing the Shifting Mound to send him into the next loop with a number of skills missing.]]

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** The Narrator's connection to the world of Elysium is also a mystery: He doesn't know what reál or [[spoiler:Dolores Dei]] are, but seems to at least recognize the concept of [[spoiler:the Pale]], if His horrified reaction is anything to go by. [[spoiler: Despite many variants on the Narrator hearing and seeing plenty about Revachol and the world beyond, He also only seems to become aware that Harry is ''from outside'' when Harry is stripped of his skills and a broken shadow of himself - another echo, you might say.]]

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** The Narrator's connection to the world of Elysium is also a mystery: He doesn't know what reál or [[spoiler:Dolores Dei]] are, but seems to at least recognize the concept of [[spoiler:the Pale]], if His horrified reaction is anything to go by. [[spoiler: Despite [[spoiler:Despite many variants on the Narrator hearing and seeing plenty about Revachol and the world beyond, He also only seems to become aware that Harry is ''from outside'' when Harry is stripped of his skills and a broken shadow of himself - another echo, you might say.]]



* AndIMustScream: Harry is increasingly aware of the Construct containing a woman, or something like one, pounding on the walls of her prison. [[spoiler: After surviving the Nightmare's vision he and his assorted headmates realize that she's become this monstrous through long, painful, [[GoMadFromTheIsolation unrelieved isolation]].]]

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* AndIMustScream: Harry is increasingly aware of the Construct containing a woman, or something like one, pounding on the walls of her prison. [[spoiler: After [[spoiler:After surviving the Nightmare's vision he and his assorted headmates realize that she's become this monstrous through long, painful, [[GoMadFromTheIsolation unrelieved isolation]].]]



* AscendedFridgeHorror: [[spoiler:When the Shifting Mound starts pulling out the Princesses Harry has already brought her to give them the usual vessel rundown, Harry's more human, worldly perspective compared to the Long Quiet means he interprets her comments about their fate the way a player/reader might: as a form of death



** [[spoiler: Once more, in INTERMISSION - THE TOTAL INPUT. Harry is given an option to attempt to ''fix the universe.'' The check itself is deemed Unthinkable with an insanely high ''99.'' Though, as Volition, Inland Empire, and Shivers note, the mere fact that it's an ''option'' indicates that one day Harry might actually be able to pass the check and succeed...]]

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** [[spoiler: Once [[spoiler:Once more, in INTERMISSION - THE TOTAL INPUT. Harry is given an option to attempt to ''fix the universe.'' The check itself is deemed Unthinkable with an insanely high ''99.'' Though, as Volition, Inland Empire, and Shivers note, the mere fact that it's an ''option'' indicates that one day Harry might actually be able to pass the check and succeed...]]



** Like in canon, Half Light speaks Ancient Greek at a few points in THE NIGHTMARE, calling the void around the basement stairs "χάος" (the term for PrimordialChaos), and reacting to the description of the Nightmare's appearance with "αἰκίστρια" -- "[[TragicMonster agony]]". ''After'' the Nightmare presumably it's Half Light which quotes a passage from Marcus Aurelius that can be translated as: [[spoiler: "Look at the speed of universal oblivion, the gulf of immeasurable time both before and after, the vacuity of applause, the indiscriminate fickleness of your apparent supporters, and the tiny room in which all this is confined."]]

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** Like in canon, Half Light speaks Ancient Greek at a few points in THE NIGHTMARE, calling the void around the basement stairs "χάος" (the term for PrimordialChaos), and reacting to the description of the Nightmare's appearance with "αἰκίστρια" -- "[[TragicMonster agony]]". ''After'' the Nightmare presumably it's Half Light which quotes a passage from Marcus Aurelius that can be translated as: [[spoiler: "Look [[spoiler:"Look at the speed of universal oblivion, the gulf of immeasurable time both before and after, the vacuity of applause, the indiscriminate fickleness of your apparent supporters, and the tiny room in which all this is confined."]]



* BreatherEpisode: Chapter III: The Echo is a bit meandering and doesn't contain anything like the amount of fear, pain, or anger of the other chapters. [[spoiler: Because the Princess is Flux Et Reflux, another of Harry's Skills, and none of the original Skills or the Voices dwell on her enough for the Narrator to realize what's up, He wants Harry to search for her and is aggravated by every delay but not truly angry and fades out without a lot of stress. Harry and the Spectre forgave each other in the previous chapter, so now they're both pretty well inclined towards the other. Everyone gets to see a change in scene, even if it's all memory, and Harry gets to sit down, have a cigarette, and show the Princess the Sevenfold Sunrise. She's still frustrated by not getting to escape but is glad of the respite.]]

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* BreatherEpisode: Chapter III: The Echo is a bit meandering and doesn't contain anything like the amount of fear, pain, or anger of the other chapters. [[spoiler: Because [[spoiler:Because the Princess is Flux Et Reflux, another of Harry's Skills, and none of the original Skills or the Voices dwell on her enough for the Narrator to realize what's up, He wants Harry to search for her and is aggravated by every delay but not truly angry and fades out without a lot of stress. Harry and the Spectre forgave each other in the previous chapter, so now they're both pretty well inclined towards the other. Everyone gets to see a change in scene, even if it's all memory, and Harry gets to sit down, have a cigarette, and show the Princess the Sevenfold Sunrise. She's still frustrated by not getting to escape but is glad of the respite.]]



