Line #62 Series/UpstartCrow


1	[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/upstart_crow.jpg]]
2
3	''Upstart Crow'' is a British SitCom that started broadcasting on 9 May 2016 as part of the BBC's 'Shakespeare 400' celebration. Written by Creator/BenElton, and incorporating his typical snark at the British Establishment, and starring Creator/{{David Mitchell\|Actor}} as Creator/WilliamShakespeare, trying to make his name as a playwright in Elizabethan England.
4
5	Much of the humour comes from characters expressing ideas that are relevant to the 21st century - either condemning them, such as the idea Oxford and Cambridge universities provide all the men in positions of power[[note]]because everybody knows women can't do any jobs, like acting or looking after money [[/note]], or saying ItWillNeverCatchOn. As it is by Creator/BenElton, expect lots or references to his favourite {{BritCom}}s.
6
7	The show ran for three series and two Christmas specials before transferring to the West End for a stage play which continued the story from where the television series left off, but was one of many casualties of the COVID-19 pandemic and closed after a month. The show latterly returned to TV for a 2020 Christmas special inspired by said pandemic, with Will and Kate in lockdown in the plague-ridden London of 1603.
8
9	-----
10	!! This show provides examples of:
11	* ActuallyPrettyFunny: Bottom is usually distinctly unimpressed by Will's attempts at humour, finding his jokes overly wordy and contrived, but has to admit that a few of them really are genuinely hilarious. Such as the [[IBangedYourMom "Villain, I have DONE thy mother."]] line from Theatre/TitusAndronicus.
12	* AmbiguouslyBi: There are a few scenes that hint that Will may be more attracted to men than he wants to admit.
13	** In the first episode, it's revealed that the original working title for ''Theatre/RomeoAndJuliet'' was "Romeo and ''Julian''" ("Early exploratory stuff, it meanteth nothing."), and in the same scene he laments that "why does everybody presume that just because I write 126 love poems to an attractive boy, I must be -- I must be some kind of [[UnusualEuphemism bechambered hugger-tugger]]."
14	** In the fourth episode, while taking a break from playwriting in order to focus on writing sonnets, he says that he has two muses, one male one female. While he freely admits to being sexually attracted to the female muse, he's much more coy about his feelings towards the male one.
15	* AmbiguouslyGay: Condell is a little camp and Kemp claims that Condell has rendezvous with men behind the theater but nothing is confirmed.
16	* AnachronismStew:
17	** "A Christmas Crow" shows Elizabeth's throne decorated with the modern day royal arms - with Scottish elements that were introduced by her successor James I.
18	** Will's constant complaining about the "coaches" bears no relation to the transport system of the Elizabethan Era and everything to do with the state of modern Britain's railway network.
19	* AntiClimax: The mix-up with Anne's presents in the Christmas special. [[spoiler:She thinks Will is giving a golden necklace to another woman and starts in on an emotionally-devastated speech, but he matter-of-factly admits to it because there's nothing to confess. He's been invited to Queen Elizabeth's presence and a lavish present is mandatory.]]
20	* ArtisticLicenseHistory: Shakespeare's family and friends complain that he keeps trying to rhyme words that don't rhyme, like "love" and "prove." In fact, they ''did'' rhyme in the era when they were written, as more recently scholarship on [[https://www.youtube.com/watch?v=bt7OynPUIY8 Original Pronunciation]] has shown.
21	** The real Robert Greene, who wrote the Groats-Worth, from which the title comes, passed away a month before it was published, at the age of 34, in 1592. He was also a more successful, talented and influential writer than the show depicts him as. His novel ''Pandosto'' was even used by Shakespeare as the inspiration for ''Theatre/TheWintersTale''.
22	* AsideComment: The cast, mainly Will and Greene, will turn towards the camera to speak their inner thoughts and explain their motivations to the home audience. Lampshaded thoroughly, with Will and Greene even announcing that they are turning away from the action.
23	* BadBadActing: Kate does this after Will’s play about Queen Elizabeth has disappeared [[spoiler: because she gave it to Kit in return for the chance to act.]] She holds up her hands stiffly, cries "Oh no! Oh no! Woe!" and then backs out of the room with a mumbled "Bye."
