Line #9 Music/JohannSebastianBach


1	[[quoteright:310:https://static.tvtropes.org/pmwiki/pub/images/johann_sebastian_bach.jpg]]
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3	->''"The aim and final end of all music should be none other than the glory of God and the refreshment of the soul."''
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5	German composer and virtuoso organist (21 March 1685 – 28 July 1750) whose works represent the culmination of the BaroqueMusic era and whose death is generally considered to mark the point of transition into the Classical era. Bach, [[Music/WolfgangAmadeusMozart Mozart]], and [[Music/LudwigVanBeethoven Beethoven]] are generally seen as the three leading contenders for "Most Sublime Music in Western History," and not without reason.
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7	Bach was the best-known member of an extended family of musicians. It was often said of he, his wife, and his children that they could form an orchestra by themselves. Between his first and second wives, he fathered ''[[MassiveNumberedSiblings twenty children]]''.[[note]]Seven with his first wife Maria Barbara; after her death he remarried and had another thirteen with Anna Magdalena. Sadly, only nine of them survived to adulthood[[/note]] Four of Bach's sons – Wilhelm Friedemann, Carl Philipp Emanuel, Johann Christoph Friedrich, and Johann Christian – grew up to become notable composers in their own right. In Bach's [[https://en.wikipedia.org/wiki/Bach_family full family tree]] there were over fifty professional musicians, thereby making it at least a family business if not an outright dynasty. (Then there's Music/PDQBach, who... [[{{Parody}} doesn't really count]].)
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9	Though today he is considered [[SincerestFormOfFlattery one of the most influential composers]] in history, in his lifetime Bach was better known as an organist than a composer; particularly towards the end of his career, his work was deemed outdated by his contemporaries. He did maintain CultClassic status among professional composers, who studied his work for its technique – including such admirers as Music/WolfgangAmadeusMozart and Music/LudwigVanBeethoven – but among the musical public he was generally not seen as one of the great composers until his works were re-popularized by Music/FelixMendelssohn in the early 1800s. Since then he has been VindicatedByHistory as one of the greatest musical artists of human history. Perhaps no better evidence of that can be found than the inclusion of three of Bach's pieces on the UsefulNotes/{{Voyager Golden Record}}s on both deep space probes, ''Voyager 1'' and ''2'', which are intended to be an introduction to Earth culture for any intelligent alien civilization that can figure out how to play them.
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11	Noted in particular for his masterful use of contrapuntal technique, Bach's oeuvre consists of well over a thousand works. Some of the more well-known ones are:
12	* Music/ToccataAndFugueInDMinor, BWV 565,[[note]]"BWV" stands for '''B'''ach-'''W'''erke-'''V'''erzeichnis, the standard catalogue of Bach's complete works.[[/note]] the opening of which has become a StandardSnippet for OminousPipeOrgan moments. [[https://www.youtube.com/watch?v=_FXoyr_FyFw Here]]'s the whole thing played on the most awesome pipe organ in Australia.[[note]]However, there has been some debate as to whether he wrote the piece at all; it has a number of stylistic anachronisms that suggest it may have been written after 1750. Another school of thought holds that it may have been originally written for violin (possibly by Bach but likely by another unknown composer), and then transcribed to organ by Bach.[[/note]]
13	* ''The Well-Tempered Clavier'', BWV 846–893, two sets of twenty-four preludes and fugues, a prelude and fugue in every key in each set. The very first prelude, in C major, is [[https://www.youtube.com/watch?v=0KQW2YnCUrE something you might recognize]]. [[note]]A couple hundred years later, French composer Charles Gounod wrote a countermelody to it with the text "Ave Maria"; this became very famous as well and sometimes gets incorrectly attributed to Bach himself.[[/note]]
14	* The Mass in B minor, BWV 232, and the ''St. Matthew Passion'', BWV 244, two breathtaking works that are cornerstones of Western sacred choral music.
15	* The ''Christmas Oratorio'', BWV 248, among the most played orchestral pieces for that season.
16	* The six Brandenburg Concertos, BWV 1046–1051, used widely in period dramas and various other works. The second, with its high, treacherous trumpet part (played in Bach's day [[https://www.youtube.com/watch?v=CEJ-xcblCMo on a valveless instrument]], no less) is the first piece of Earth music aliens will hear should they manage to acquire and decipher one of the [[http://en.wikipedia.org/wiki/Voyager_golden_record Voyager golden records]]. Some suggested having ''only'' Bach on the record; Creator/CarlSagan said "that would just be showing off".
17	* "Air on the G String", the colloquial title given to the 2nd movement of Bach's Orchestral Suite No. 3 in D major, BWV 1068.[[note]]The nickname comes from a [[CoveredUp particularly famous arrangement]][[invoked]] by August Wilhelmj, which transposes the melody down a ninth so that it can be played entirely on a violin's lowest string, which is tuned to G.[[/note]] Even if you don't follow classical music, and don't know Bach from Bono, it's a certainty you've heard it many times as background music in movies, TV shows, and commercials. A strong contender for "Most Sublimely Beautiful 5 Minutes of Music Ever Composed."
