Line #11 Main/UrbanHellscape


1	[[quoteright:350:[[VideoGame/FinalFight https://static.tvtropes.org/pmwiki/pub/images/gfs_62773_2_8.jpg]]]]
2	[[caption-width-right:350:Welcome to [[WretchedHive Metro City]].]]
3
4	->''"It's like Dante's hell down here: smoke, fire, oppressive heat, as Colombian and Jamaican drug fiends once again transform the streets of LA into a slaughterhouse. Who the hell's in charge down here? The cops? Uh-uh. They're outmanned, outgunned and incompetent. Mr Mayor, on vacation in your home in Lake Tahoe, get off your butt, get down here and declare martial law!!"''
5	-->-- '''Tony Pope''', ''Film/Predator2''
6
7	In the time span between TheSixties and TheEighties, wealthy and middle-class Americans moved out of urban areas into the suburbs. As a result, poverty, violent crime and gang activity were on the rise in inner cities. An epidemic of crack cocaine made things even worse, partly due to the widespread social panic (due to crack being extremely addictive and harmful), and partly because the crackhouses that formed in these abandoned buildings [[NotInMyBackyard intensified urban decay in their vicinity]]. These factors created a bleak outlook on the [[TwentyMinutesIntoTheFuture future of cities]]; once seen as shimmering beacons and examples of man's progress, they were now depicted as little more than concrete jungles, war zones and fiefs carved out by the various gangs who control the area. Naturally this image inspired plenty of fiction.
8
9	There are a few common traits to this trope:
10	* Cities are often depicted as decaying or falling into abuse and disrepair, if not [[UrbanRuins destroyed outright]]. There's typically a lot of trash, boarded-up buildings, and graffiti on the walls. Expect to see a TrashcanBonfire or two as well.
11	* The city is infested with criminals, especially gangs who embody the "[[TheQuincyPunk Punk]]" style. While some gangs may be sympathetic compared to others, for the most part, they are depicted as ruthless, remorseless and animalistic with few redeeming qualities and little trace of any civility. The bigger gangs outright control sections of the city, [[CrooksAreBetterArmed often with hardware that would make some militaries jealous.]] The aforementioned introduction of crack cocaine is important here, because it also gives an excuse for the persecution and {{demonization}} of the poor in general, from the perception that they'd been [[AddledAddict turned "feral" by drug addiction]], blatantly stereotyping them as {{Lower Class Lout}}s, which ironically is often true of only the real criminals.
12	* Police are often either [[PoliceAreUseless completely ineffectual]] at stopping crime (and what crime it ''can'' stop, [[TheLopsidedArmOfTheLaw it literally tosses everything and the figurative kitchen sink at it]]), have [[Main/PoliceState militarized themselves into an army]], [[Main/DirtyCop are just as crooked as the criminals]] or any combination of the three. If the hero of the story is a cop, they are typically a CowboyCop who doesn't like red tape and [[PayEvilUntoEvil uses lethal force]] to get the job done, often to the dismay of DaChief or a token ObstructiveBureaucrat, or [[TokenGoodCop the only actually decent cop left]], who seriously struggles to keep doing the right thing. Just as often, the protagonist is a VigilanteMan (sometimes an ex-cop and/or ex-soldier) who uses brutal methods.
13	* The only "pristine" sections of an urban metropolis are those controlled by the local {{MegaCorp}}s, and even then, it's a CrapsaccharineWorld. The MegaCorp is often depicted as the GreaterScopeVillain at least partly responsible for what the city has become, but defeating them is often seen as a secondary goal compared to the immediate threat of the Urban Hellscape.
14
15	It tends to overlap with the WretchedHive. The main difference is that the WretchedHive is about a place where bad guys are free to do bad guy things with few consequences. This trope is about a city or metropolis that has fallen into a ridiculously-violent and corrupt hell. Even if the criminals aren't in charge here, they are such a constant menace that the only authority figures have to be [[MightMakesRight that much tougher and more violent]]. The overall message of an Urban Hellscape is that civilized society has gotten too weak and needs [[UnscrupulousHero to take extreme, unthinkable measures to save itself]].
16
17	It's almost guaranteed to also be a ViceCity, though not every Vice City is one (some keep things under enough control for people to partake safely in the debauchery without violence or chaos).
18
19	Many aspects of this trope still exist today. The CowboyCop, for example, was popularized by this trope but still remains in use in Hollywood. The VigilanteMan trope couldn't have been more popular during TheNineties (with the NinetiesAntiHero being a late successor) and nineties nostalgia is bringing this back, especially with {{superhero}}es at the height of their popularity. There's also TheApunkalypse, which took this trope to an even further conclusion where civilization has completely collapsed and punk gangs rule the planet (now the standard way we look at post-apocalyptic fiction). Numerous [[BeatEmUp Beat 'em Ups]] in the '80s also used this trope, as it made for a convenient ExcusePlot for beating up tons of people. In TheNineties, however, the genre rapidly declined in favor of films about VirtualReality (such as ''Film/{{Virtuosity}}'', ''Film/TheLawnmowerMan'' and ''Film/TheMatrix'') or {{Disaster Movie}}s (like ''Film/IndependenceDay'', ''Film/{{Volcano}}'' or ''Film/DantesPeak'').