24	* BaitAndSwitch: The show does this with the Earl of Southampton, who Will is depicted as having rather more than just a crush on. The audience is led to believe that this will probably be all one way, and that Southampton will regard Will as an AbhorrentAdmirer--but then Southampton turns out to be a fairly realistic version of a CampGay man who's highly annoyed that Will is married, refers to Anne as Will's [[TheBeard "beard"]], and tells him to come back when he's properly embraced his sexuality.
25	* BelligerentSexualTension: In Series 3, Will ''thinks'' the constant bickering between Kit and Kate is a result of this, especially since he remembers their brief romance from Series 2. Turns out they're just ''really'' annoyed with each other.
26	* BlackComedyRape: In the first episode of Series 3 this is discussed, when Kate points out the characters in ''Theatre/AMidsummerNightsDream'' being drugged into loving someone is basically sexual assault.
27	* BlatantLies: Will is ''not'' bald. He just has a very big brain, tall face, low eyebrows, etc.
28	* BottleEpisode: The 2020 Christmas special, set during a plague lockdown in 1603 England, is a two-hander between Will and Kate (barring one or two voice-only cameos), taking place in a single room in real time.
29	* BritishBrevity: As is typical on the BBC. Each series only having six episodes and two Christmas specials.
30	* TheBusCameBack: Considering the show's status as a SpiritualSuccessor to ''Series/BlackadderII'', a rather surprising one in episode six when [[spoiler: Bob]] returns, 30 years after their original appearance in ''Blackadder''.
31	* CardCarryingVillain: Robert Greene, whose sole motivation to crush Shakespeare is that he's a snob who resents the fact that Shakespeare didn't go to university and yet is a more successful writer than himself.
32	* CastingGag: Creator/KennethBranagh, one of the foremost Shakespearean actors of his generation, guest stars as an uncultured seasonal performer who disgusts the Bard himself.
33	* {{Catchphrase}}: Will’s "It’s what I do!", uttered whenever anyone reproaches him for speaking too obscurely.
34	** Robert Greene's "Ah-fare''well''!", uttered in a threatening voice to Will whenever he's leaving the room backwards (see SignatureMove below.)
35	* ChristmasSpecial: Currently two extended episodes.
36	* ComedicWorkSeriousScene: This is a comedy about Creator/WilliamShakespeare. Will's rants about travelling home from London are a regular feature. Then, in one episode, he stomps in as usual and his exasperated rant is met by stony silence. It takes him a minute to register the change in tone. And then he finds out that [[spoiler:his young son Hamnet died while he was away.]] It's not PlayedForLaughs. Anne takes comfort in her religion, allowing her to carry on, Will plays along for her sake but privately he is devastated and considers [[spoiler:his beloved son]] lost to him forever.
37	* CreatorCareerSelfDeprecation: A show about a writer of plays who's whiny, has a chip on his shoulder about the class system, and feels like he's underappreciated: score! Ironically, ''Upstart Crow'' ended up being one of the best-received things Ben Elton has written in years.
38	* {{Crossover}}: Of the single character sort. Judge "Robert Roberts" ("Call me Bob") is strongly implied to be Kate from ''Blackadder II'', being played by the same actor, Gabrielle Glaister, and still disguising herself as a man in order to find work. She's gone up in the world, now being a judge.
39	* CurseOfTheAncients: Everyone uses these, with ordinary rude words being disguised as archaic versions of themselves so that the character can swear without technically swearing. Frequently this is done simply by sticking '-ington' on the end of an existing word (e.g. 'arsington', 'turdington') but there's also 'bolingbrokes', invariably used to mean 'bollocks', and 'futtock', which is always used in the place of 'fuck'.
40	* DawsonCasting: Invoked in-universe, as Burbage and Condell insist on playing Romeo and Juliet despite being middle-aged men. [[spoiler:Ultimately averted in this case, though, as Will manages to convince them that Prince Escalus and the Nurse are the real stars of the show.]]
41	* DeliberateValuesDissonance:
42	** Much humor is derived from the characters discussing [=21st=] century social mores and declaring that such ludicrous concepts will never happen.