18	* The Six Suites for Unaccompanied Cello, BWV 1007–1012, are some of the most widely known cello pieces ever. The [[https://youtu.be/mGQLXRTl3Z0?t=9 prelude to the first suite]] is the best known from them. Pretty good considering there isn't even an original copy.
19	* "Jesu, Joy of Man's Desiring", a melody used for two movements of the cantata ''Herz und Mund und Tat und Leben'', BWV 147, and probably Bach's most well-known cantata-based piece of music.[[note]] That said, Bach did not write the words that are usually sung to the tune in English; they are a rough translation of the first verse of the hymn "Jesu, meine Seelen Wonne" by early 20th-century English poet Robert Bridges.[[/note]]
20	* ''Music/SchweigtStillePlaudertNicht'', BWV 211, also known as the "[[MustHaveCaffeine Coffee Cantata]]", a {{satire}} of the then-{{moral\|Guardians}} debate over coffee consumption.
21	* "Sheep May Safely Graze", the ninth movement of ''Music/WasMirBehagtIstNurDieMuntreJagd'', BWV 208, a.k.a. the "Hunting Cantata", which is often used at weddings alongside LohengrinAndMendelssohn.
22	* ''Pieces From the Little Notebook'' is a book of piano (originally harpsichord) pieces, written for his second wife Anna Magdalena. They are some of the more popular works used to introduce piano students to [[AllLowercaseLetters classical (not Classical)]] music as a whole, due to their relative simplicity. (Like the Toccata and Fugue, the attribution of many of them to Bach is dubious.)
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24	In addition, Bach's church gig at Leipzig's ''Thomaskirche'' required him to perform a sacred cantata on every Sunday and feast day of the Lutheran calendar. He composed at least three complete yearly cycles of cantatas -- over 300 works (1/3 of which, alas, are lost). The variety of form and style, mastery of polyphonic vocal writing, and breadth of instrumental tone color found in these works were unrivaled by his contemporaries.
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26	Despite Bach's virtuosity and deep spirituality, he was also refreshingly human. He was once rebuked for stretching a brief leave of absence into several ''months'' without apology or explanation. He often battled his employers over the duties and responsibilities of his position. As said above, he also wrote a cantata about a man's concern over his daughter's [[MustHaveCaffeine consumption of coffee]] (he was for it, by the way). Then there is the wonderful story of Bach drawing his sword in an altercation with an instrumentalist that he had insulted, calling him a "nanny-goat bassoonist."
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28	Interestingly, Bach shares not only a year of birth with Music/GeorgeFredericHandel (who was born a mere 37 days before Bach in a town just under 200km away by road--130 as the crow flies), but also a possible cause of death: they were both unsuccessfully operated on by the same eye surgeon -- an "oculist" called the Chevalier John Taylor, often referred to as "the poster child for 18th century medical quackery." (Taylor may also have reduced the quality of life of the English historian Edward Gibbon, author of the famous ''The History of the Decline and Fall of the Roman Empire''.) Both Bach and Handel are honoured (with 17th-century English composer Henry Purcell) on July 28 (the day of Bach's death) in the [[UsefulNotes/PatronSaints calendar of saints]] used by most Anglican and Lutheran churches, as composers of sublime Protestant sacred music.
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30	!!Tropes present in Bach's works:
31	* AuthorAppeal:
32	** Bach's devout Lutheran faith clearly inspires his cantatas, chorales, and service music. He was also a master of counterpoint, which can be found in virtually all of his compositions even though it was falling out of fashion in his day for the more spare Early Classical style. And [[MustHaveCaffeine his fondness for drinking coffee]] inspired the humorous "Coffee Cantata," ''Music/SchweigtStillePlaudertNicht''.
33	** According to his son C.P.E. Bach and his biographer Johann Nikolaus Forkel, Bach had a special love for the viola and strongly preferred playing the viola in chamber music. This is quite evident in his music as the viola parts in much of his music are almost equally as important as the violin parts, which was quite odd during the baroque period as the viola usually played backup harmonies to the violin or kept the beat with the bass part. Additionally, Bach lets the viola shine forth in a solo aspect, which was virtually unheard of during the Baroque period. His sixth Brandenburg Concerto completely does away with the violin parts, instead using two violas as the soloists, two arias from two separate cantatas ("Ergieße dich reichlich, du göttliche Quelle" from ''Wo soll ich fliehen hin'' (BWV 5) and "Ich, dein betrübtes Kind" from ''Mein Herze schwimmt im Blut'' (BWV 199)) have a solo viola accompany the vocalist, and finally, ''Gleichwie der Regen und Schnee vom Himmel fällt'' (BWV 18) in its original score has the string section composed solely of four separate viola parts.
34	* BaroqueMusic: One of the most famous composers of this era; his pieces are often seen as archetypal Baroque music. Some people claim the genre died out with him, too, though Music/GeorgeFredericHandel outlived Bach by nine years and can be more correctly considered the last such composer.
35	* {{Cantata}}: Composed a lot of them.
36	* ChristmasSongs: The ''Christmas Oratorio'' and several cantatas intended for Christmas Day; "Jesu, Joy of Man's Desiring" is sometimes used like this.