* CommonalityConnection: In the Echo chapter, the Princess talks about how she only seems to make things worse, which seems to strike a chord with Harry even if he's not Sorry Cop right now. The third The Hero and The Princess chapter has Harry consciously realize that the Princess is in a position a lot like his, but worse [[spoiler: in that she's amnesiac and thrust into a bizarre situation and trying to keep up, bluffing with an empty hand, just as he was after losing his memory.]] Not that realizing helps.

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* CommonalityConnection: In the Echo chapter, the Princess talks about how she only seems to make things worse, which seems to strike a chord with Harry even if he's not Sorry Cop right now. The third The Hero and The Princess chapter has Harry consciously realize that the Princess is in a position a lot like his, but worse [[spoiler: in [[spoiler:in that she's amnesiac and thrust into a bizarre situation and trying to keep up, bluffing with an empty hand, just as he was after losing his memory.]] Not that realizing helps.



** The Skill Inland Empire, particularly, gets to shine in this fic. Harry's imagination is far more cognizant of the whole situation than the rest of him, or of any of the Voices. [[spoiler: Not only does it have RippleEffectProofMemory but it seems to know something about things that haven't happened yet.]]

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** The Skill Inland Empire, particularly, gets to shine in this fic. Harry's imagination is far more cognizant of the whole situation than the rest of him, or of any of the Voices. [[spoiler: Not [[spoiler:Not only does it have RippleEffectProofMemory but it seems to know something about things that haven't happened yet.]]



* {{Forgiveness}}: The Spectre forgives Harry for killing her in the previous chapter, and Harry forgives her for [[spoiler: accidentally killing him in this one]]. His memory is ''just'' Ripple-Proof enough to make him reluctant to kill a later incarnation as a result.

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* {{Forgiveness}}: The Spectre forgives Harry for killing her in the previous chapter, and Harry forgives her for [[spoiler: accidentally [[spoiler:accidentally killing him in this one]]. His memory is ''just'' Ripple-Proof enough to make him reluctant to kill a later incarnation as a result.



** [[spoiler: Guinevere is referring to the figure from Myth/ArthurianLegend, the British queen and wife of Myth/KingArthur who had an affair with Lancelot which played a part in the fall of {{Camelot}}. Rözovy is a bastardization of the Russian word for "pink", розовый (''rozovyy''). And Baudelaire is taken from Creator/CharlesBaudelaire, a French poet whose TheOtherWiki article speaks for itself: his most famous work, a book of lyric poetry titled ''Les Fleurs du mal'' (The Flowers of Evil), expresses the changing nature of beauty in the rapidly industrialising Paris. He coined the term modernity (modernité) to designate the fleeting experience of life in an urban metropolis, and the responsibility of artistic expression to capture that experience.]]

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** [[spoiler: Guinevere [[spoiler:Guinevere is referring to the figure from Myth/ArthurianLegend, the British queen and wife of Myth/KingArthur who had an affair with Lancelot which played a part in the fall of {{Camelot}}. Rözovy is a bastardization of the Russian word for "pink", розовый (''rozovyy''). And Baudelaire is taken from Creator/CharlesBaudelaire, a French poet whose TheOtherWiki article speaks for itself: his most famous work, a book of lyric poetry titled ''Les Fleurs du mal'' (The Flowers of Evil), expresses the changing nature of beauty in the rapidly industrialising Paris. He coined the term modernity (modernité) to designate the fleeting experience of life in an urban metropolis, and the responsibility of artistic expression to capture that experience.]]



** Inland Empire labels the Shifting Mound as another in possession of a "vast and oceanic" soul, [[spoiler: and later refers to the shattered cosmos as another corpse marked by stars, just like Lely's. Similarly, Shivers refers to the vision of the Shifting Mound's empty city as "the city on Marvel Hill".]]
* NoNameGiven: As in ''Slay the Princess'', the names assigned to the Voices seem to be non-diagetic and there for the convenience of the reader. Everyone always calls the Princess the Princess, though there are more {{Title Drop}}s for her chapter variants in this fic, but she doesn't have a dialogue tag name [[spoiler: except when she's Flux Et Reflux]]. The Narrator actually says that Harry should call Him the Narrator and signs a fancy N on the repurposed letter, so ''He'' seems to have embraced the 'name'. The Skills also don't seem to be named. Between them and the Voices a lot of nicknames are tossed around.

to:

** Inland Empire labels the Shifting Mound as another in possession of a "vast and oceanic" soul, [[spoiler: and [[spoiler:and later refers to the shattered cosmos as another corpse marked by stars, just like Lely's. Similarly, Shivers refers to the vision of the Shifting Mound's empty city as "the city on Marvel Hill".]]
** [[spoiler:INTERMISSION - THE TOTAL INPUT sees a lot of the Shifting Mound's lines, both from before and after her awakening, recur in different contexts: "There is no center", "You are the only thing I have ever known", "The space we're in is vacant"...
* NoNameGiven: As in ''Slay the Princess'', the names assigned to the Voices seem to be non-diagetic and there for the convenience of the reader. Everyone always calls the Princess the Princess, though there are more {{Title Drop}}s for her chapter variants in this fic, but she doesn't have a dialogue tag name [[spoiler: except [[spoiler:except when she's Flux Et Reflux]]. The Narrator actually says that Harry should call Him the Narrator and signs a fancy N on the repurposed letter, so ''He'' seems to have embraced the 'name'. The Skills also don't seem to be named. Between them and the Voices a lot of nicknames are tossed around.