43	** When discussing his "Jew play" with Kate, Will happily engages in denigrating the religion and its followers (since it's popular with the people and guarantees a box office success) while Kate tries to convince him that it's wrong to do so.
44	--->'''Will''': Nothing like whipping up violent prejudice against small defenseless ethnic groups to get bums on seats!
45	*** [[spoiler: He ends up giving the play to Creator/ChristopherMarlowe to pass off as his own. It turns out it was ''Theatre/TheJewOfMalta''.]]
46	** One of the more sincere explorations of this is when Will writes ''Theatre/TheTamingOfTheShrew'' to the disgust of most of the women in his life. Kate is utterly disgusted by the infamous final monologue. Will himself seems to recognize the play's faults when [[ParodyRetcon he suddenly claims that he was being ironic.]] Kate and many of the women act as AudienceSurrogate in emphasizing that Shakespeare's play is FairForItsDay especially compared to other works. Anne also remarks that it's not too offensive as she regarded it as a farce.
47	* DownerEnding: “Go On, and I Will Follow" (and by extension series 3 as a whole) ends with Will [[spoiler:failing to win in any of the categories at the award ceremony he attends]] and then arriving home only to find out that [[spoiler:his son has died of plague, the remaining moments of the episode play out in a sombre tone with Will admitting that he has lost his faith in God and the customary fireside comedic exchange between Shakespeare and his wife being replaced by a mournful voiceover monologue about grief.]]
48	* DropInCharacter: [[Creator/ChristopherMarlowe Kit Marlowe]], introduced in the series by strolling into Will's London lodgings with a "Morning, all! Let myself in! Kind of go where I please, it's just easier!"
49	* EatTheEvidence: In "The Play's the Thing", Shakespeare and Bottom, fearing James VI of Scotland is about to ascend the English throne, hurriedly eat the manuscript of Shakespeare stridently anti-Stuart play.
50	* EskimosArentReal: In "The Most Unkindest Cut of All", Burbage expresses the belief that hermaphrodites are a myth.
51	* FakeTwinGambit: In "Go On, and I Will Follow", Kit Marlowe (who has faked his death) poses as his 'twin brother' Kurt so he can attend the London Theatre Awards and collect his posthumous award.
52	* FanService: maybe not deliberate, but admirers of a more mature woman certainly are rewarded by the Creator/LizaTarbuck's costume empasises her cleavage.
53	* {{Foreshadowing}}: Series 3 includes a fair amount leading up to [[spoiler:the death of Will's son Hamnet]], bordering on DramaticIrony for watchers who're familiar with the history.
54	* FunnyBackgroundEvent: In the first Christmas special, Greene gives Kate a painting set which she immediately declares she will use as all girls use, to make a self-portrait. Later in the scene she can be seen in the background painting her own reflection while doing the selfie face in a mirror.
55	* GermansLoveDavidHasselhoff: Used in-universe, Will Kemp is big in Italy.
56	* TheGhost: Queen UsefulNotes/ElizabethI is mentioned constantly (often by her sobriquet 'Gloriana') and has a large indirect influence on the plot but has yet to appear onscreen. She finally appears in the Christmas special, played by Creator/EmmaThompson. (And is involved in a subplot taken from ''Film/LoveActually''.)
57	* GladIThoughtOfIt: Will gets more and more unashamed about this as the series goes on; whenever someone comes up with a good idea for his plays he'll immediately claim that he was ''just'' about to say that very same thing. By the third series he's at the point where he'll ask for details of what he was about to say while at the same time praising his own brilliance.
58	* HistoricalDomainCharacter: Many of the characters are based on actual historical figures and Ben Elton achieves a much deeper vein of humour by playing with [[GeniusBonus how historians speculate the characters' real-life counterparts would have interacted]].
59	* HistoricalInJoke: From Will complaining how posh, rich university students get all the top jobs after [[UsefulNotes/DavidCameron putting their genitals in dead animals]], to Shakespeare and Burbage in a trailer -- Will suggests they could interrupt the plays, and perform short sketches to say what shows are coming up, but Burbage rejects the idea, because the audience would never put up with it. The popular conspiracy that Christopher Marlowe actually wrote the plays of Shakespeare is also spoofed by being inverted; in this show, it's actually ''Shakespeare'' who writes the plays of ''Marlowe''.