37	%%* DawnOfAnEra: 1685, the year Bach was born, is widely held to be the year when tonality in music (as we know it today) found its footing, thanks to Arcangelo Corelli.
38	%%* EndOfAnEra: 1750, the year Bach died, is widely held to be the year when the Baroque period in music history ended and the Classical period began.
39	* GodIsLoveSongs: Being a devout Lutheran who was mostly employed by churches, he wrote a lot of religious pieces for church performance, among them the ''Music/JohannesPassion'', ''Matthäus Passion'', the Mass in B Minor and, most spectacularly, over 300 sacred cantatas, of which about 200 survive. These include many of his most famous pieces, such as "Jesu Bleibet Meine Freude" (given English words as "Jesu, Joy of Man's Desiring"), which is a chorale from cantata BWV 147 ''Herz und Mund und Tat und Leben''. This trope is averted inasmuch as Bach's cantatas aren't ''disguised'' as secular works; they're completely up-front about their religious content -- sample titles (translated) include ''Christ lay in Death's bonds'', ''God's time is the best time of all'' and ''Praise the Lord, the mighty king of honour''. But then again, they're very often performed in secular concert halls where you wouldn't expect much religious content.
40	* HolyPipeOrgan: Bach composed extensively for organ, and many of his pieces (i.e. the chorales) had Christian themes and were intended to be played during worship.
41	* LastNoteNightmare:
42	** The "Great" Fugue in G minor (BWV 542) is quite soft and quiet for its first half. In the second half, the piece shifts toward being slightly more upbeat and louder, but still not too loud. Then at the very end, the piece shifts toward being loud and angry for a few seconds, contrasting with the light and soft qualities of the rest of the piece.
43	** Quite a few of Bach's organ fugues end this way. Apparently, Bach ''loved'' using the Picardy third.
44	** Perhaps Bach's most jarring example comes from the deceptively peaceful Adagio in C Major (BWV 564). Not only is the Adagio not actually positive-sounding, as its name would suggest, it has a short but incredibly aggressive ending portion that can only be described as OminousPipeOrgan taken up to eleven. And, of course, the last chord is a Picardy Third. [[https://www.youtube.com/watch?v=YRV_vFrWq-o Listen here.]]
45	* MundaneMadeAwesome: ''The Art of Fugue'' is literally this trope, taking a simple subject and crafting fourteen fugues and four canons from it, in increasing complexity, to show the contrapuntal possibilities that could arise from a single theme.
46	* MustHaveCaffeine: ''Music/SchweigtStillePlaudertNicht'', BWV 211, A.K.A. the "Coffee Cantata" is the UrExample, where the entire plot is driven by coffee.
47	* NonIndicativeName: Unlike every other prelude in the collection of preludes and fugues known as ''The Well-Tempered Clavier'', the Prelude in E-flat major (BWV 852) from Book 1 is actually a fugue in itself.
48	* OminousPipeOrgan: His Toccata and Fugue in D minor has become a cliché of Halloween music, when played on a organ.
49	* PassionPlay: The ''St. Matthew Passion,'' of course, and also a lesser-known Passion from John's gospel.
50	* ProgressiveInstrumentation: A notable characteristic of Fugues and Inventions is voices that enter one at a time, copying the melody of the instruments that played earlier. This could be done with multiple instruments, or (if your organ skills are up to the task) adding multiple voices on the ''same'' instrument.
51	* RealMenLoveJesus: Bach was a devout Lutheran who wrote a ton of Protestant church music, including at least 200 cantatas, 6 motets, 4 passions, 2 oratorios, and hundreds of sacred organ works. He also wrote a mass, several mass movements, and a magnificat which could be performed in Catholic services.
52	* SincerestFormOfFlattery: Bach's fugues and chorales are still required studying in most music conservatories to this day. Most freshman music theory classes heavily reference the chorales, and Eighteenth-Century Counterpoint classes use Bach's contrapuntal works as their model.
53	* SignatureStyle: The [[https://en.wikipedia.org/wiki/Fugue fugue]]. Not everything he wrote was in fugue form, but he clearly loved them; his last, great, unfinished work is a collection of them, all originating with variations on the same basic theme, called ''The Art of Fugue''.
54	* StrictlyFormula: Necessary, but subverted: he had to compose a new church cantata just about every week for three years, but within the cantata form they vary enormously in mood and tone, and Bach scholars tend to consider his cantatas to be the foundation of his achievement.
55	* SweetSheep: ''Sheep May Safely Graze'' is a soprano aria written in 1713 which is about a flock of sheep eating peacefully at a pasture with a shepherd watching on.
56	* ThereIsNoRuleSix: "Brandenburg Concerto No.3" has only first and third movements -- no second movement (apart from a two-chord cadence -- though the third movement is sometimes wrongly called the "second", even though it's definitely in the style of a third movement rather than a second).
57	* TropeCodifier: He didn't invent the fugue, but he sure did codify it (see SignatureStyle, above). Given that he could improvise three-part fugues on request, this is not surprising. Some musicologists argue that his music goes some way towards codifying Western harmonic music in general.
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Context Music / JohannSebastianBach