20
21	In addition to this trope's natural decline, society has marched on as well. As those who grew up in the suburbs yearned throughout their lifetime for proximity and single digit mileage in their daily commutes, many young people started moving back to the previously forsaken neighborhoods of the inner city around the TurnOfTheMillennium. Crime will always happen, poverty will always happen, and enough of it in a modern neighborhood can make it look like one of these [[CrapsackOnlyByComparison on a comparative basis]], but the downright Dante-esque examples that were once so common in fiction can be said to be all but gone in the First World. Even some of America's most notoriously crime-ridden major cities are still substantially safer than they were in the '80s and '90s.
22
23	See also TheWildWest, for fictional depictions of a similar "lawless" time, {{Gangsterland}}, which was based on the mob rule of the Prohibition era, and TheBigRottenApple, which is a local variant focusing on UsefulNotes/NewYorkCity (the poster child for this trope in the '70s and '80s). Compare {{Cyberpunk}}, which combines this trope with TwentyMinutesIntoTheFuture and focuses on how technology and {{MegaCorp}}s brought it about. For a literal example, see CityOfTheDamned.
24
25	----
26	!!Examples:
27
28	[[foldercontrol]]
29
30	[[folder:Anime and Manga]]
31	* ''Manga/FistOfTheNorthStar'' is an [[TheApunkalypse Apunkalyptic]] variation, with gangs ruling the decaying ruins of cities after a nuclear holocaust. The gangs are typically without any redeeming features whatsoever, and the only ray of hope in the series is the protagonist Kenshiro.
32	[[/folder]]
33
34	[[folder:Comic Books]]
35	* Modern versions of Franchise/{{Batman}} often portray Gotham in this light. Filled with incompetent or corrupt cops, gangs controlling the streets, with the neighboring city of Metropolis being the "pristine" MegaCorp-run sister city. The ultimate example of this in the franchise is the ([[TwentyMinutesIntoTheFuture at the time]]) future-set ''ComicBook/BatmanTheDarkKnightReturns''.
36	* ''ComicBook/JudgeDredd'' was built on this trope, as the purpose of the eponymous "Judges" is to bring order to the chaotic urban Hellscape of Mega City One.
37	[[/folder]]
38
39	[[folder:Films -- Live-Action]]
40	* ''Film/DirtyHarry'' is the UrExample and TropeMaker. The eponymous character is a CowboyCop who has become disillusioned with by-the-book policework, and seeing criminals frequently get OffOnATechnicality. He thus frequently takes the law into his own hands, and the films either explore the sort of conditions that justify his actions, or what happens when other police go to even more brutal methods from his example.
41	* The original ''Film/MadMax1'' took place in a [[JustBeforeTheEnd collapsing civilization]], where motorized gangs terrorized the highways. After the loss of his family, Max Rockatansky becomes a ruthless VigilanteMan bent on revenge. The later films in the ''Film/MadMax'' franchise moved the setting to AfterTheEnd, and became the TropeMaker of TheApunkalypse. If nothing else, this film can be credited with melding the two genres.
42	* The ''Film/DeathWish'' series falls into this trope, particularly the third film, which portrays the criminal gang as brutish and savage to the point that when protagonist VigilanteMan Paul Kersey kills them with military-grade weaponry, residents cheer him on from their windows.
43	* ''Franchise/RoboCop'' is one of the most famous examples of the trope. In its world, the MegaCorp OCP completely controls Detroit, and the city itself has fallen into a lawless mess where cops themselves are owned by OCP and die in the line of duty every single night. The gangs which run the city are barbaric, murderous sadists, and even more petty criminals run around the streets completely unopposed. The eponymous hero, [=RoboCop=], is a nigh-unstoppable {{Cyborg}} that is created to fight these criminals and (since everything he sees and hears is recorded) has the authority to act with lethal force.
44	* ''Film/Predator2'' portrays [[TwentyMinutesIntoTheFuture 1997 Los Angeles]] as a war zone between two rival gangs which are portrayed as foreign (particularly Jamaican) stereotypes, including constant drug use, barbaric forms of violence, and voodoo. The protagonist Mike Harrigan is, naturally [[CowboyCop a renegade cop]] who gets results but is constantly chewed-out by his superior officer.
45	* ''Film/JudgmentNight'' depicts the seedier side of Chicago as an especially frightening place to be stranded in at night, especially with a gang of criminals actively hunting down you and your buddies. The dilapidated, mostly-empty streets are bathed in yellowish light from sodium lamps, giving the surroundings an almost infernal quality.
46	* The backstory of ''Film/EscapeFromNewYork'' was that a nerve gas attack on Manhattan had turned so many people violently psychotic that the authorities had little choice except to simply quarantine the island; and that later it was used as a convenient high-security dumping ground for convicts.