60	* HistoricalVillainUpgrade: PlayedForLaughs in the case of Christopher Marlowe, who's portrayed as a talentless hack who leeches off of Shakespeare and passes off his plays as his own in a parody of the RealLife conspiracy theory that Shakespeare did the same with him.
61	** Played (mostly) straight in the case of Robert Greene, who's upgraded to become Shakespeare's SitcomArchNemesis and so has an obsessive vendetta against him which involves going out of his way to shut down his plays, trying to get him arrested and even executed on multiple occasions, and [[spoiler:plotting to kill Christopher Marlowe in order to sow the seeds of the theory that he wrote Shakespeare's plays.]] In reality Greene only published the one criticism of Shakespeare which coined the title phrase and didn't even live to see it published, so the personal animosity is to say the least exaggerated. He's also shown as being much more talentless and unsuccessful than he really was.
62	* HoistByHisOwnPetard: Will quotes this trope after Susanna reads his sonnets, with their references to his "dark lady", to Anne and sends Anne into a frenzy.
63	-->'''Will''': Why did I teach that girl to read? Hoist am I by my own socially enlightened petard!
64	** Will references this trope again in 'Green-Eyed Monster' after falling for Robert Greene's ploy. Appropriately enough, given that the TropeNamer is a line from ''Theatre/{{Hamlet}}''.
65	* HolidayVolunteering: In the Christmas special the Shakespeare family and friends seek to save the Scrooge-like Robert Greene's soul in an effort to impart a bit of their love on the needy (while also convincing the actors it's for charity). They do this by re-creating [[YetAnotherChristmasCarol A Christmas Carol]] via a series of convoluted plays each night to convince him to mend his ways.
66	** Also more traditionally Kate is seen collecting alms for the poor from Robert Greene at the start of the episode.
67	* ItWillNeverCatchOn:
68	** Many jokes involve the characters discussing topics that would seem mundane to the TV audience and declaring that nothing of the sort will ever happen.
69	** Subverted at the end of the YetAnotherChristmasCarol shenanigans in the second Christmas episode; Will notes that he's decided not to write up the events partly because it's not really his kind of story, but also because he hopes that in the future [[Creator/CharlesDickens another writer]] might have something similar happen to him and write it down for themselves: "Let that future writer have it, from me, as a Christmas gift."
70	* JerkWithAHeartOfGold:
71	** Will is insensitive, selfish, self-important and all too ready to steal other people's ideas and claim them as his own. And yet, he's probably the kindest person in the series; for all his flaws he's genuinely decent, generous and forgiving to a fault -- to the point where it's all too easy for others to take advantage of his good nature.
72	** Kit Marlowe is a dashing scoundrel, a shameless womaniser who is happy to abuse his friendship with Will to get his name on plays he had not written a word of. However, he's always in a good mood, and when it comes to Will being in genuinely ruinous situations he's happy to step in, even at the risk of his own reputation.
73	* LargeHam: Robert Greene, particularly in episode 3, ''The Apparel Proclaims the Man''.
74	* MamaBear: Referenced by name in the third series; Anne Hathaway calls herself this.
75	* MarriageOfConvenience: In "The Most Unkindest Cut of All", Kate hatches a plan to marry a hermaphrodite who is legally a man but who will have no interest in her sexually, for being a married woman will mean that she is legally allowed to own property.
76	* MockMillionaire: In "The Green-Eyed Monster", Will attempts to suck up to the wealthy African prince Otello as a means of climbing the social ladder. However, Otello turns out to be a ConMan from Bristol attempting to land himself a wealthy wife.
77	* MoodWhiplash: Every once in a while, the show will swing hard from comedy to straight drama, with Shakespeare's texts being used for their original pathos rather than ironic humor.
78	* NoCelebritiesWereHarmed:
79	** Will Kemp is a clear parody of Creator/RickyGervais, especially Gervais's portrayal of [[Series/TheOfficeUK David Brent]] and Gervais's outspoken dislike of the traditional multi-cam SitCom.