** Half Light hates and fears the Princess, and in the Spectre chapter is ''very'' upset about [[spoiler: Harry letting her possess him, let alone allowing her to take over for various Skills to pass hard checks. But near the end of the chapter, the Narrator's trick and impending death makes Half Light panic and make what he calls a DealWithTheDevil, letting her take over.]]

to:

** Half Light hates and fears the Princess, and in the Spectre chapter is ''very'' upset about [[spoiler: Harry [[spoiler:Harry letting her possess him, let alone allowing her to take over for various Skills to pass hard checks. But near the end of the chapter, the Narrator's trick and impending death makes Half Light panic and make what he calls a DealWithTheDevil, letting her take over.]]



** [[spoiler:Flux Et Reflux retains the pink text from her earlier selves, and though this site can't show it, the red used to highlight her name is a different shade than that used for Physique skills. She also gives massive penalties to checks involving Harry trying to figure out where she came from. Once Harry projects her out of his head, her lines go back to being right-aligned, though they keep the name. The skill profile given at the end of her chapter has additions from her in pink; it also shows her to be Harry's new Signature Skill, reflected in her physical appearance by the crown used to designate such in the game.]]

to:

** [[spoiler:Flux Et Reflux retains the pink text from her earlier selves, and though this site can't show it, the red used to highlight her name is a different shade than that used for Physique skills. She also gives massive penalties to checks involving Harry trying to figure out where she came from. Once Harry projects her out of his head, her lines go back to being right-aligned, though they keep the name. The skill profile given at the end of her chapter has additions from her in pink; it also shows her to be Harry's new Signature Skill, reflected in her physical appearance by the crown used to designate such in the game. Harry finally gets it back from her in INTERMISSION - THE TOTAL INPUT; what exactly this means remains to be seen.]]



* ProperlyParanoid: Half Light senses there is something fundamentally wrong about the Princess and constantly urges Harry to kill her. As the Princess is the embodiment of death and change, it is entirely understandable for Half Light to perceive the Princess as a threat, even when the situation is nominally under Harry's control. [[spoiler: By the third iteration, with Harry having picked up the Pristine Blade and not killed the Princess immediately, Half Light realizes that Harry has no chance of winning a confrontation and must flee to survive, as this course of events shapes the Princess into becoming an absolute terror. Unfortunately for Half Light, Harry opts to merely leave the basement and stay in the cabin to make up his mind, leading to him being killed by the proto-Nightmare.]]

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* ProperlyParanoid: Half Light senses there is something fundamentally wrong about the Princess and constantly urges Harry to kill her. As the Princess is the embodiment of death and change, it is entirely understandable for Half Light to perceive the Princess as a threat, even when the situation is nominally under Harry's control. [[spoiler: By [[spoiler:By the third iteration, with Harry having picked up the Pristine Blade and not killed the Princess immediately, Half Light realizes that Harry has no chance of winning a confrontation and must flee to survive, as this course of events shapes the Princess into becoming an absolute terror. Unfortunately for Half Light, Harry opts to merely leave the basement and stay in the cabin to make up his mind, leading to him being killed by the proto-Nightmare.]]



* RejectedApology: [[spoiler:{{Zigzagged}} when the Shifting Mound apologizes to Harry for the harm her vessels have caused him. He does accept it, but not before venting about how useless apologies are if they're only going to keep hurting each other over and over again. Shifty, for her part, makes clear that she bears no ill will towards him, and says ([[PurpleProse in her own way]]) that she appreciates him and all he's done for her.]]



* SkewedPriorities: [[spoiler:After coming back to himself from a vision of the Shifting Mound's empty city, Harry tries to put out his cigarette Kim-style when Inland Empire insists it would be impolite to litter, but neglects to consider both his wretched physical state after the events of THE ABYSS and the PokeInTheThirdEye from the vision, and ends up nearly faceplanting.]]



* SympathyForTheDevil: [[spoiler: The Nightmare route and what follows is a ''very'' bad time for Harry but he picks up on more of her BrokenBird nature than the Long Quiet does and despite not forgiving her, he also doesn't kill what she becomes.]]

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* SympathyForTheDevil: [[spoiler: The [[spoiler:The Nightmare route and what follows is a ''very'' bad time for Harry but he picks up on more of her BrokenBird nature than the Long Quiet does and despite not forgiving her, he also doesn't kill what she becomes.]]



* TragicMonster: The Nightmare is already this in ''Slay the Princess''. Here, since Harry's Skills were able to share the work the Voice of the Paranoid was undergoing to keep him alive, and because he's a person with a past outside of the Construct, he can glean more from her vision than the Long Quiet could. [[spoiler: Half Light, being attuned to pain, fills in for Empathy's usual role and spells out the dreadful situation the Princess is in.]]

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* TragicMonster: The Nightmare is already this in ''Slay the Princess''. Here, since Harry's Skills were able to share the work the Voice of the Paranoid was undergoing to keep him alive, and because he's a person with a past outside of the Construct, he can glean more from her vision than the Long Quiet could. [[spoiler: Half [[spoiler:Half Light, being attuned to pain, fills in for Empathy's usual role and spells out the dreadful situation the Princess is in.]]


