Line #10 Music/TheMiracle


1	[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/the_miracle_album.jpg]]
2	[[caption-width-right:350:''I want it ALL and I want it NOW!''.]]
3
4	''The Miracle'' is the thirteenth studio album by British GlamRock band Music/{{Queen\|Band}}, released in 1989 through Creator/ParlophoneRecords in the UK and Creator/CapitolRecords in the US. It returns to the HardRock sound of the band's early material while simultaneously blending it with the synth-driven style of their later output.
5
6	Despite its cheery sound, however, it was recorded during a turbulent period full of personal crisis. Namely, guitarist Brian May was recovering from tensions in his marital life, and more significantly, vocalist Freddie Mercury was diagnosed with AIDS the year after their world tour for ''Music/AKindOfMagic'', with the visible effects of the disease (most notably Mercury's significant weight loss) leading to widespread and unfortunately correct media speculation that he was seriously ill; a good number of outlets even correctly guessed that he had AIDS. Thus, alongside ''Music/{{Innuendo}}'' and ''Music/MadeInHeaven'' after it, ''The Miracle'' represents a sense of approaching finality for Queen, as the band were forced to confront Freddie's mortality in a time when an AIDS diagnosis was regarded as a death sentence. Indeed, Mercury would die at the end of 1991, months after the release of ''Innuendo'', only confirming his battle the day before his death; before then, he tried to brush off speculation by claiming that he was simply exhausted from over a decade and a half of energetic performing.
7
8	As per usual for Queen, ''The Miracle'' was a considerable commercial success for the band, topping the charts in the UK, Austria, the Netherlands, Germany, and Switzerland, and peaking at No. 24 on the Billboard 200. The album would go on to become the 14th best-selling album of 1989 in the UK, and would be certified platinum in the UK, Germany, the Netherlands, Poland, Spain, and Switzerland, and gold in Australia, Austria, Finland, France, and New Zealand.
9
10	Starting on this album and continuing on [[Music/{{Innuendo}} the next]], all songs are credited to the band Queen as a whole rather than to individual members. ''The Miracle'' was supported by five singles: "I Want It All", "Breakthru", "The Invisible Man", "Scandal", and "The Miracle".
11
12	----
13	!! Tracklist:
14
15	[[AC:Side One]]
16
17	# "Party" (2:24)
18	# "Khashoggi's Ship" (2:47)
19	# "The Miracle" (2:47)
20	# "I Want It All" (4:41)
21	# "The Invisible Man" (3:55)
22
23	[[AC:Side Two]]
24
25	# "Breakthru" (4:07)
26	# "Rain Must Fall" (4:20)
27	# "Scandal" (4:42)
28	# "My Baby Does Me" (3:22)
29	# "Was It All Worth It?" (5:45)
30
31	[[AC:Bonus tracks on the original CD release]]
32	# "Hang On In There" (3:46)
33	# "Chinese Torture" (1:46)
34	# "The Invisible Man (12 Inch Version)" (5:29)
35
36	----
37	!!Principal Members:
38
39	* John Deacon - bass, guitar, keyboard
40	* Music/BrianMay - guitar, backing and co-lead vocals, keyboard
41	* Music/FreddieMercury - lead vocals, piano, keyboard, synthesizer
42	* Roger Taylor - drums, backing and lead vocals, guitar, keyboard
43
44	----
45	!! Every little trope that's written... it's a miracle!
46
47	* AlbumTitleDrop: As expected from a TitleTrack with a TitleDrop, this occurs frequently throughout "The Miracle"
48	--> ''It's the miracle we need, the miracle''\
49	'''''The miracle''''' ''we're all waiting for today''
50	* AsTheGoodBookSays: "The Miracle" name-drops Cain and Abel and the Tower Of Babel.
51	* BadassBoast:
52	** "Khashoggi's Ship" features Freddie telling a gun-toting bouncer to "kiss my ass, honey" at a party.
53	** "The Invisible Man" repeatedly boasts about how he is uncatchable and undetectable.
54	* BritsLoveTea: Of course, a Brit would think that "Sunday mornings with a cup of tea" would be a miracle in the title track.
55	* ChangedForTheVideo: The single version of "I Want It All", used as the basis for the song's music video, cuts out the guitar intro-- opting to instead open with an ''a Capella'' rendition of the chorus (in actuality the harmonized second half isolated and pasted to the beginning)-- and shortens Brian May's guitar solo.