80	** Wolf Hall is a clear parody of Mark Rylance and his performance in the series ''Series/WolfHall''. The series parodies Rylance Anti-Stratfordian beliefs with Greene convincing Hall that Shakespeare didn't write his plays. Privately Greene remarks that "Just because an actor can look intelligent, and act intelligent does not mean he IS intelligent!"
81	* NotEvenBotheringWithTheAccent: When Kenneth Branagh in the Christmas special plays Will's non-supernatural neighbour on the coach, he uses the Northern Irish accent that he grew up with.
82	* OddCouple: Confident, charismatic, unquenchably cheerful, outgoing Kit Marlowe is best friends with anxious, irritable, self-absorbed worry-wart Will Shakespeare.
83	* OOCIsSeriousBusiness:
84	** Susanna is a BrattyTeenageDaughter and DramaQueen. However, when she realizes her father considers her a shrew and believes no one will marry her if she isn't "tamed," her following rant makes it clear this isn't just her being too sensitive; she's genuinely ''hurt''. Will then realizes he went too far and seeks to make it up to her.
85	** Episodes end with Will and Anne sitting by the fire, or in bed, talking about what's happened in that episode. In the season 3 finale, [[spoiler: following Hamnet's death]], they say nothing at all.
86	* OrAreYouJustHappyToSeeMe: In "If You Prick Me, Do I Not Bleed?", Kit says that a woman accused him of hiding a baguette in his tights, but it was a misunderstanding and he was just glad to see her.
87	* PeriodPieceModernLanguage: The Shakespearean characters alternate between using flowery Shakespearean English and modern English phrases, purely for RuleOfFunny.
88	* RageAgainstTheHeavens: Narrowly averted - Will seems on the verge of this at the end of series 3 [[spoiler: after Hamnet's death, but forces himself to stop in order to comfort Anne.]]
89	* RippedFromTheHeadlines: The 2020 Christmas special is nominally about the plague in 1603, but only as the analogy for the Coronavirus pandemic. For example, when Kate goes to the window to bang a cooking pot in tribute to the "corpse collectors", and Will comments that everyone used to do that enthusiastically but now it feels a bit forced, this is a reference to the way some people in the UK during the lockdown would clap at their open windows every evening at 8pm, as a thank-you to NHS workers, until they stopped bothering to.
90	* RunningGag:
91	** Whenever Kate starts making noise about wanting to be an actor, other characters will look at her chest and ask her how she would fit coconuts into her costumes.
92	** Will tries to claim ownership of many popular quotes and sayings, only for Kate to pipe up and say the quotes' and sayings' origins are much older.
93	** Will's terrible experiences on the carriage rides to his home.
94	** Events in Will's life being events that resemble events in a play that he's working on, where he's got stuck with the plot but has failed to spot that life is offering him a solution until he says it out loud.
95	--->'''Will''': ...Hang on. Hang the ''futtock'' on!
96	** Will consoling himself for people finding his work boring or difficult by telling himself that people in the future will think it's great.
97	* RushedInvertedReading: In "The Most Unkindest Cut of All", Kit attempts to impress Kate with his sensitivity by pointing out that he is reading poetry. She points out that the book is upside down.
98	* SayingTooMuch: The Contessa in "I Did Adore a Twinkling Star" gives herself away when, caught up in passion for Marlowe's partner, calls to bring priests and incense for the double wedding. As these are the trappings of a Catholic wedding, Kate quickly realized she's lying about being Protestant and is a Catholic spy.
99	* SelfDeprecation: The Thomas Morley episode has a lot of fun mocking musical theatre in general and jukebox musicals in particular. The show's writer Ben Elton wrote the book for one of the most commercially successful and critically despised jukebox musicals of all time, ''Theatre/WeWillRockYou''.
100	* {{Sequelitis}}: [[invoked]] Will churns out play after play about various kings named Henry and Richard and other characters express their boredom at the limited subject matter.
101	* SesquipedalianLoquaciousness: Although the characters usually speak in a modern vernacular, Shakespeare and Robert Greene frequently launch into extended sections of flowery speech. Most of the other characters find this habit to be odd and pretentious. Will especially will launch into long and complicated similes and metaphors, only for the other characters to say "Why don't you just say [noun]".