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** [[spoiler:The almost comically innocuous line that tells us Harry can finally speak directly to the Shifting Mound:]]
-->'''[[gold:COMPOSURE]]''' - It's too much sensory input. Too much. As you lift one leg to put out the cig on the heel of your shoe, you fall forward--\\
'''[[gold:PERCEPTION (TOUCH)]]''' - And are caught by three dozen hands.\\
[...]\\
'''YOU''' - "Thanks."\\
[[rtl:[[pink:[[spoiler:.You are welcome]]]]]]

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** The Narrator's connection to the world of Elysium is also a mystery: He doesn't know what reál or [[spoiler:Dolores Dei]] are, but seems to at least recognize the concept of [[spoiler:the Pale]], if His horrified reaction is anything to go by. [[spoiler: Despite many variants on the Narrator hearing and seeing plenty about Revachol and the world beyond, he also only seems to become aware that Harry is ''from outside'' when Harry is stripped of his skills and a broken shadow of himself - another echo, you might say.]]

to:

** The Narrator's connection to the world of Elysium is also a mystery: He doesn't know what reál or [[spoiler:Dolores Dei]] are, but seems to at least recognize the concept of [[spoiler:the Pale]], if His horrified reaction is anything to go by. [[spoiler: Despite many variants on the Narrator hearing and seeing plenty about Revachol and the world beyond, he He also only seems to become aware that Harry is ''from outside'' when Harry is stripped of his skills and a broken shadow of himself - another echo, you might say.]]



** [[spoiler:Harry gets an example of his own, though, when he (with some help from Flagrant Disregard Of Reality) succeeds a 26 difficulty check to commune with the Shifting Mound.]]



* BreatherEpisode: Chapter III: The Echo is a bit meandering and doesn't contain anything like the amount of fear, pain, or anger of the other chapters. [[spoiler: Because the Princess is Flux Et Reflux, another of Harry's Skills, and none of the original Skills or the Voices dwell on her enough for the Narrator to realize what's up, he wants Harry to search for her and is aggravated by every delay but not truly angry and fades out without a lot of stress. Harry and the Spectre forgave each other in the previous chapter, so now they're both pretty well inclined towards the other. Everyone gets to see a change in scene, even if it's all memory, and Harry gets to sit down, have a cigarette, and show the Princess the Sevenfold Sunrise. She's still frustrated by not getting to escape but is glad of the respite.]]

to:

* BreatherEpisode: Chapter III: The Echo is a bit meandering and doesn't contain anything like the amount of fear, pain, or anger of the other chapters. [[spoiler: Because the Princess is Flux Et Reflux, another of Harry's Skills, and none of the original Skills or the Voices dwell on her enough for the Narrator to realize what's up, he He wants Harry to search for her and is aggravated by every delay but not truly angry and fades out without a lot of stress. Harry and the Spectre forgave each other in the previous chapter, so now they're both pretty well inclined towards the other. Everyone gets to see a change in scene, even if it's all memory, and Harry gets to sit down, have a cigarette, and show the Princess the Sevenfold Sunrise. She's still frustrated by not getting to escape but is glad of the respite.]]



** Lampshaded later in this conversation, when Inland Empire spouts another poetic line:

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** Lampshaded later in this conversation, [[spoiler:INTERMISSION - THE TOTAL INPUT]], when Inland Empire spouts another poetic line:



* LateToTheRealization: [[spoiler:After God only knows how many iterations (not even counting the prior chapters), the Narrator ''finally'' figures out Harry isn't supposed to be here when he fails to free the Act of Futility. Other versions of him had ''seen'' Harry's memories of Revachol but were seemingly unable to comprehend what this meant. Seemingly he only catches on when Harry, like himself, is a shadow of a person.]]

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* LateToTheRealization: [[spoiler:After God only knows how many iterations (not even counting the prior chapters), the Narrator ''finally'' figures out Harry isn't supposed to be here when he fails to free the Act of Futility. Other versions of him Him had ''seen'' Harry's memories of Revachol but were seemingly unable to comprehend what this meant. Seemingly he He only catches on when Harry, like himself, Himself, is a shadow of a person.]]



* LemonyNarrator: The Narrator leans hard into this during THE SPECTRE, seldom missing an opportunity to call Harry and his actions "asinine" or "inane". To be fair to Him, Harry's actions in this chapter include thinking the Spectre is the avatar of communism and [[spoiler:spending five minutes zoning out to hold a "Mind Parliament"]], so it's clear he feels like the OnlySaneMan.

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** [[spoiler:Harry's vision of the Shifting Mound's empty city is cut through by a river of pure blackness. When he asks Shivers which way it's flowing, Shivers responds that it's the only thing ''not'' flowing, remaining perfectly still while the rest of the city shifts and moves -- just like the line boil in the environments of ''Slay the Princess'' contrasted with the unmoving art of the mirror.]]
* LemonyNarrator: The Narrator leans hard into this during THE SPECTRE, seldom missing an opportunity to call Harry and his actions "asinine" or "inane". To be fair to Him, Harry's actions in this chapter include thinking the Spectre is the avatar of communism and [[spoiler:spending five minutes zoning out to hold a "Mind Parliament"]], so it's clear he He feels like the OnlySaneMan.



** Shivers briefly refers to the nascent Shifting Mound the same way she does: "solitary lights in an empty city."

to:

** Shivers briefly refers to the nascent Shifting Mound the same way she does: "solitary lights in an empty city."" [[spoiler:And it recurs when it describes the "flickering lights" that are the evidence of inhabitants in that very city.]]