56	* ChromaKey: Used copiously in the music video for "The Invisible Man" to make the band silhouettes appear in the boy's video game and on top of his house.
57	* ColdBloodedTorture: "Chinese Torture" is named after the water-dripping torture technique, where someone is tied up while a drop of water keeps dripping on their forehead. The song's dark composition was intended to invoke the same sense of fear as the torture method.
58	* ContinuityCavalcade: The music video for "The Miracle" shows "Little Freddie" in kid-sized versions of Freddie's various outfits over the years, including his black-and-white diamond jumpsuit from 1977, his white tank top and jeans from Live Aid, and his yellow jacket and white pants from Wembley in 1986. Given that the actual Freddie Mercury knew he didn't have long to live, the video's use of this trope acts as a self-eulogy in hindsight.
59	* CoolShip: "Khashoggi's Ship" is about a party held on the ''Nabila'' (now known as the ''[[https://en.wikipedia.org/wiki/Kingdom_5KR Kingdom 5KR]]''), a superyacht formerly owned by Saudi billionaire Adnan Khashoggi. For those wondering, a financially strained Kashoggi sold the ship in 1988 to Brunei sultan Hassanal Bolkiah, who sold her later that year to American businessman and future president UsefulNotes/DonaldTrump, who sold her in 1991 to Saudi prince Al Waleed bin Talal Al Saud. As of 2020, Al Waleed is still the ship's current owner.
60	* DesignStudentsOrgasm: The album cover sophisticatedly blends the band's faces into one seamlessly flowing unit, with the back cover making a stunningly elaborate honeycomb-like structure out of their eyes. Both were achieved using a [[https://en.wikipedia.org/wiki/Quantel_Paintbox Quantel Paintbox]], a computer graphics workstation typically used for television broadcasts.
61	* FaceOnTheCover: A very special and literal example of this trope: the band members' faces are composed into one. Notably, ''The Miracle'' is the last studio album of Queen's to abide by this trope (discounting the collaborative album ''The Cosmos Rocks''), with ''Music/{{Innuendo}}'' featuring appropriated J.J. Grandville illustrations and ''Made in Heaven'' featuring just a back shot of the surviving band members on the ''back'' cover (with the front cover using a back shot of a statue of Freddie).
62	* FoodFight: Mentioned in "Party".
63	--> ''We had a food fight in somebody's face''.
64	* {{Foreshadowing}}: The title track and "Breakthru" mention "All God's People" and "Headlong" in their lyrics, both songs that would appear on the next album ''Music/{{Innuendo}}''.
65	* TheFutureWillBeBetter: "The Miracle", a song that informs the listener that the day in the future "the time will come, one day you'll see, when we will all be friends".
66	* GrandFinale: "Was It All Worth It?" was written with this in mind, as Freddie and the rest of the band didn't expect that he'd have much longer to live (given how rapidly AIDS ate away at people before medication for HIV became widely available).
67	* GratuitousPanning: The synth bass on "Breakthru" jumps between the left and right channels at multiple points throughout the song; Brian May's guitar part also indulges in this trope during his solo on the same track.
68	* {{Invisibility}}: Predictably, this trope serves as the point of focus for "The Invisible Man".
69	* ImportantHaircut: Freddie shaved the now-iconic thick mustache he sported throughout the majority of the 80's during the era for this album, with his clean-shaven look on the album cover representing Queen's return to a harder sound in-line with their late 70's work. At the same time, however, promotional photos and music videos for the album see Freddie grow a five-o-clock shadow, an apparent attempt at making his AIDS-induced weight loss less noticeable; it didn't work. The difference in facial hair would be further emphasized by the music video for "The Miracle", which features a child actor impersonating Freddie's Wembley '86 getup, complete with (fake) mustache, [[https://i.pinimg.com/originals/ed/f5/d9/edf5d9186c73a40ea4cb3a2895b3ddc5.jpg side-by-side]] with the real, bearded Freddie, wearing the same outfit.
70	* IWantSong: "I Want It All".
71	* ListSong: "The Miracle" names several things Freddie considers to be a miracle.
72	* LongestSongGoesLast: On LP and cassette copies and all versions of the 2011 remaster, the closing track is "Was It All Worth It?", which at 5:45 outpaces every other song on the record.