102	-->'''Will''': Now shut, thee, that which eateth food but grows not fat, speaketh words but be not wise, and burpeth loud but makes not gas!\
103	'''Bottom''': Bloody hell, master! Just say "mouth"! People aren't impressed, y'know.
104	* ShoutOut:
105	** Upon arriving back in Stratford, Will takes a dig each time at the English Transport system, very much in the style of [[Series/TheFallAndRiseOfReginaldPerrin Reggie Perrin]].
106	** To ''Series/BlackadderII'' with the casting of [[spoiler: Gabrielle Glaister as Judge Robert Roberts AKA Bob]].
107	*** Also another one in the season 3 finale, when Will references "the Bishop of Bath and Wells", a one-shot villain from the series, during one of his diatribes about transport.
108	** The plot with Anne's gift in the Christmas special, where she discovers a gold necklace in a box and ''actually'' gets poetry in an identically-shaped one, is a nod to ''Film/LoveActually''. The "other woman" ends up being played by Creator/EmmaThompson.
109	* SignatureMove: Whenever Robert Greene exits any room that Will is in, he almost invariably does so backwards.
110	* SitcomArchNemesis: Shakespeare and Robert Greene don't get along.
111	* SmallNameBigEgo: Invoked with Will and played with. While he's a highly intelligent man and a legitimately great storyteller, nobody else in the show believes that his grandiose opinion of himself (i.e. that he's the greatest poet who ever lived) is justified. However, he ''is'' William freakin' Shakespeare, so…
112	* SmugSnake: Robert Greene, very much. To a ''slightly'' lesser extent, Will Kemp, who never tires of reminding people that he's won awards and trained in Italy.
113	* SweetPollyOliver: In Series One, Kate makes a bet with Will where if she can go out dressed as a boy and fool the theatre company, she gets to play Juliet in ''Romeo and Juliet''. She gets discovered very quickly [[spoiler: but does a better job pretending to be Will's lawyer when he's put on trial at the end of that episode]]. She does it again in Series Two, doing a better job of pretending to be a boy pretending to be a girl and, later, [[spoiler: playing Romeo in the premiere performance of ''Romeo and Juliet'']].
114	* TakeThat: Also AuthorTract; Elton ridicules many 21st century British attitudes, and his left wing politics are often on show. He's not been very kind to Brexit supporters especially.
115	** Marlowe's claim that he's actually a spy for Lord Walsingham is a clear reference to modern historical novels' obsession with making every character in the Elizabethan era a spy for the state, and Marlowe in particular. [[note]]In Marlowe's case this may actually have been TruthInTelevision, but the evidence isn't absolutely conclusive.[[/note]]
116	* TheThingThatWouldNotLeave: In Series 3, Kit takes residence in Will's London lodgings and spends all day eating and drinking.
117	* TimeSkip: Series 3 having ended in Christmas 1596 (with Will still grieving for his son Hamnet), the next installment is set at Christmas 1603, with the deaths of Will's father John[note]]1601[[/note]] and Elizabeth I[[note]]Earlier that year, but with old style dates it was New Year's Eve 1602[[/note]] mentioned in dialogue.
118	* TitleDrop: For the first two episodes the title of the show is a GeniusBonus, referring to ''Greene's Groat's-Worth of Wit'' in which he referred to Shakespeare as an Upstart Crow. In episode 3 Greene publishes the Groats-Worth of Wit, and drops both the historical reference and the title and subsequently uses "Upstart Crow" and variations as an epithet when speaking about Shakespeare.
119	* TruthInTelevision: Emilia Lanier, Will's "Dark Lady", is depicted as an astute critic of poetry. The real Emilia Lanier was the first woman in English literature to present herself as a professional poet: she published her collection ''Salve Deus Rex Judaeorum'' in 1611. Her work still shows up in anthologies.
120	* VerbalTic: Lucy, the pub landlady and former African slave, will loudly say "Ah Ah Eh Eh" to signal that she disagrees with something another character said before she goes on to explain her own opinion.
121	* WithFriendsLikeThese: At first, Kit Marlowe seems this to Will, taking advantage of his good nature to an extreme degree. However, he is a GracefulLoser, and as the series goes on he gets many more moment where he acts as a genuine friend, helping Will out of a few tight spots.