* NoNameGiven: As in ''Slay the Princess'', the names assigned to the Voices seem to be non-diagetic and there for the convenience of the reader. Everyone always calls the Princess the Princess, though there are more {{Title Drop}}s for her chapter variants in this fic, but she doesn't have a dialogue tag name [[spoiler: except when she's Flux Et Reflux]]. The Narrator actually says that Harry should call him the Narrator and signs a fancy N on the repurposed letter, so ''he'' seems to have embraced the 'name'. The Skills also don't seem to be named. Between them and the Voices a lot of nicknames are tossed around.

to:

** Inland Empire labels the Shifting Mound as another in possession of a "vast and oceanic" soul, [[spoiler: and later refers to the shattered cosmos as another corpse marked by stars, just like Lely's. Similarly, Shivers refers to the vision of the Shifting Mound's empty city as "the city on Marvel Hill".]]
* NoNameGiven: As in ''Slay the Princess'', the names assigned to the Voices seem to be non-diagetic and there for the convenience of the reader. Everyone always calls the Princess the Princess, though there are more {{Title Drop}}s for her chapter variants in this fic, but she doesn't have a dialogue tag name [[spoiler: except when she's Flux Et Reflux]]. The Narrator actually says that Harry should call him Him the Narrator and signs a fancy N on the repurposed letter, so ''he'' ''He'' seems to have embraced the 'name'. The Skills also don't seem to be named. Between them and the Voices a lot of nicknames are tossed around.



** [[spoiler:As Harry explores his vision of the Shifting Mound as a city, Shivers describes the landscape beginning to tilt on its axes -- "left and right, ana and kata". Ana and kata are terms invented by mathematician and sci-fi writer [[https://en.wikipedia.org/wiki/Charles_Howard_Hinton Charles Howard Hinton]] to describe the two extra planes of motion in four-dimensional space.]]



* YouCannotGraspTheTrueForm: [[spoiler:Harry, not being a god, is unable to understand the Shifting Mound when she speaks to him. This also applies to the Spectre while she's possessing him, but Interfacing is able to fix that one.]]

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* YouCannotGraspTheTrueForm: [[spoiler:Harry, not being a god, is unable to understand the Shifting Mound when she speaks to him. This also applies to the Spectre while she's possessing him, but Interfacing is able to fix that one.]] [[spoiler:He eventually gets around the former by envisioning her as a city, something he has a lot of experience speaking with, but even then he's left taking damage after damage as he explores the vision.]]
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* AndHereHeComesNow: [[{{Justified}} when Harry's skills start returning to him after losing them in THE ACT OF FUTILITY. Each one is called back by a skill check or dialogue option that would require their help; for example, Half Light returns when Harry succeeds the white check from THE NIGHTMARE to "get the fire back", while Perception returns when he tries to look around himself. Volition occasionally tries to {{invoke|d}} this, to... mixed results.]]

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* AndHereHeComesNow: [[{{Justified}} [[spoiler:{{Justified}} when Harry's skills start returning to him after losing them in THE ACT OF FUTILITY. Each one is called back by a skill check or dialogue option that would require their help; for example, Half Light returns when Harry succeeds the white check from THE NIGHTMARE to "get the fire back", while Perception returns when he tries to look around himself. Volition occasionally tries to {{invoke|d}} this, to... mixed results.]]

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* AccidentalPun: Interfacing describes [[spoiler:Soona's final readouts of the Swallow]] as "annotated heavily in the scrawl of a woman possessed". The Spectre, currently observing the vision, can only go "[[pink:Heh.]]"

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* AccidentalPun: AccidentalPun:
**
Interfacing describes [[spoiler:Soona's final readouts of the Swallow]] as "annotated heavily in the scrawl of a woman possessed". The Spectre, currently observing the vision, can only go "[[pink:Heh.]]"]]"
** [[spoiler:When Harry realizes that the Long Quiet is who's been speaking to him through Shivers, Drama quips that the missing star of the show is there, waiting in the ''[[BirdPeople wings]]''.]]



* AmbiguouslyHuman: ''Harry himself.'' Aside from having [[spoiler:a fragment of the Long Quiet inside him]], he's tapped into the [[ClapYourHandsIfYouBelieve power of the Construct]] without being a god, and [[spoiler:pulled himself back from the brink of complete ego death through sheer force of will]]. It's {{discussed}} in [[spoiler:INTERMISSION - THE TOTAL INPUT]], with Conceptualization saying that dying so many times might have transformed him into more of an ''idea'' than a human.
* AmnesiaMissedASpot: {{Inverted}}: [[spoiler:Harry manages to recover most of his memories after the events of THE ABYSS -- except for the final vision of C-Wing in danger. And considering what happens when he tries to remember it, that might be for the best...]]
* AndHereHeComesNow: [[{{Justified}} when Harry's skills start returning to him after losing them in THE ACT OF FUTILITY. Each one is called back by a skill check or dialogue option that would require their help; for example, Half Light returns when Harry succeeds the white check from THE NIGHTMARE to "get the fire back", while Perception returns when he tries to look around himself. Volition occasionally tries to {{invoke|d}} this, to... mixed results.]]
-->'''[[purple:VOLITION]]''' - If [[spoiler:we had the logician here]], maybe we could come up with a working theory.\\
[[{{Beat}} ...]]\\
Damn. I thought that would work.



* TheFriendNobodyLikes: Narrowly {{averted}} when [[spoiler:Volition tries to convince Harry not to call Electrochemistry back -- cut off his addiction at the source. The other skills remind him that EC was more than just drugs -- also joy of all kinds, understanding of vice, and the adrenal system (which Endurance refuses to run again after THE NIGHTMARE), and Volition itself admits that playing amateur neurosurgeon probably isn't a good idea.]]