73	* LyricalColdOpen: The single mix of "I Want It All" begins with an acapella rendition of the chorus.
74	* MonaLisaSmile: "The Miracle" describes ''Art/TheMonaLisa'' and her ability to maintain her iconic smile in the face of the world's turmoil as one of the many miracles listed throughout the lyrics.
75	* MundaneMadeAwesome: Freddie does this literally in "The Miracle", where among the various things he considers to be a miracle he also lists stuff like "Cain and Abel" and "Sunday mornings with a cup of tea".
76	* MythologyGag: "The Invisible Man" harks back to the formula of "Another One Bites the Dust" from nearly a decade prior, being a catchy dance song driven along by a prominent bass guitar part.
77	* NewSoundAlbum: Compared to the heavily synth-driven material the band had been putting out throughout the 80's, this record steps back into the HardRock direction of their 70's output, though not without its own 80's synth flourishes, effectively acting as a modernization of the "classic" Queen sound. The only song on the album that can really be considered in-line with the band's previous 80's albums is "The Invisible Man", which is primarily driven by John Deacon's bass and copiously accentuated by synth flares.
78	* NightmareFace: The head on the album cover: a composite of the band members' faces.
79	* NostalgiaFilter: "Was It All Worth It?", where the band looks back on their career and success. Eventually Freddie decides that despite the less pleasant moments and especially his failing health, it was all indeed WorthIt!
80	* OneManSong: "The Invisible Man".
81	* OneWordTitle: "Party", "Breakthru", "Scandal".
82	* PepTalkSong: "The Miracle", "Breakthru", "Rain Must Fall" are all energetic songs that confirm to the listener that life is great, despite that sometimes "some rain must fall."
83	* ThePowerOfLove: "Breakthru" and "My Baby Does Me" are powerful love songs.
84	* ProtestSong: "I Want It All" was interpreted both as an anti-apartheid song and as an [=LBGT=] anthem, though neither of those meanings were intended by the band. The anti-apartheid interpretation is rather ironic in that Queen was one of the few major groups [[http://www.guardian.co.uk/music/2005/jan/14/2http://www.guardian.co.uk/music/2005/jan/14/2 not to abide]] with the UN cultural boycott on apartheid South Africa, and they ended up fined and blacklisted. Queen members later argued that they weren't a political group and that the crowd was integrated, missing the point on the policy of de-investment.
85	* QuestioningTitle: "Was It All Worth It?"
86	* RealLifeWritesThePlot:
87	** "Khashoggi's Ship" was written about billionaire Adnan Khashoggi and his large private yacht the ''Nabila'' (nowadays the ''Kingdom [=5KR=]'').
88	** Not only was "Scandal" inspired by the real-life intrusion of the tabloid press on Freddie as he was secretly suffering from HIV/AIDS, but a certain amount of them were equally intrusive upon Brian's divorce and his entering a relationship with actress Anita Dobson.
89	* RearrangeTheSong:
90	** The single mix of "I Want It All" replaces the most of the intro with [[LyricalColdOpen an acapella version of the chorus]] and removes the slow section of Music/BrianMay's second guitar solo.
91	** Initial CD editions close out with the 12" remix of "The Invisible Man", which removes some of the lyrics in favor of focusing on the song's rhythmic elements.
92	* ReCut: The 1991 Creator/HollywoodRecords remaster, in addition to adding the 12" version of "Scandal" as a bonus track (on top of the three carried over from the 1989 release), features [[https://www.youtube.com/watch?v=irzy8nw4xrk an alternate edit]] of "I Want It All" that removes the choral section from the first chorus (all subsequent choruses are unaffected). The tracklist on the back cover still lists the timestamp for the original version, which would eventually be restored for the 2011 remaster.
93	* RevisitingTheRoots: ''The Miracle'' sees Queen return to the HardRock style of GlamRock that had punctuated both [[Music/Queen1973 their very first album]] and their material from 1977-1980. ''Music/{{Innuendo}}'' would take the approach even further, modernizing the ProgressiveRock style of ''Music/QueenII'', ''Music/ANightAtTheOpera'', and ''Music/{{A Day at the Races\|Album}}''.
94	* ScoobyStack: In the music video for "The Invisible Man", the boy's parents and sister pop their heads through the doorframe, one at a time and all arranged vertically, in time with the line "huh, huh, huh, hello."