122	* WhamEpisode: Series 3 finale, "Go On and I Will Follow". After attending an awards ceremony Will returns to Stratford with his yet another comical litany of complaints about public transport. Only when he's finished do his ashen-faced family get a chance to tell him that [[spoiler:his 11-year-old son Hamnet has died of plague (TruthInTelevision)]].
123	* WhamLine: Kit has taken John, Will's father out drinking for the night, to get him out the way during one of Greene's plots, and pretended to be great mates with him. The next morning, John comes down thinking he and Kit are real friends. Kit gives the 'I know thee not old man' speech from Henry IV part 2, making it clear exactly what he thinks of John, absolutely crushing him. Tim Downie, who plays Kit, absolutely nails the speech, and all of a sudden the comedy is punctured, with John visibly destroyed in front of his whole family.
124	** In the season 3 finale:
125	--->'''Susanna''': Dad...[[spoiler: Hamnet's dead.]]
126	* WholePlotReference: Many episodes' plots parallel those of Will's plays except, InUniverse, he hasn't conceived of those plays yet. Will has to be practically bashed upside the head to take inspiration from his adventures and almost invariably tries to turn a tragedy into a comedy and a comedy into a tragedy.
127	** "Star-Crossed Lovers" is about Will's attempts to write a [[Theatre/RomeoAndJuliet teenage love story]] but struggling with the male love interest. An [[UpperClassTwit annoying houseguest]] provides unexpected inspiration.
128	** "What Bloody Man is This?" is more or less ''Theatre/MacBeth'' in a domestic setting. Will even recites a monologue similar to "Is this a dagger I see before me?", albeit about a milk jug in Will's case.
129	** "The Quality of Mercy" has Will and Greene's rivalry takes a high-stakes turn, similar to how the characters of ''Theatre/TheMerchantOfVenice'' come into conflict.
130	** Brilliantly done in the season 3 finale "Go On and I Will Follow", where everyone thinks that Will's new play ''Theatre/{{Hamlet}}'' is a hilarious comedy about a useless college student who can't get his act together, because Will clearly hasn't brought the tragedy into it yet. [[spoiler: By the end of the episode, Hamnet has died and the implication is that Will's grief will turn the play into what it eventually became.]]
131	* WriterOnBoard: The show takes some not-so-subtle digs at modern British society that Ben Elton and David Mitchell aren't particularly fond of. The current state of British railway is a favorite target, as is the British class system.
132	* WrongGenreSavvy: Will has a tendency to think that life follows the same rules as one of his plays. This trait becomes more prominent in him when he gains more success in the second season, and several episodes has him trying to deal with real-life situations by employing tactics and plans from his plays. Their success rate is not, to say the least, great.
133	** Indeed, it backfires horribly in "Beware My Sting!", where Will, inspired by his own ''Taming of the Shrew'', tries out Petruchio's "taming" tactics on his own daughter Susanna by trying to get her to agree to obviously untrue things, which he does against the advice of Anne, who's already pointed out that what works in a play doesn't necessarily work in real life. Will does it anyway and Sue grumpily humours him but insists that he's just being annoying. When he finally loses his temper with her and tries to act the lord and master, she epically tells him off because she always thought that he respected her. Will is deeply shaken.
134	* YetAnotherChristmasCarol: The second Christmas special, for once a WholePlotReference to Creator/CharlesDickens rather than Shakespeare. While journeying home from London, Will meets (or dreams that he meets) a stranger who tells him the story. Inspired by the tale's message of redemption, and hoping to get his family to focus on something other than [[spoiler:Hamnet's death]] he resolves to make this Christmas a time for good deeds and spreading love. Together with his family, friends and acting troupe, he stages a version of the story for Robert Greene in the hopes of redeeming him. [[spoiler: Greene sees through the ruse, but just as he's about to call everyone's bluff, the stranger who told the tale appears to him, revealing himself to be the ''actual'' Ghost of Christmas Yet To Come and showing Greene true visions.]] In the end, Will decides not to write the story down.

Context Series / UpstartCrow