** When Logic wonders [[spoiler:how Harry's brain is piecing itself back together after the Nightmare put it through a figurative woodchipper]], Electrochemistry pipes up to note that Harry's neuroplasticity is "off the charts".
--->'''[[blue:ENCYCLOPEDIA]]''' - I'm surprised you know a word that long that isn't 'amphetamines'.\\
'''[[red:ELECTROCHEMISTRY]]''' - [[https://en.wikipedia.org/wiki/Dextromethorphan Dextromethorphan]], asshole.



** [[spoiler:Electrochemistry notes that the cigarette Harry smokes in the Long Quiet feels "hollow" somehow, lacking the usual sensations -- "no buzzing of the brain and no burning in your lungs". This is reflected in the "UI" by the lack of either a health alert or an INT bonus popping in when Harry lights up.]]
** [[spoiler:In the same chapter, Drama remarks on how Harry seems to have ended up center-stage in a production not intended for him, and that he doesn't exactly fit the bill for hero of a love story.]]



** [[spoiler:Conceptualization refers to Harry crawling free from the tangle of the Shifting Mound's arms as leaving a cocoon, "metamorphosed into something [[Literature/SacredAndTerribleAir sacred and terrible]]".]] [[spoiler:In the same chapter, Drama echoes the start screen from ''Slay the Princess'' when he calls the tableau Harry walked into "a love story".]]



* NoodleIncident: ''Something'' happened before the events of the fic that [[spoiler:left the Shifting Mound and the Long Quiet even more separated than before]].



** [[spoiler:The new dialogue options from Flagrant Disregard Of Reality are formatted in the same way as ''Slay the Princess'': italicized white text, denoted with a bullet point rather than a number. They're also subtly reflective of the fact that options are coming from the Long Quiet himself -- many of them relate to waiting or otherwise remaining "as-is", due to Quiet's nature as a god of stasis, and when the Shifting Mound rebukes Harry's claim of another presence in the Construct, a series of dialogue options prompt him to say:]]
--->[[spoiler:''•⠀⠀I must be mistaken.\\
•⠀⠀There's truly no one else.\\
•⠀⠀[[DespairEventHorizon Nothing and no one.]]'']]



* RapidFireNo: A variant in response to the Voice of the Hero wondering if they really did want the proto-Damsel to kill them:

to:

* RapidFireNo: RapidFireNo:
**
A variant in response to the Voice of the Hero wondering if they really did want the proto-Damsel to kill them:



** And a far more straightforward, ''far'' less comical example in [[spoiler:Volition's horrified reaction to C-Wing coming under fire]].



** [[spoiler:When Harry asks about the loops he went through, Encyclopedia exposits about a book by [[FantasyCounterpartCulture Graadian]] sci-fi author Pavel Ostrov that popularized the concept of a time loop. The plot summary it gives is a dead ringer for ''Strange Life of Ivan Osokin'' by [[https://en.wikipedia.org/wiki/P._D._Ouspensky Pyotr Outspensky]].]]



* SuspiciouslySpecificDenial: At the start of the second run, one of Harry's unchosen dialogue options in response to the Princess asking if he's here to kill her is an example of this that would do the Razor proud:

to:

* SuspiciouslySpecificDenial: SuspiciouslySpecificDenial:
**
At the start of the second run, one of Harry's unchosen dialogue options in response to the Princess asking if he's here to kill her is an example of this that would do the Razor proud:


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** [[spoiler:When Harry asks the skills what exactly he remembers, Electrochemistry breezes through the broad details of his past, stopping to mention that he somehow lost his memory after spending a little while drinking a ''perfectly normal'' amount.]]

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* ADayInTheLimelight: With the blend in formats, there's very little of Disco Elysium's usual background description (ex: clicking on a mailbox leads to bringing up the dialogue window, where the description of the mailbox starts with MAILBOX: as if it's a character speaking) which has Skills chiming in. Instead, like Slay the Princess, the Narrator provides His narration and other voices fill in the gaps, though Harry's library of Skills finds a lot more to comment on. Since the Voices and the Narrator can hear and respond to them, the Skills have active dialogue with them and are more individualized.
** The Skill Inland Empire, particularly, gets to shine in this fic. Harry's imagination is far more cognizant of the whole situation than the rest of him, or of any of the Voices. [[spoiler: Not only does it have RippleEffectProofMemory but it seems to know something about things that haven't happened yet.]]



* ADayInTheLimelight: With the blend in formats, there's very little of Disco Elysium's usual background description (ex: clicking on a mailbox leads to bringing up the dialogue window, where the description of the mailbox starts with MAILBOX: as if it's a character speaking) which has Skills chiming in. Instead, like Slay the Princess, the Narrator provides His narration and other voices fill in the gaps, though Harry's library of Skills finds a lot more to comment on. Since the Voices and the Narrator can hear and respond to them, the Skills have active dialogue with them and are more individualized.
** The Skill Inland Empire, particularly, gets to shine in this fic. Harry's imagination is far more cognizant of the whole situation than the rest of him, or of any of the Voices. [[spoiler: Not only does it have RippleEffectProofMemory but it seems to know something about things that haven't happened yet.]]



* DespairEventHorizon:
** [[spoiler:The Abyss is the result of the Act of Futility crossing it after Harry fails to free her. She's a diminished version of her former self, with her mask shattered and [[FacialHorror the shards embedded in her face]], and Harry finds her lying practically comatose in what's left of the cabin's basement.]]
** [[spoiler:It's implied that the Long Quiet crossed this before the story began. When he speaks to Harry, it's clipped and short, quite unlike the curious, occasionally goofy personality he has in the game; the Shifting Mound uttering his name causes Shivers to feel like they've been punched in the gut; and a series of Flagrant Disregard dialogue options show that he seems desperate to keep her from realizing he's there.]]