47	* ''Film/DemolitionMan'' starts in a Los Angeles which fell to this trope. Most of the film, however, takes place in a future where it's been reclaimed and turned into [[StepfordSuburbia the exact opposite trope]], the few remaining criminals and dissidents literally pushed underground and the only traces of the "bad old days" of Los Angeles existing in a museum.
48	* The nameless city of ''Film/TheCrow1994'' - implied to be Detroit - fits the trope to a T. It's perpetually dark and rainy, the streets are overflowing with trash, a great many buildings stand empty and abandoned, and even the ones that're uninhabited are dilapidated to the core. Drugs are everywhere, criminals run everything, the cops can't do a thing about it (assuming they even try), and a massive city-wide act of arson called "Devil's Night" has basically become an anticipated annual event. It's so bad that it requires the vengeful soul of a murdered man returning from the dead to do ''anything'' about the horrifying state of the city.
49	* ''Film/TheWarriors'' depicts after-hours New York City as a hostile wilderness of petty gang fiefdoms. Our antiheroes, the Warriors, are a gang who must undertake the epic journey of crossing this wasteland and arriving in Coney Island intact while all the city's gangs hunt them down.
50	[[/folder]]
51
52	[[folder:Literature]]
53	* ''Literature/BrownGirlInTheRing'': Implied by one of the newspaper headlines Ti-Jeanne reads that are "twelve, thirteen years old" or so:
54	--> [[AC:Crime at all-time high but budget cuts force Ontario provincial police to downsize]]
55	* ''Literature/TheEarTheEyeAndTheArm'': Toxic slums, borderline-PrivatelyOwnedSociety, food shortages... an excellent example from the trope's heyday in the mid-90's.
56	* ''Literature/MoonCopsOnTheMoon'' by Creator/CTPhipps, the Moon is a barely habitable bunch of domes and underground communities that are full of crime, poverty, as well as extreme violence.
57	* ''Literature/{{Renegades}}'': This is what Gatlon City used to look like ten years before the books' plot. The local government had disintegrated, the social services were completely gone, and the entire city was ruled by a swarm of superpowered gangs in constant war over territory, with everyone living there either belonging to a gang or paying protection fees. The only group clearly on top were the Anarchists - who, true to their name, did nothing to rein the rest in - and the Renegades, who did end up bringing order back.
58	[[/folder]]
59
60	[[folder:Live-Action TV]]
61	* ''Series/TheGetDown'': TruthInTelevision for the 1977 Bronx.
62	[[/folder]]
63
64	[[folder:Video Games]]
65	* ''VideoGame/Cyberpunk2077'' is set in Night City, a massive metropolis that was recently voted "the worst place to live in America". Being the setting of a {{Cyberpunk}} game that's based on a tabletop RPG from the late [[TheEighties eighties]], Night City appearing on this list was practically a given from the outset, so of course it's overflowing with all sorts of violent criminals, cops that shoot first and ask questions never, [=EMTs=] that're armed to the teeth, and a bunch of amoral [[MegaCorp MegaCorps]] that run the whole shitshow from their ivory towers, uncaring of the squalor in the streets as long as there's money to be made.
66	* ''VideoGame/FinalFight'' is built on this premise, with crime running so rampant that even the mayor himself has to step out of office and take to the street to beat the thugs with his own two hands. Naturally, the criminals are all punk-styled and have little in the way of characterization (granted, the heroes don't either, but still).
67	* ''VideoGame/DoubleDragon'' takes the same premise as ''Final Fight'' but also adds in TheApunkalypse. Civilization has collapsed, making martial arts dojos the only law left in the world. Thus the twin brothers Billy and Jimmy Lee fight to clean up the streets of New York. In some version, however, Jimmy is also secretly the Shadow Boss that controls the most powerful gang in the world.
68	* ''VideoGame/StreetsOfRage'' has the city taken over by a criminal syndicate and it's stated that the police are in the hands of the criminals while the remaining good cops quit the force due to not being able to make a stand. Some of the said good cops are the player characters who decide to take matters into their own hands by taking on the syndicate directly. The 3rd game extends the urban hellscape to either the White House (Japanese version) or City Hall (English version).
69	* ''VideoGame/LISAThePointless'': While the rest of Olathe isn't exactly peachy keen either, downtown Olathe is a huge city whose inhabitants are in a constant turf war with each other.
70	* The endgame of ''VideoGame/SpiderManPS4'' turns New York into a warzone with people dying from the Devil's Breath outbreak, violent convicts running loose in the streets, Sable International turning what parts of the city they can into a fascist police state, the actual police effectively helpless and Mayor Osborn blaming Spider-Man for most of it and declaring him a fugitive to be taken in.
71	[[/folder]]
72
73	[[folder:Web Original]]
74	* The trope name comes from ''WebVideo/RenegadeCut'', which calls it the "Sci-Fi Urban Hellscape". He explains both the beginnings, end, and aspects of the trope, using ''Film/Predator2'' as an example of one of the last of its kind.
75	[[/folder]]

Context Main / UrbanHellscape