95	* SelfBackingVocalist: Most of "The Miracle" (Brian and Roger do sing at the end, though), "Scandal, "Rain Must Fall" and a few bits on "Party".
96	* SeriesFauxnale: In 1989, an AIDS diagnosis was still functionally a death sentence due to a lack of available antiviral medication, and death often came quickly once the disease was spotted. Thus, when Freddie was diagnosed, he didn't think he'd live long enough to see more than one album put out: "Was It All Worth It?" consequently became an attempt to wrap up Queen's story in true Queen fashion while Freddie was still alive. However, he was miraculously able to live long enough to finish recording for ''Music/{{Innuendo}}'', though only managed to record vocals for three songs on ''Music/MadeInHeaven'' before his death (the rest were cobbled together from whatever the band had on-hand).
97	* ShoutOut:
98	** "The Miracle" name-drops several things that are a miracle, among them the Golden Gate bridge, the Taj Mahal, Captain Cook, the Hanging Gardens of Babylon, Cain and Abel, Music/JimiHendrix, the Tower Of Babel and ''Art/TheMonaLisa''.
99	** "The Invisible Man" is a shout-out to ''Literature/TheInvisibleMan''. Additionally, the boy in the song's music video wears a [[Music/TheBeachBoys Beach Boys]] tee shirt.
100	** "I Want It All" became an anti-apartheid anthem among the youth in South Africa at its release.
101	* SiameseTwinSongs: Both "Party" and "Kashoggi's Ship" cover themes of partying and are very similar to one another in sound and structure; their placement side-by-side on the album results in the cold ending to "Party" jumping straight to the abrupt opening of "Kashoggi's Ship", thus making the songs sound like two movements of a larger piece.
102	* SingerNameDrop: All four band members are name-dropped over the course of "The Invisible Man", in time to when they first make their presences heard.
103	* SpinOffBabies: In the music video of "The Miracle" the band is played by children, dressed up as them. The grown-up Queen joins them on the set at the end.
104	* StepUpToTheMicrophone: Brian May sings co-lead vocals on "Party" and "I Want It All". Roger Taylor sings co-lead vocals on "The Invisible Man", having previously done a guide vocal for the track (included on the bonus disc for the 2011 remaster).
105	* TabloidMelodrama: "Scandal" was written in response to the tabloids trying pry into the private lives of Music/FreddieMercury as he was battling HIV/AIDS and Music/BrianMay as he was going through a painful divorce. Appropriately, the song depicts tabloid reporters as predatory and exploitative, airing the narrator's dirty laundry for cheap entertainment. The music video additionally depicts the band performing on a soundstage littered with giant, sensationalist mastheads and headlines, intercut with footage of paparazzi snapping photos.
106	* TakeThat:
107	** "Scandal" is an attack on the celebrity-obsessed media, who were giving both Freddie (over his health problems, resulting in a picture of him looking haggard and emaciated on the front page of ''The Sun'') and Brian (over his divorce and subsequent marriage to actress Anita Dobson) a hard time in the late eighties. Ironically, Freddie's appearance in the music video for "Scandal" only ''furthered'' media speculation about his health, as it vividly showcased his AIDS-induced weight loss to a degree not seen in other videos from the era.
108	** John Deacon once went AWOL during some recording sessions, leaving just a note on his bass saying "gone to Bali", which shocked and upset the rest of the band. To get back at Deacon, the line "we went to Bali" was incorporated into "Was It All Worth It", which Freddie thought at the time would be his swan song (as he didn't think he'd live long enough for another album; he proved himself wrong two years later).
109	* TitleTrack: "The Miracle".
110	* TrainTopBattle: Kind of. In the music video of "Breakthru" the band performs on top of a riding train, battling to keep their balance.
111	* TrrrillingRrrs: Freddie does this with Roger Taylor's name when introducing him for his drum solo in "The Invisible Man".
112	* TruckDriversGearChange: There's slight modulation upwards just before the final chorus in "Breakthru".
113	* WarIsHell: "The Miracle", a song with a message for world peace.
114	* WorthIt : The gist of the closing song, known as "Was It All Worth It?". According to the band, despite all the effort and heartache they put into it all, even after they knew that Freddie had AIDS, "It was a worthwhile experience!"

Context Music / TheMiracle