* LaughingMad: [[spoiler:The Act of Futility is left doing this after Harry fails to free her.]]

to:

* LaughingMad: LaughingMad:
**
[[spoiler:The Act of Futility is left doing this after Harry fails to free her.]]
** [[spoiler:After Harry dresses the Abyss' wounds, the two share a bout of not-quite-MirthlessLaughter over their respective miseries. It's somewhat {{subverted}} in that it's described with remarkable tenderness; this is the closest thing either of them have felt to contentment in a long, ''long'' while.
]]


Added DiffLines:

** [[spoiler:Thanks to a psychic boost from the Shifting Mound, Harry's brain starts putting itself back together: the tape background returns (after having vanished in THE ACT OF FUTILITY), the skill name colors return, and the missing skills themselves begin to fade in from colorless messes of question marks and redactions back to normal. The opposite happens near the end of the chapter when a failed attempt to remember their last vision of Precinct 41 nearly breaks Harry again, before the Shifting Mound intervenes.]]

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** [[spoiler:Additionally, the chapter preceding the Act of Futility starts with countless "I'm sorry" repeating in loops and multiplying until it dissolves the entire background into white, once again representing the loops Harry goes through. And if one looks at the page's CoolCodeOfSource, it's shown that it's actually ''multiple'' different MadnessMantra repeating that compose the white background, implied to be the Skills themselves having their own mental breakdown]]:
*** [[spoiler:"The endless maze. A dark forest, devoid of life. An island on the sea of stars. Hot coals raked across every surface. Rotting from the inside until you turn hollow."]] -- Likely Shivers.
*** [[spoiler:"No sight. No hearing. No taste. No smell. No feeling."]] -- Likely Perception.
*** [[spoiler:"Tendons stretch, bones grind, organs rupture [=--=] but you live on."]] -- Likely Endurance.
*** [[spoiler:"10-33. Repeat. 10-8. Repeat, please. 10-9. Acknowledge."]] -- Likely Esprit de Corps.
*** [[spoiler:"An endless dance. Twirling through the eons, a death waltz to the end of time."]] -- Likely Drama.
*** In GratuitousGreek: [[spoiler:"Look at the speed of universal oblivion, the gulf of immeasurable time both before and after, the vacuity of applause, the indiscriminate fickleness of your apparent supporters, and the tiny room in which all this is confined.""]] -- Likely Half-Light.
*** [[spoiler:"You are not alone, and this place is not empty. There is a sound [=--=] the harmony of the spheres. You must find its source. You have to keep going. You will make it. It is predestined."]] -- Likely Inland Empire.
*** [[spoiler:"Nothing makes sense. There are no laws. Chaos reigns."]] -- Likely Logic.
*** [[spoiler:"Eyes everywhere. Every time you turn your head [=--=] more eyes. You can 't keep them in your vision, only on the periphery. You are watched. You are watched."]] -- Likely Reaction Speed.
*** [[spoiler:"Hit and kick and punch and jab and struggle and hit..."]] -- Likely Physical Instrument.
*** [[spoiler:"There is no winning. You can't bargain with something like this. You can't talk your way out, you can't [=--=] you *can't*."]] -- Likely Rhetoric.
*** [[spoiler:"Scrounge for a weapon [=--=] *your* weapon [=--=] but it won't make a difference. Of course it wouldn't. No piece of steel and sulfur could help you now."]] -- Likely Hand/Eye Coordination.
*** [[spoiler:"The singularity at the heart of a black hole. All vectors point inward. Time and space bend and twist until they become one [=--=] to proceed forward is to fall even further. There is no escape."]] -- Likely Visual Calculus.
*** [[spoiler:"Endless pain. It isn't constant, but that just makes it worse [=--=] knowing during the reprieve that it will flare up again. Physical pain, mental anguish. It will not end."]] -- Likely Pain Threshold.
*** [[spoiler:"Keep it together, keep it together...you can't keep it together. You are a wreck."]] -- Likely Composure.
*** [[spoiler:"There is no knowledge that could help you. This is beyond anything that's ever been written. The facts of your current situation slip through your fingers like a sieve."]] -- Likely Encyclopedia.
*** [[spoiler:"You are nothing. A worm in the sand, beholden to forces beyond your capability. Your achievements are meaningless."]] -- Likely Authority.
*** [[spoiler:"Grand machinery chugs away at the edges of the world, each turn of a cog crushing you beneath its weight. The tension grows, the chain tightens, and the memory is dumped in anticipation of the next operation."]] -- Likely Interfacing.
*** [[spoiler:"Find something to distract yourself. Anything. This is [=--=] it's unbearable. Get *something*. Anything at all."]] -- Likely Electrochemistry.
*** [[spoiler:"Words fail you. You can't describe you way out. There is no vocabulary that would even come close."]] -- Likely Conceptualization.
*** [[spoiler:"You are unravelling at the seams [=--=] but so is she. She is destroying you both."]] -- Likely Empathy.
*** [[spoiler:"Dodge and weave and duck and twist and dodge..."]] -- Likely Savoir Faire.
*** [[spoiler:"Take a step forward."]] -- Likely Volition.
*** [[spoiler:"Heart. Lungs. Liver. Nerves."]] -- Likely the Voice of the Paranoid.

to:

** [[spoiler:Additionally, the chapter preceding the Act of Futility starts with countless "I'm sorry" repeating in loops and multiplying until it dissolves the entire background into white, once again representing the loops Harry goes through. And if one looks at the page's CoolCodeOfSource, it's shown that it's actually ''multiple'' different MadnessMantra repeating that compose the white background, implied to be the Skills themselves having their own mental breakdown]]:
*** [[spoiler:"The endless maze. A dark forest, devoid of life. An island on the sea of stars. Hot coals raked across every surface. Rotting from the inside until you turn hollow."]] -- Likely Shivers.
*** [[spoiler:"No sight. No hearing. No taste. No smell. No feeling."]] -- Likely Perception.
*** [[spoiler:"Tendons stretch, bones grind, organs rupture [=--=] but you live on."]] -- Likely Endurance.
*** [[spoiler:"10-33. Repeat. 10-8. Repeat, please. 10-9. Acknowledge."]] -- Likely Esprit de Corps.
*** [[spoiler:"An endless dance. Twirling through the eons, a death waltz to the end of time."]] -- Likely Drama.
*** In GratuitousGreek: [[spoiler:"Look at the speed of universal oblivion, the gulf of immeasurable time both before and after, the vacuity of applause, the indiscriminate fickleness of your apparent supporters, and the tiny room in which all this is confined.""]] -- Likely Half-Light.
*** [[spoiler:"You are not alone, and this place is not empty. There is a sound [=--=] the harmony of the spheres. You must find its source. You have to keep going. You will make it. It is predestined."]] -- Likely Inland Empire.
*** [[spoiler:"Nothing makes sense. There are no laws. Chaos reigns."]] -- Likely Logic.
*** [[spoiler:"Eyes everywhere. Every time you turn your head [=--=] more eyes. You can 't keep them in your vision, only on the periphery. You are watched. You are watched."]] -- Likely Reaction Speed.
*** [[spoiler:"Hit and kick and punch and jab and struggle and hit..."]] -- Likely Physical Instrument.
*** [[spoiler:"There is no winning. You can't bargain with something like this. You can't talk your way out, you can't [=--=] you *can't*."]] -- Likely Rhetoric.
*** [[spoiler:"Scrounge for a weapon [=--=] *your* weapon [=--=] but it won't make a difference. Of course it wouldn't. No piece of steel and sulfur could help you now."]] -- Likely Hand/Eye Coordination.
*** [[spoiler:"The singularity at the heart of a black hole. All vectors point inward. Time and space bend and twist until they become one [=--=] to proceed forward is to fall even further. There is no escape."]] -- Likely Visual Calculus.
*** [[spoiler:"Endless pain. It isn't constant, but that just makes it worse [=--=] knowing during the reprieve that it will flare up again. Physical pain, mental anguish. It will not end."]] -- Likely Pain Threshold.
*** [[spoiler:"Keep it together, keep it together...you can't keep it together. You are a wreck."]] -- Likely Composure.
*** [[spoiler:"There is no knowledge that could help you. This is beyond anything that's ever been written. The facts of your current situation slip through your fingers like a sieve."]] -- Likely Encyclopedia.
*** [[spoiler:"You are nothing. A worm in the sand, beholden to forces beyond your capability. Your achievements are meaningless."]] -- Likely Authority.
*** [[spoiler:"Grand machinery chugs away at the edges of the world, each turn of a cog crushing you beneath its weight. The tension grows, the chain tightens, and the memory is dumped in anticipation of the next operation."]] -- Likely Interfacing.
*** [[spoiler:"Find something to distract yourself. Anything. This is [=--=] it's unbearable. Get *something*. Anything at all."]] -- Likely Electrochemistry.
*** [[spoiler:"Words fail you. You can't describe you way out. There is no vocabulary that would even come close."]] -- Likely Conceptualization.
*** [[spoiler:"You are unravelling at the seams [=--=] but so is she. She is destroying you both."]] -- Likely Empathy.
*** [[spoiler:"Dodge and weave and duck and twist and dodge..."]] -- Likely Savoir Faire.
*** [[spoiler:"Take a step forward."]] -- Likely Volition.
*** [[spoiler:"Heart. Lungs. Liver. Nerves."]] -- Likely the Voice of the Paranoid.
breakdown.]]
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Adding to theorising.


*** [[spoiler:"Eyes everywhere. Every time you turn your head [=--=] more eyes. You can 't keep them in your vision, only on the periphery. You are watched. You are watched."]]

to:

*** [[spoiler:"Eyes everywhere. Every time you turn your head [=--=] more eyes. You can 't keep them in your vision, only on the periphery. You are watched. You are watched."]]"]] -- Likely Reaction Speed.
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Added DiffLines:

** Lampshaded later in this conversation, when Inland Empire spouts another poetic line:
--->'''[[blue:LOGIC]]''' - As usual, none of this means anything.\\
'''[[purple:VOLITION]]''' - As if the rest of this mess has had meaning? Facts have failed you so far [=--=] nothing personal, it's just the truth.\\
'''[[blue:LOGIC]]''' [[gray:[Impossible: Failure] ]] - No disagreements here. I'm sick and tired of this place.
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-->'''[[gold:PERCEPTION (SIGHT)]]''' [[gray:[Formidable: Success] ]] - Also, all three of them are wrong [=--=] [[spoiler:[[AGlitchInTheMatrix the mirror is still here]]]].

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-->'''[[gold:PERCEPTION --->'''[[gold:PERCEPTION (SIGHT)]]''' [[gray:[Formidable: Success] ]] - Also, all three of them are wrong [=--=] [[spoiler:[[AGlitchInTheMatrix the mirror is still here]]]].

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